Set Pieces - Pearson, Ted
14,99 €
inkl. MwSt.

Versandfertig in über 4 Wochen
  • Broschiertes Buch

Pearson's scalpel-like critique of the voyage, each word a careful enunciation of where the line has been, there remains the constant question of where it will go and what it will become. For just as Emily Dickinson once asked, "Is my verse alive?" so Pearson, with every word, challenges us to face down (if quietly and with grace) the dormant future. And it isn't metaphor. Pearson is all-too-aware of the tenuous state of our condition, our art.

Andere Kunden interessierten sich auch für
Produktbeschreibung
Pearson's scalpel-like critique of the voyage, each word a careful enunciation of where the line has been, there remains the constant question of where it will go and what it will become. For just as Emily Dickinson once asked, "Is my verse alive?" so Pearson, with every word, challenges us to face down (if quietly and with grace) the dormant future. And it isn't metaphor. Pearson is all-too-aware of the tenuous state of our condition, our art.
Autorenporträt
Ted Pearson's early studies in liturgical music, modernism, and jazz led him to poetry in the mid 1960s. He attended Vandercook College of Music, Foothill College, and San Francisco State University. Recent volumes include Extant Glyphs: 1964-1980 (Singing Horse, 2014), An Intermittent Music: 1975-2010 (Chax, 2016), The Coffin Nail Blues (Atelos, 2016), and After Hours (Singing Horse, 2016). He co-authored The Grand Piano: An Experiment in Collective Autobiography (This / Mode A, 2006-2010) in ten volumes. His literary essays have been widely published, notably in Poetics Journal. He lives in southern California, where he is adjunct faculty at the University of Redlands.