There are three main branches in Karen Harrison's poetry - mythological interpretation, journeying and intimate experiences. These sometimes intertwine, sometimes stay parallel. And the crown is full of movement with falling leaves at the edge of summer (her primordial sorrow) and elegant trembling of language. The movement is often a pulse. Some poems maintain their distance, others crush you with their closeness. But this is not a feminine poetry of attraction and sentiment, anticipating and inducing, it is a traveller's poetry in which the poet floats free with her images and readers solely…mehr
There are three main branches in Karen Harrison's poetry - mythological interpretation, journeying and intimate experiences. These sometimes intertwine, sometimes stay parallel. And the crown is full of movement with falling leaves at the edge of summer (her primordial sorrow) and elegant trembling of language. The movement is often a pulse. Some poems maintain their distance, others crush you with their closeness. But this is not a feminine poetry of attraction and sentiment, anticipating and inducing, it is a traveller's poetry in which the poet floats free with her images and readers solely dependent on the river's currents. A confirmation of Heraclitus' 'Everything is one.' Where rivers are trees from above. This is Karen Harrison's first poetry collection in English, originally published in 2011 and now reprinted in 2018. Her second poetry collection, Night-Singing Bird, is also available from Small Stations Press.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Karen Harrison was born in Dungannon, Northern Ireland, to an Irish father and English mother. She grew up there and in Buckinghamshire. Having graduated in PPE from Balliol College, Oxford, she qualified as an accountant and worked in Indonesia and St Petersburg. In 2000 she returned to England and later moved to Ukraine, where she was finance director for a major TV channel. In 2008 she moved to Sofia, Bulgaria, where she was finance director for a large media and broadband company and lived until 2013. The forty-four poems in this book cover a period of seventeen years, from Borneo in 1994 to Sofia in 2011.
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