In this provocative and compelling examination of the deep politics of war, Carolyn Nordstrom takes us from the immediacy of war-zone survival, through the offices of power brokers, to vast extra-legal networks that fuel war and international profiteering. She captures the human face of the front lines, revealing both the visible and the hidden realities of war in the t w e n t y - first century. S h a d o w s of Wa r is grounded in ethnographic research carried out at the epicenters of political violence on several continents. Its pages are populated not only with the perpetrators and victims of war but also with the scoundrels, silent heroes, and average families who live their lives in the midst of explosive violence. War reconfigures our most basic notions of humanity, Nordstrom demonstrates. This book, of crucial importance at the present moment, shows that war is enmeshed in struggles over the very foundations of the sovereign state, the crafting of economic empires both legal and illegal, and innovative searches for peace.
Nordstrom describes the multi-trillion-dollar international financial networks that support warfare. She traces the entangled routes by which illegal drugs, precious gems, weapons, basic food supplies, and pharmaceuticals are moved by an international ca s t of businesspeople, profiteers, and black-market operators. S h a d o w s of Wa r demonstrates how the experiences of both the architects of war and of ordinary people are deleted from media accounts and replaced with stories about soldiers, weapons, and t e r r i t o r y. For the first time, this book retrieves from the shadows the faces of those whose stories seldom reach the light of international recognition.
Nordstrom describes the multi-trillion-dollar international financial networks that support warfare. She traces the entangled routes by which illegal drugs, precious gems, weapons, basic food supplies, and pharmaceuticals are moved by an international ca s t of businesspeople, profiteers, and black-market operators. S h a d o w s of Wa r demonstrates how the experiences of both the architects of war and of ordinary people are deleted from media accounts and replaced with stories about soldiers, weapons, and t e r r i t o r y. For the first time, this book retrieves from the shadows the faces of those whose stories seldom reach the light of international recognition.