This book bridges art therapy practice and research by presenting sensory-based relational art therapy approach (S-BRATA), a clinically tested framework for working with children with autism spectrum disorder (ASD) that explicitly addresses sensory dysfunction and its impact on impaired attachment.
This book bridges art therapy practice and research by presenting sensory-based relational art therapy approach (S-BRATA), a clinically tested framework for working with children with autism spectrum disorder (ASD) that explicitly addresses sensory dysfunction and its impact on impaired attachment.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Huma Durrani, DAT, is an art therapist and practice-based researcher who owns Coloured Canvas, a specialized community resource for individual and group art therapy for children and adolescents with autism spectrum disorder, psycho-emotional, and behavioural issues in Singapore.
Inhaltsangabe
Introduction PART 1: AUTISM, ATTACHMENT AND SENSORY INTEGRATION DYSFUNCTION (SID) Chapter 1: Raising a Child on the Spectrum Chapter 2: Attachment and Sensory Integration Dysfunction (SID) Chapter 3: Art Therapy's Scope to Concurrently Address Impaired Attachment and Comorbid SID Chapter 4: Methodology and Procedures PART 2: The 7 THEMES OF THE S-BRATA Chapter 5: Sense of Safety Chapter 6: Sensory Regulation Chapter 7: Mirroring and Attunement Chapter 8: Art Materials as Entry Point of Engagement Chapter 9: Structure and Boundaries Chapter 10: Flexibility Chapter 11: Art product Not the Focus Chapter 12: Conclusion
Introduction PART 1: AUTISM, ATTACHMENT AND SENSORY INTEGRATION DYSFUNCTION (SID) Chapter 1: Raising a Child on the Spectrum Chapter 2: Attachment and Sensory Integration Dysfunction (SID) Chapter 3: Art Therapy's Scope to Concurrently Address Impaired Attachment and Comorbid SID Chapter 4: Methodology and Procedures PART 2: The 7 THEMES OF THE S-BRATA Chapter 5: Sense of Safety Chapter 6: Sensory Regulation Chapter 7: Mirroring and Attunement Chapter 8: Art Materials as Entry Point of Engagement Chapter 9: Structure and Boundaries Chapter 10: Flexibility Chapter 11: Art product Not the Focus Chapter 12: Conclusion
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