This book brings together the study of self-reflective fiction and the contemporary 4E theories of cognition in order to challenge existing cognitive-theoretical models and approaches to literary phenomena.
This book brings together the study of self-reflective fiction and the contemporary 4E theories of cognition in order to challenge existing cognitive-theoretical models and approaches to literary phenomena.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Merja Polvinen is Senior Lecturer in English studies and Docent (Associate Professor) in comparative literature at the University of Helsinki, Finland.
Inhaltsangabe
Table of Contents 1. Introduction: An Enactive Approach to Self-Reflective Fiction 2. The Metaphorical Seeing-As 2.1 'A Clean, Bright Paradox': A.S. Byatt's Self-Conscious Realism in Still Life 2.2 Speculative Fiction, Self-Reflection and Literal Narratology in Catherynne M. Valente's 'Silently and Very Fast' 3. The Artificial Spatiality of Literary Environments 3.1 Enactive Perception and Fictional Worlds: China Miéville's The City & The City 3.2 Making Space: Affordances and Literary Engagement in Ali Smith's There but for the 4. Temporality and Embodied Knowledge 1. The Speed of Thought in John Barth's 'On with the Story' 2. Self-Reflective Knowledge and Narrative Emotions in Ted Chiang's 'Story of Your Life' 1. Fictionality as Artifice 1. Affect and Artifice in Dave Eggers's The Heartbreaking Work of Staggering Genius 2. Double Vision and the Instrumental Value of Fiction: Christopher Priest's The Prestige
Table of Contents 1. Introduction: An Enactive Approach to Self-Reflective Fiction 2. The Metaphorical Seeing-As 2.1 'A Clean, Bright Paradox': A.S. Byatt's Self-Conscious Realism in Still Life 2.2 Speculative Fiction, Self-Reflection and Literal Narratology in Catherynne M. Valente's 'Silently and Very Fast' 3. The Artificial Spatiality of Literary Environments 3.1 Enactive Perception and Fictional Worlds: China Miéville's The City & The City 3.2 Making Space: Affordances and Literary Engagement in Ali Smith's There but for the 4. Temporality and Embodied Knowledge 1. The Speed of Thought in John Barth's 'On with the Story' 2. Self-Reflective Knowledge and Narrative Emotions in Ted Chiang's 'Story of Your Life' 1. Fictionality as Artifice 1. Affect and Artifice in Dave Eggers's The Heartbreaking Work of Staggering Genius 2. Double Vision and the Instrumental Value of Fiction: Christopher Priest's The Prestige
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