This collection addresses the burgeoning interest in the body as a site of affective and somatic, as well as sociocultural, communication. It explores what performers do with bodies in practice, rehearsal, and performance and how that translates to audiences and their sociopolitical contexts.
This collection addresses the burgeoning interest in the body as a site of affective and somatic, as well as sociocultural, communication. It explores what performers do with bodies in practice, rehearsal, and performance and how that translates to audiences and their sociopolitical contexts.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Lynette Hunter is professor of history of rhetoric and performance at the University of California, Davis. Elisabeth Krimmer is professor of German at the University of California, Davis. Peter Lichtenfels is professor of theater and dramatic arts at the University of California, Davis.
Inhaltsangabe
Introduction: Ways of Knowing and Ways of Being Known by Lynette Hunter Part I: The Body in Performance-Somatic Complexity Chapter 1. Weird Embodiment by Timothy Morton Chapter 2. The Senses and Sciences of Fascia: a Practice as Research Investigation by Joseph Dumit and Kevin O'Connor Chapter 3. The Petrie Dish: Somatic Praxis, Embryology, Becoming in Marie Chouinard's "The Rite of Spring" by Hilary Bryan Chapter 4. The Performativity of Performance: Doing Things with Bodies and What Words Might Do in Relation to That. A Lecture/Demonstration (Not for the Squeamish) by Jess Curtis Part II: The Body in Performance-Attentiveness Chapter 5. Enminded Performance: Dancing with a Horse by Nita Little Chapter 6. JUST LIKE THAT: William Forsythe Between Movement and Language by Erin Manning and Brian Massumi Chapter 7. Her Heart Can Lift Mountains by Beating: Form and Formlessness in Performance Process by Sean Feit Part III: The Body in Performance-Emergence Chapter 8. Transversal Affectivity and the Lobster: Intimate Advances of Deleuze and Guattari, Rodrigo Garcia and La Carnicería Teatro, and Jan Lauwers and Needcompany by Bryan Reynolds & Guy Zimmerman Chapter 9. Kantor's DIRECTOR: "I will be myself, but I will be with the actors" by Peter Lichtenfels Part IV: Bodies Walking, Bodies Writing Chapter 10. Where Can Walking Be Taking Me? by Álvaro Iván Hernández Rodríguez Chapter 11. Walking with/Com-Pains: (Re-)(Em)bodying Missteps and Messmates by Ilya Noé Chapter 12. Walking Home: A Feminist Tracing of Home and Belonging by Maureen Burdock Part V: Bodies-Critical Race, Politics and History Chapter 13. Jewish Ears and Aryan Dirndls: National Socialist Racial Ideology and Jewish Identity by Elisabeth Krimmer Chapter 14. "So That They Never Forget the Holocaust:" Memorial Tattoos and Embodied Holocaust Remembrance by Verena Hutter Chapter 15. Presidential Dancing: The Bodies of Heads of State by Maxine Leeds Craig Chapter 16. Socialization through the Arts: Katherine Dunham as Social Activist by Halifu Osumare
Introduction: Ways of Knowing and Ways of Being Known by Lynette Hunter Part I: The Body in Performance-Somatic Complexity Chapter 1. Weird Embodiment by Timothy Morton Chapter 2. The Senses and Sciences of Fascia: a Practice as Research Investigation by Joseph Dumit and Kevin O'Connor Chapter 3. The Petrie Dish: Somatic Praxis, Embryology, Becoming in Marie Chouinard's "The Rite of Spring" by Hilary Bryan Chapter 4. The Performativity of Performance: Doing Things with Bodies and What Words Might Do in Relation to That. A Lecture/Demonstration (Not for the Squeamish) by Jess Curtis Part II: The Body in Performance-Attentiveness Chapter 5. Enminded Performance: Dancing with a Horse by Nita Little Chapter 6. JUST LIKE THAT: William Forsythe Between Movement and Language by Erin Manning and Brian Massumi Chapter 7. Her Heart Can Lift Mountains by Beating: Form and Formlessness in Performance Process by Sean Feit Part III: The Body in Performance-Emergence Chapter 8. Transversal Affectivity and the Lobster: Intimate Advances of Deleuze and Guattari, Rodrigo Garcia and La Carnicería Teatro, and Jan Lauwers and Needcompany by Bryan Reynolds & Guy Zimmerman Chapter 9. Kantor's DIRECTOR: "I will be myself, but I will be with the actors" by Peter Lichtenfels Part IV: Bodies Walking, Bodies Writing Chapter 10. Where Can Walking Be Taking Me? by Álvaro Iván Hernández Rodríguez Chapter 11. Walking with/Com-Pains: (Re-)(Em)bodying Missteps and Messmates by Ilya Noé Chapter 12. Walking Home: A Feminist Tracing of Home and Belonging by Maureen Burdock Part V: Bodies-Critical Race, Politics and History Chapter 13. Jewish Ears and Aryan Dirndls: National Socialist Racial Ideology and Jewish Identity by Elisabeth Krimmer Chapter 14. "So That They Never Forget the Holocaust:" Memorial Tattoos and Embodied Holocaust Remembrance by Verena Hutter Chapter 15. Presidential Dancing: The Bodies of Heads of State by Maxine Leeds Craig Chapter 16. Socialization through the Arts: Katherine Dunham as Social Activist by Halifu Osumare
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