Visual images are a powerful force in international relations, and in Sensible Politics, William A. Callahan presents a unique analytical framework and a diverse range of sources to understand what visuals mean, and also how they can viscerally move and connect us in "affective communities of sense." It explores the visual geopolitics of war, peace, migration, and empire through an analysis of photographs, films, and art. It then expands the critical gaze to consider how "visual artifacts" -maps, veils, walls, gardens, and cyberspace-are sensory spaces where international politics comes alive in the politics of everyday life.…mehr
Visual images are a powerful force in international relations, and in Sensible Politics, William A. Callahan presents a unique analytical framework and a diverse range of sources to understand what visuals mean, and also how they can viscerally move and connect us in "affective communities of sense." It explores the visual geopolitics of war, peace, migration, and empire through an analysis of photographs, films, and art. It then expands the critical gaze to consider how "visual artifacts" -maps, veils, walls, gardens, and cyberspace-are sensory spaces where international politics comes alive in the politics of everyday life.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
William A. Callahan is Professor of International Relations at the London School of Economics and Political Science. His recent books include China Dreams: 20 Visions of the Future (OUP, 2015) and China: The Pessoptimist Nation (OUP: 2010). Callahan also makes documentary films: "China Dreams" was broadcast on KCET (Los Angeles) in 2015, "Toilet Adventures" (2015) was shortlisted for a major award by the Arts and Humanities Research Council, and "Great Walls" (2019) juxtaposes Trump's wall with the Great Wall of China.
Inhaltsangabe
Preface Introduction: Visualizing International Relations Part I: Visibility/Visuality: A Framework for Analysis 1. Visibility: The Social Construction of the Visual 2. Visuality: The Visual Performance of the International 3. Dynamic Dyads: Visibility/Visuality and East/West Part II: Visual Images 4. Methods, Ethics, and Filmmaking 5. Visualizing Security, Order, and War 6. Visual Art, Ethical Witnessing, and Resistance Part III: Visual Artifacts and Sensory Spaces 7. Maps, Space, and Power 8. The Sartorial Engineering of Race, Gender, and Faith 9. Walls as Barriers, Gateways, and the Sublime 10. Gardens in Diplomacy, War, and Peace 11. Visibility, Visuality, and Mass (Self)Surveillance Conclusion: Sensible Politics
Preface Introduction: Visualizing International Relations Part I: Visibility/Visuality: A Framework for Analysis 1. Visibility: The Social Construction of the Visual 2. Visuality: The Visual Performance of the International 3. Dynamic Dyads: Visibility/Visuality and East/West Part II: Visual Images 4. Methods, Ethics, and Filmmaking 5. Visualizing Security, Order, and War 6. Visual Art, Ethical Witnessing, and Resistance Part III: Visual Artifacts and Sensory Spaces 7. Maps, Space, and Power 8. The Sartorial Engineering of Race, Gender, and Faith 9. Walls as Barriers, Gateways, and the Sublime 10. Gardens in Diplomacy, War, and Peace 11. Visibility, Visuality, and Mass (Self)Surveillance Conclusion: Sensible Politics
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