David A. Bailey / Ian Baucom / Sonia Boyce
Shades of Black
Assembling Black Arts in 1980s Britain
Herausgeber: Bailey, David A; Baucom, Ian; Boyce, Sonia
David A. Bailey / Ian Baucom / Sonia Boyce
Shades of Black
Assembling Black Arts in 1980s Britain
Herausgeber: Bailey, David A; Baucom, Ian; Boyce, Sonia
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A history of the last twenty years of black arts in Britain, focusing on the eighties, a decade of such arts explosion.
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A history of the last twenty years of black arts in Britain, focusing on the eighties, a decade of such arts explosion.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Duke University Press
- Seitenzahl: 368
- Erscheinungstermin: 11. April 2005
- Englisch
- Abmessung: 212mm x 262mm x 29mm
- Gewicht: 1397g
- ISBN-13: 9780822334095
- ISBN-10: 0822334097
- Artikelnr.: 24823081
- Verlag: Duke University Press
- Seitenzahl: 368
- Erscheinungstermin: 11. April 2005
- Englisch
- Abmessung: 212mm x 262mm x 29mm
- Gewicht: 1397g
- ISBN-13: 9780822334095
- ISBN-10: 0822334097
- Artikelnr.: 24823081
David A. Bailey is a photographer and Senior Curator at Autograph ABP in London. He is coeditor of Veil: Veiling, Representation, and Contemporary Art and Rhapsodies in Black: Art of the Harlem Renaissance. Ian Baucom is Associate Professor of English at Duke University. He is the author of Out of Place: Englishness, Empire, and the Locations of Identity and Specters of the Atlantic: Finance Capital, Slavery, and the Philosophy of History (forthcoming from Duke University Press). Sonia Boyce is an internationally renowned visual artist. She is Associate Lecturer in Fine Art at Central Saint Martin’s School of Art and Design at the University of the Arts, London. She was a co-director of the African and Asian Visual Artists Archive at the University of East London (1996–2002).
Shades of Black: Assembling the 1980s / David A. Bailey, Ian Baucom, and
Sonia Boyce xi
Part One. Texts
Assembling the 1980s: The Deluge—and After / Stuart Hall 1
The Success and Failure of the Black Arts Movement / Rasheed Araeen 21
Wait, Did I Miss Something? Some Personal Musings on the 1980s and Beyond /
Keith Piper 35
Inside the Invisible: For/Getting Strategy / Lubaina Himid 41
Iconography after Identity / Kobena Mercer 49
A to Y (Entries for an Inventory of Dented "I"s) / susan pui san lok 59
On Becoming at Artist: Algerian, African, Arab, Muslim, French and Black
British? A Dialogue of Visibility / Zineb Sedira in collaboration with
Jawad Al-Nawab 67
CoRespondents / Young Soon Min and Allan deSouza 77
Triangular Trades: Late-Twentieth-Century "Black" Art and Transatlantic
Cultural Commerce / Judith Wilson 89
Collaborative Projects: Toward a More Inclusive Practice / Dawoud Bey 103
Why Asia Now? Contemporary Asian Art and the Politics of Multiculturalism /
Stan Abe 109
Choices for Black Arts in Britain over Thirty Years / Naseem Khan 115
A Case of Mistaken Identity / Gilane Tawadros 123
Color Plates 133
Part Two. The Conference
Conference Papers and Speakers 166
Dialogues / Jean Fisher 167
Part Three. Time Lines
Introduction / Adelaide Bannerman 199
Time Lines 210
Part Four. Recommended Readings
Introduction / Leon Wainwright 307
Histories and Positions 309
Visual Practices 312
Exhibitions and Displays 314
Institutions, Policies, and Reports 316
Contributors 319
Acknowledgments 327
Index 329
Sonia Boyce xi
Part One. Texts
Assembling the 1980s: The Deluge—and After / Stuart Hall 1
The Success and Failure of the Black Arts Movement / Rasheed Araeen 21
Wait, Did I Miss Something? Some Personal Musings on the 1980s and Beyond /
Keith Piper 35
Inside the Invisible: For/Getting Strategy / Lubaina Himid 41
Iconography after Identity / Kobena Mercer 49
A to Y (Entries for an Inventory of Dented "I"s) / susan pui san lok 59
On Becoming at Artist: Algerian, African, Arab, Muslim, French and Black
British? A Dialogue of Visibility / Zineb Sedira in collaboration with
Jawad Al-Nawab 67
CoRespondents / Young Soon Min and Allan deSouza 77
Triangular Trades: Late-Twentieth-Century "Black" Art and Transatlantic
Cultural Commerce / Judith Wilson 89
Collaborative Projects: Toward a More Inclusive Practice / Dawoud Bey 103
Why Asia Now? Contemporary Asian Art and the Politics of Multiculturalism /
Stan Abe 109
Choices for Black Arts in Britain over Thirty Years / Naseem Khan 115
A Case of Mistaken Identity / Gilane Tawadros 123
Color Plates 133
Part Two. The Conference
Conference Papers and Speakers 166
Dialogues / Jean Fisher 167
Part Three. Time Lines
Introduction / Adelaide Bannerman 199
Time Lines 210
Part Four. Recommended Readings
Introduction / Leon Wainwright 307
Histories and Positions 309
Visual Practices 312
Exhibitions and Displays 314
Institutions, Policies, and Reports 316
Contributors 319
Acknowledgments 327
Index 329
Shades of Black: Assembling the 1980s / David A. Bailey, Ian Baucom, and
Sonia Boyce xi
Part One. Texts
Assembling the 1980s: The Deluge—and After / Stuart Hall 1
The Success and Failure of the Black Arts Movement / Rasheed Araeen 21
Wait, Did I Miss Something? Some Personal Musings on the 1980s and Beyond /
Keith Piper 35
Inside the Invisible: For/Getting Strategy / Lubaina Himid 41
Iconography after Identity / Kobena Mercer 49
A to Y (Entries for an Inventory of Dented "I"s) / susan pui san lok 59
On Becoming at Artist: Algerian, African, Arab, Muslim, French and Black
British? A Dialogue of Visibility / Zineb Sedira in collaboration with
Jawad Al-Nawab 67
CoRespondents / Young Soon Min and Allan deSouza 77
Triangular Trades: Late-Twentieth-Century "Black" Art and Transatlantic
Cultural Commerce / Judith Wilson 89
Collaborative Projects: Toward a More Inclusive Practice / Dawoud Bey 103
Why Asia Now? Contemporary Asian Art and the Politics of Multiculturalism /
Stan Abe 109
Choices for Black Arts in Britain over Thirty Years / Naseem Khan 115
A Case of Mistaken Identity / Gilane Tawadros 123
Color Plates 133
Part Two. The Conference
Conference Papers and Speakers 166
Dialogues / Jean Fisher 167
Part Three. Time Lines
Introduction / Adelaide Bannerman 199
Time Lines 210
Part Four. Recommended Readings
Introduction / Leon Wainwright 307
Histories and Positions 309
Visual Practices 312
Exhibitions and Displays 314
Institutions, Policies, and Reports 316
Contributors 319
Acknowledgments 327
Index 329
Sonia Boyce xi
Part One. Texts
Assembling the 1980s: The Deluge—and After / Stuart Hall 1
The Success and Failure of the Black Arts Movement / Rasheed Araeen 21
Wait, Did I Miss Something? Some Personal Musings on the 1980s and Beyond /
Keith Piper 35
Inside the Invisible: For/Getting Strategy / Lubaina Himid 41
Iconography after Identity / Kobena Mercer 49
A to Y (Entries for an Inventory of Dented "I"s) / susan pui san lok 59
On Becoming at Artist: Algerian, African, Arab, Muslim, French and Black
British? A Dialogue of Visibility / Zineb Sedira in collaboration with
Jawad Al-Nawab 67
CoRespondents / Young Soon Min and Allan deSouza 77
Triangular Trades: Late-Twentieth-Century "Black" Art and Transatlantic
Cultural Commerce / Judith Wilson 89
Collaborative Projects: Toward a More Inclusive Practice / Dawoud Bey 103
Why Asia Now? Contemporary Asian Art and the Politics of Multiculturalism /
Stan Abe 109
Choices for Black Arts in Britain over Thirty Years / Naseem Khan 115
A Case of Mistaken Identity / Gilane Tawadros 123
Color Plates 133
Part Two. The Conference
Conference Papers and Speakers 166
Dialogues / Jean Fisher 167
Part Three. Time Lines
Introduction / Adelaide Bannerman 199
Time Lines 210
Part Four. Recommended Readings
Introduction / Leon Wainwright 307
Histories and Positions 309
Visual Practices 312
Exhibitions and Displays 314
Institutions, Policies, and Reports 316
Contributors 319
Acknowledgments 327
Index 329