Self Impression explores the fascinating ways in which writers from the 1870s to the 1930s - including Pater, Ruskin, Proust, Joyce, Stein, Pound, and Woolf - experimented with forms of life-writing. It proposes a new relation between autobiography and fiction in the period and a radically innovative literary history of Modernism.
Self Impression explores the fascinating ways in which writers from the 1870s to the 1930s - including Pater, Ruskin, Proust, Joyce, Stein, Pound, and Woolf - experimented with forms of life-writing. It proposes a new relation between autobiography and fiction in the period and a radically innovative literary history of Modernism.
Max Saunders is Director of the Arts and Humanities Research Institute and Professor of English and Co-Director at the Centre for Life-Writing Research at King's College London.
Inhaltsangabe
* Part I: Modern Ironisations of Auto/Biography and the Emergence of Autobiografiction: Victorian and fin-de-siècle Precursors * 1: Im/personality: The Imaginary Portraits of Walter Pater * 2: Aesthetic Auto/biography: Ruskin and Proust * 3: Pseudonymity, Third-personality, and Anonymity as disturbances in fin-de-siècle auto/biography * 4: Autobiografiction: Stephen Reynolds and A. C. Benson * 5: Auto/biografiction: Counterfeit Lives: A Taxonomy of Displacements of Fiction towards Life-Writing * 6: Literary Impressionism and Impressionist Autobiographies: Henry James, Joseph Conrad, and Ford Madox Ford * Part II: Modernist Auto/biografiction * 7: Heteronymity I: Imaginary Authorship and Imaginary Autobiography: Pessoa, Joyce, Svevo * 8: Heteronymity II: Taxonomies of Fictional Creativity: Joyce (continued) and Stein * 9: Auto/biographese and Auto/biografiction in Verse: Ezra Pound and Hugh Selwyn Mauberley * 10: Satirical Auto/biografiction: Richard Aldington and Wyndham Lewis * 11: Woolf, Bloomsbury, the 'New Biography', and the New Auto/biografiction * 12: After-Lives: Postmodern Experiments in Meta-Auto/biografiction: Sartre, Nabokov, Lessing, Byatt * Conclusion
* Part I: Modern Ironisations of Auto/Biography and the Emergence of Autobiografiction: Victorian and fin-de-siècle Precursors * 1: Im/personality: The Imaginary Portraits of Walter Pater * 2: Aesthetic Auto/biography: Ruskin and Proust * 3: Pseudonymity, Third-personality, and Anonymity as disturbances in fin-de-siècle auto/biography * 4: Autobiografiction: Stephen Reynolds and A. C. Benson * 5: Auto/biografiction: Counterfeit Lives: A Taxonomy of Displacements of Fiction towards Life-Writing * 6: Literary Impressionism and Impressionist Autobiographies: Henry James, Joseph Conrad, and Ford Madox Ford * Part II: Modernist Auto/biografiction * 7: Heteronymity I: Imaginary Authorship and Imaginary Autobiography: Pessoa, Joyce, Svevo * 8: Heteronymity II: Taxonomies of Fictional Creativity: Joyce (continued) and Stein * 9: Auto/biographese and Auto/biografiction in Verse: Ezra Pound and Hugh Selwyn Mauberley * 10: Satirical Auto/biografiction: Richard Aldington and Wyndham Lewis * 11: Woolf, Bloomsbury, the 'New Biography', and the New Auto/biografiction * 12: After-Lives: Postmodern Experiments in Meta-Auto/biografiction: Sartre, Nabokov, Lessing, Byatt * Conclusion
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