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Asks how the racialized genre divisions in American commerical music came into being, and how they became so entrenched, challenging the assumption of strict musical segregation in the late-19th-century rural South.

Produktbeschreibung
Asks how the racialized genre divisions in American commerical music came into being, and how they became so entrenched, challenging the assumption of strict musical segregation in the late-19th-century rural South.
Autorenporträt
Karl Hagstrom Miller