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Drawing on a variety of film semiotic theories, this book sheds light on works by mainland Chinese directors, Hong Kong New Wave directors, Taiwan New Cinema directors, and overseas Chinese directors. Zeng examines the cultural/historical implications of exile through the detailed analysis of film language and theoretical exploration.
"Hong Zeng presents a much-needed theoretical exploration of Chinese-language film. The theory of exile provides a shared platform to discuss not only a variety of otherwise non-comparable Chinese-language films but also some critical aspects of Chinese films that had been insufficiently studied." - Jie Zhang, assistant professor, Chinese Language, Literature and Cinema , Trinity College