This book explores Shakespeareâ s presence in the American cultural imaginary at the beginning of the twenty-first century. It traces how his texts are disseminated and reassembled in contemporary TV shows such as The Wire, Deadwood, Westworld, House of Cards and The Americans. -- .
This book explores Shakespeareâ s presence in the American cultural imaginary at the beginning of the twenty-first century. It traces how his texts are disseminated and reassembled in contemporary TV shows such as The Wire, Deadwood, Westworld, House of Cards and The Americans. -- .
Elisabeth Bronfen is Professor of English and American Studies at the University of Zurich and Global Distinguished Professor at New York University
Inhaltsangabe
Introduction: appropriation dislocation and crossmapping 1 Shakespeare's spectres: Westworld 2 Wearing the crown: The Wire 3 Choosing our queen: a series of first female presidents from Commander in Chief to House of Cards 4 Rogue queens: Veep Homeland and Scandal 5 All the frontier's a stage: Deadwood 6 Carnival of spies: The Americans Bibliography Index
Introduction: appropriation dislocation and crossmapping 1 Shakespeare's spectres: Westworld 2 Wearing the crown: The Wire 3 Choosing our queen: a series of first female presidents from Commander in Chief to House of Cards 4 Rogue queens: Veep Homeland and Scandal 5 All the frontier's a stage: Deadwood 6 Carnival of spies: The Americans Bibliography Index
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