Castelvecchi presents a critical re-evaluation of the operatic genre system and the cult of sensibility in the age of Mozart.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Stefano Castelvecchi is Lecturer in Music at the University of Cambridge and a Fellow of St John's College. He has published critical editions of works by Rossini and Verdi and various articles on eighteenth- and nineteenth-century Italian opera. His edition of Abramo Basevi's The Operas of Giuseppe Verdi (1859) is forthcoming.
Inhaltsangabe
Preface A prologue on genre 1. Pamela goes to the opera 2. The emergence of bourgeois drama 3. The codification of bourgeois drama 4. Opera as drame 5. Sensibility and the moral cure 6. A sentimental opera 7. Sentimental, anti-sentimental 8. Avenues Appendix: Bartolomeo Benincasa's preface to Il disertore (1784).
Preface A prologue on genre 1. Pamela goes to the opera 2. The emergence of bourgeois drama 3. The codification of bourgeois drama 4. Opera as drame 5. Sensibility and the moral cure 6. A sentimental opera 7. Sentimental, anti-sentimental 8. Avenues Appendix: Bartolomeo Benincasa's preface to Il disertore (1784).
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