The most familiar assertion of Shakespeare scholarship is that he is our contemporary. Shakespeare After Theory provocatively argues that he is not, but what value he has for us must at least begin with a recognition of his distance from us.
The most familiar assertion of Shakespeare scholarship is that he is our contemporary. Shakespeare After Theory provocatively argues that he is not, but what value he has for us must at least begin with a recognition of his distance from us.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
David Scott Kastan is Professor of English and Comparative Literature at Columbia University. Among his publications are Shakespeare and the Shapes of Time, Staging theRenaissance (ed. with Peter Stallybrass), Critical Essayson Shakespeare's Hamlet, and The New History of EarlyEnglish Drama (ed. with John Cox). He is also a general editor of the Arden Shakespeare.
Inhaltsangabe
Part 1 Introduction Introduction Part 2 Demanding History Chapter 1 Shakespeare after Theory Chapter 2 Are We Being Interdisciplinary Yet? Part 3 The Text in History Chapter 3 The Mechanics of Culture Chapter 4 Shakespeare in Print Chapter 5 "Killed with Hard Opinions" Part 4 The Text as History Chapter 6 "Proud Majesty Made a Subject" Chapter 7 "The King hath many marching in his Coats," or, What did you do in the War, Daddy? Chapter 8 Is There a Class in This (Shakespearean) Text? Chapter 9 Macbeth and the "Name of King" Chapter 10 "The Duke of Milan / And his Brave Son" Part 5 Coda Chapter 11 "Publike Sports" and "Publike Calamities"
Part 1 Introduction Introduction Part 2 Demanding History Chapter 1 Shakespeare after Theory Chapter 2 Are We Being Interdisciplinary Yet? Part 3 The Text in History Chapter 3 The Mechanics of Culture Chapter 4 Shakespeare in Print Chapter 5 "Killed with Hard Opinions" Part 4 The Text as History Chapter 6 "Proud Majesty Made a Subject" Chapter 7 "The King hath many marching in his Coats," or, What did you do in the War, Daddy? Chapter 8 Is There a Class in This (Shakespearean) Text? Chapter 9 Macbeth and the "Name of King" Chapter 10 "The Duke of Milan / And his Brave Son" Part 5 Coda Chapter 11 "Publike Sports" and "Publike Calamities"
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