Set Pieces - Pearson, Ted
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Pearson's scalpel-like critique of the voyage, each word a careful enunciation of where the line has been, there remains the constant question of where it will go and what it will become. For just as Emily Dickinson once asked, "Is my verse alive?" so Pearson, with every word, challenges us to face down (if quietly and with grace) the dormant future. And it isn't metaphor. Pearson is all-too-aware of the tenuous state of our condition, our art.

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Produktbeschreibung
Pearson's scalpel-like critique of the voyage, each word a careful enunciation of where the line has been, there remains the constant question of where it will go and what it will become. For just as Emily Dickinson once asked, "Is my verse alive?" so Pearson, with every word, challenges us to face down (if quietly and with grace) the dormant future. And it isn't metaphor. Pearson is all-too-aware of the tenuous state of our condition, our art.
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Autorenporträt
Ted Pearson grew up on the San Francisco Peninsula. After early musical training, he began writing poetry in 1964. He subsequently attended Vandercook College of Music, Foothill College, and San Francisco State University. In 1976, he published his first book, The Grit, and began his ongoing association with the San Francisco Language Poets. Recent books include Durations (2022), Overtures (2023), and Early Autumn (2024). Chamber Music is his thirtieth book of poetry. He lives in Northampton, Massachusetts, with his wife, Sheila Lloyd, and their dog, Kofi.