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The first story - The Aroma of Kewda Flowers, is a result of a life almost lost and broken. The first love fails without any convincing reason. The lovers have never opened up to each other, rather they never tried, may be a chance factor plays an uncanny mischief, as a result Deepak and her infatuated girl friend drift apart. The woman, an IT professional maries a "shadow" for the "substance" never appears as except in a bitter grimace of memory in the narrator's monologue. The marriage fails, life flows as rocky beds but the aroma of Kewda's haunted her till the end.The poverty and…mehr

Produktbeschreibung
The first story - The Aroma of Kewda Flowers, is a result of a life almost lost and broken. The first love fails without any convincing reason. The lovers have never opened up to each other, rather they never tried, may be a chance factor plays an uncanny mischief, as a result Deepak and her infatuated girl friend drift apart. The woman, an IT professional maries a "shadow" for the "substance" never appears as except in a bitter grimace of memory in the narrator's monologue. The marriage fails, life flows as rocky beds but the aroma of Kewda's haunted her till the end.The poverty and fate-freewill conflict of the traditional stories narrated the pair of hunger, torture and victimhood. In the shifting paradigms of life when poverty is here, freedom is palpable and the human will is free to make choices in life, we get the same conflict (interval) and failure. Life is lost without a search for meaning.In the Lonely Bird (Eka Eka Pakhi Tie) almost the same failure of communication between winds, hearts and other civilized nuances. Desire for union is not dead but one takes the first step for reaching forward. The live confinements were limited, although today the internet is the connecting web. But the author by using the speech rhythms of modern people and by inter sparring the spoken Odia with English words is clearly reflected with our new reality. The cultural, moral and spiritual inheritance are all wasted in our bid to be of relevance on the digital civilization of present. The characters seem to be uprooted and never try to find or grow roots.The two stories which have reassured me that humanity is not lost, the goodness is not lost and humans can make their own fate even without education if they are assessed with some love and passion. Those two are in search of Happiness and the last Bouquet. Chemi and Sapana fight their imposed fate with their native talents. Chemi is in the rural area with inherited talents of making Ghee Pitha, "Chuda Muan" and Arisa etc. which every young girl learnt from their mothers or grandma's - It was a continuity of culture even in the midst of poverty and fatalism. Chemi and Sapana show us prove that by honest efforts, anyone can be self sufficient successful. Perhaps the tribe of good men are not dead. Rumjhum Nayak's narrative style and choice of vocabulary are engaging. She has a sense of 'beginning and end'. No unnecessary lingering on emotional brooding. Her narrative structure is compact and focused.
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Autorenporträt
Rumjhum Nayak is a well-known sensitive writer of Odia literature. Her stories reveal the reality of the innermost internal world of the human beings that are full of experiences and empathy. Passionate emotions, thoughtful interpretations and innovative designs are characteristic of her artistic speech. She has a fearless and undaunted heart in revealing the truth in the world of life. The artistic storyteller Rumjhum's own narrative style is so intimate that it becomes the reader's intimate landscape. In the life full of observations, each story of this masterful artist takes the reader from darkness to light. Her subtlety of direct plot structure and deep skill in character portrayal impresses the text, while the compositional style creates an artistic contrast between the seriousness of the poem and the dramatization of the drama. Vitality, sensitivity, social awareness and the helplessness of the human mind are prominent features in her stories. Readers are well acquainted with new discoveries of the breadth and depth of her praiseworthy composition. Voice of Humanism in the Stories are not only useful but also learnable for the uniqueness of language expression. In her writings, the heartbeat of the people of every class and every sector of the society can be felt. Continuous language, transition of time through slow and clear expressions helps the readers to sense the changes that occurred through a period of time. As a conscious and sensitive writer, she is well known and established in the world of Odia literature. Each story published by her in the "PANCHAGOTI" storybook collection is unique and readable. This collection includes stories that are widely adored by the literary readers.