The volume explores contemporary and historical films about "marked women" in various national cinema traditions. The essays focus on the depictions of prostitution and promiscuity in visual media from Silent Film in America to Weimar Cinema in Germany, the Golden Years in Hollywood, to the present. The book also touches on the Western genre, exploitation film, pornography, independent, and exploitation movies.
The volume explores contemporary and historical films about "marked women" in various national cinema traditions. The essays focus on the depictions of prostitution and promiscuity in visual media from Silent Film in America to Weimar Cinema in Germany, the Golden Years in Hollywood, to the present. The book also touches on the Western genre, exploitation film, pornography, independent, and exploitation movies.
Acknowledgments Preface: Deborah Jermyn IntroductionKaren A. Ritzenhoff and Catriona McAvoy Chapter 1: The Sexual Economy and the New Woman: Images of Prostitution in Weimar Cinema Tom Saunders Chapter 2: Early representations of female prostitution in Pandora's Box (1929) Clémentine Tholas-Disset Chapter 3: How the Production Code Tapped Out the Mother Lode: Women, Sex, and Busby Berkeley's Gold Diggers Films Tiel Lundy Chapter 4: "Birdie, don't I get something for my dollar?" The "Tutor-Code" of Sex Trade in the Golden Age of Television Westerns Gaylyn Studlar Chapter 5: Economics, Empathy, and Expectation: History and Representation of Rape and Prostitution in Late 1980s Vietnam War Films Amanda Boczar Chapter 6: She Wolves: The Monstrous Women of Nazisploitation Cinema Brian E. Crim Chapter 7: Delicate Reports: Prostitution in Sergio Martino's mondo film Wages of Sin (Mille peccati...nessuna virtù, 1969) Andreas Ehrenreich Chapter 8: Cha Ching!: Getting Paid in Breakfast at Tiffany's and Showtime's Gigolos Janet Robinson Chapter 9: Machines, Mirrors, Martyrs, and Money: Prostitutes and Promiscuity in Steve McQueen's Shame (2011) and Stanley Kubrick's Eyes Wide Shut (1999) Catriona McAvoy and Karen A. Ritzenhoff Chapter 10: "They're Selling an Image:" "Hookers Cut to Look Like Movie Stars" in L.A. Confidential (1997) Rochelle Sara Miller Chapter 11: Selling Sex, along with everything else: "Darla" as Mark(et)ed Woman in Joss Whedon's Buffy, the Vampire Slayer Wendy Sterba Chapter 12: What Happens to the Money Shot? Why Zombie Porn Can't Get the Audience to Bite James J. Ward Index About the Editors and Contributors
Acknowledgments Preface: Deborah Jermyn IntroductionKaren A. Ritzenhoff and Catriona McAvoy Chapter 1: The Sexual Economy and the New Woman: Images of Prostitution in Weimar Cinema Tom Saunders Chapter 2: Early representations of female prostitution in Pandora's Box (1929) Clémentine Tholas-Disset Chapter 3: How the Production Code Tapped Out the Mother Lode: Women, Sex, and Busby Berkeley's Gold Diggers Films Tiel Lundy Chapter 4: "Birdie, don't I get something for my dollar?" The "Tutor-Code" of Sex Trade in the Golden Age of Television Westerns Gaylyn Studlar Chapter 5: Economics, Empathy, and Expectation: History and Representation of Rape and Prostitution in Late 1980s Vietnam War Films Amanda Boczar Chapter 6: She Wolves: The Monstrous Women of Nazisploitation Cinema Brian E. Crim Chapter 7: Delicate Reports: Prostitution in Sergio Martino's mondo film Wages of Sin (Mille peccati...nessuna virtù, 1969) Andreas Ehrenreich Chapter 8: Cha Ching!: Getting Paid in Breakfast at Tiffany's and Showtime's Gigolos Janet Robinson Chapter 9: Machines, Mirrors, Martyrs, and Money: Prostitutes and Promiscuity in Steve McQueen's Shame (2011) and Stanley Kubrick's Eyes Wide Shut (1999) Catriona McAvoy and Karen A. Ritzenhoff Chapter 10: "They're Selling an Image:" "Hookers Cut to Look Like Movie Stars" in L.A. Confidential (1997) Rochelle Sara Miller Chapter 11: Selling Sex, along with everything else: "Darla" as Mark(et)ed Woman in Joss Whedon's Buffy, the Vampire Slayer Wendy Sterba Chapter 12: What Happens to the Money Shot? Why Zombie Porn Can't Get the Audience to Bite James J. Ward Index About the Editors and Contributors
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