As critic Diana Brydon has argued, contemporary Canadian writers are "not transcending nation but resituating it." Drawing together themes of gender and sexuality, trauma and displacement, performativity, and linguistic diversity, Selves and Subjectivities offers an exciting new contribution to the multivocal dialogue surrounding the Canadian sense of identity.
As critic Diana Brydon has argued, contemporary Canadian writers are "not transcending nation but resituating it." Drawing together themes of gender and sexuality, trauma and displacement, performativity, and linguistic diversity, Selves and Subjectivities offers an exciting new contribution to the multivocal dialogue surrounding the Canadian sense of identity.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Manijeh Mannani is associate professor of English andcomparative literature in the Centre for Humanities at AthabascaUniversity and adjunct professor in the Comparative Literature Programat the University of Alberta. Veronica Thompson isdean of the Faculty of Humanities and Social Sciences at AthabascaUniversity.
Inhaltsangabe
Introduction 1 / Manijeh Mannani and VeronicaThompson A Semiotic Reading of Hédi Bouraoui's The Woman Betweenthe Lines 13 / Elizabeth Dahab Mourning Lost "Others" in Ronnie Burkett'sHappy 39 / Janne Cleveland Putting an End to Recycled Violence in Colleen Wagner'sThe Monument 69 / Gilbert McInnis Representations of the Self and the Other in Canadian InterculturalTheatre 95 / Anne Nothof Pulling Her Self Together: Daphne Marlatt's AnaHistoric 115 / Veronica Thompson "New, Angular Possibilities": Redefining EthnicityThrough Transcultural Exchanges in Marusya Bociurkiw's TheChildren of Mary 151 / Dana Patrascu-Kingsley The Elegiac Loss of the English- Canadian Self and the End of theRomantic Identification with the Aboriginal Other in LeonardCohen's Beautiful Losers 175 / Jesse RaeArchibald-Barber Playing the Role of the Tribe: The Aesthetics of Appropriation inCanadian Aboriginal Hip Hop 207 / Thor Polukoshko Toward a Theory of the Dubject: Doubling and Spacing the Self inCanadian Media Culture 235 / Mark A. McCutcheon List of Contributors 265
Introduction 1 / Manijeh Mannani and VeronicaThompson A Semiotic Reading of Hédi Bouraoui's The Woman Betweenthe Lines 13 / Elizabeth Dahab Mourning Lost "Others" in Ronnie Burkett'sHappy 39 / Janne Cleveland Putting an End to Recycled Violence in Colleen Wagner'sThe Monument 69 / Gilbert McInnis Representations of the Self and the Other in Canadian InterculturalTheatre 95 / Anne Nothof Pulling Her Self Together: Daphne Marlatt's AnaHistoric 115 / Veronica Thompson "New, Angular Possibilities": Redefining EthnicityThrough Transcultural Exchanges in Marusya Bociurkiw's TheChildren of Mary 151 / Dana Patrascu-Kingsley The Elegiac Loss of the English- Canadian Self and the End of theRomantic Identification with the Aboriginal Other in LeonardCohen's Beautiful Losers 175 / Jesse RaeArchibald-Barber Playing the Role of the Tribe: The Aesthetics of Appropriation inCanadian Aboriginal Hip Hop 207 / Thor Polukoshko Toward a Theory of the Dubject: Doubling and Spacing the Self inCanadian Media Culture 235 / Mark A. McCutcheon List of Contributors 265
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