This book interprets Derrida and looks beyond deconstructionism. It is a critique that identifies a pervasive flaw in Derrida's thinking: the semiological reduction that permeates deconstructionist theory and postmodernism in general. The critique focuses on Derrida, but its conclusions may be applied to other major figures in the postmodern tradition who espouse the variant of Saussurean semiology that reduces all meaning to the signification of signs.
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