This book examines the experiences of women who were sexually abused during the break-up of the former Yugoslavia, addressing their sexuality and challenging the stereotypical images of survivors that have so far prevailed in academic and public discourse.
This book examines the experiences of women who were sexually abused during the break-up of the former Yugoslavia, addressing their sexuality and challenging the stereotypical images of survivors that have so far prevailed in academic and public discourse.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Nena Mönik holds a PhD in Balkan Studies (University of Ljubljana, Slovenia). She is a postdoctoral researcher at Turku Institute for Advanced Studies and researcher at SELMA, Centre for the Study of Storytelling, Experientiality and Memory, Turku, Finland.
Inhaltsangabe
Preface, Introduction 1. Researching War-Rape Narratives 1.1 Important Ethical Questions and Potential Risks 1.2 Body as a Research Territory: From Verbal to Embodied Research Practices 2. Imagining the (Ethno)Sexualities 2. 1 Contextual Understanding of Sexuality and Sexual Violence 2.2 The Epistemological Evolution of Ethnosexuality through Violence in the Balkans 2.3 (A)Sexualized Rape Survivors as Imagined Community 3. Creating the War-Rape Story 3.1 From Eternal Victims to Sexual Predators 4. Narrating A(na)esthetics of Sexuality and Violence 4.1 Womanhood and motherhood 4.2 Silencing , innocence and victimhood 4.3 Sexuality and violated bodies 5. Critical Reflection Embodied 5.1 Drama-based Practice wtih Survivors 5.2 Performative Act as a Critical Response of the Research Process 6. Thinking the Desire Aftermath Epilogue, Index
Preface, Introduction 1. Researching War-Rape Narratives 1.1 Important Ethical Questions and Potential Risks 1.2 Body as a Research Territory: From Verbal to Embodied Research Practices 2. Imagining the (Ethno)Sexualities 2. 1 Contextual Understanding of Sexuality and Sexual Violence 2.2 The Epistemological Evolution of Ethnosexuality through Violence in the Balkans 2.3 (A)Sexualized Rape Survivors as Imagined Community 3. Creating the War-Rape Story 3.1 From Eternal Victims to Sexual Predators 4. Narrating A(na)esthetics of Sexuality and Violence 4.1 Womanhood and motherhood 4.2 Silencing , innocence and victimhood 4.3 Sexuality and violated bodies 5. Critical Reflection Embodied 5.1 Drama-based Practice wtih Survivors 5.2 Performative Act as a Critical Response of the Research Process 6. Thinking the Desire Aftermath Epilogue, Index
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