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Focuses not only on the moral ambivalence of these women, but with attention to Anglo-Italian relations, illuminates little known aspects of their lives. This title traces the courtesan from a stock comedic character in the plays of Terence and Plautus to its literary exhaustion in the seventeenth-century dramatic works of Dekker, and Marston.
Paying special attention to Anglo-Italian cultural and sexual relations during the Renaissance, this study traces the development and decline of the courtesan in English drama. Salkeld draws on original historical materials to explore contradictory
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Produktbeschreibung
Focuses not only on the moral ambivalence of these women, but with attention to Anglo-Italian relations, illuminates little known aspects of their lives. This title traces the courtesan from a stock comedic character in the plays of Terence and Plautus to its literary exhaustion in the seventeenth-century dramatic works of Dekker, and Marston.
Paying special attention to Anglo-Italian cultural and sexual relations during the Renaissance, this study traces the development and decline of the courtesan in English drama. Salkeld draws on original historical materials to explore contradictory dramatic representations of courtesans in a variety of texts ranging from Shakespeare's poems and plays to works by Aretino, Nashe, Dekker and Middleton.
Autorenporträt
Duncan Salkeld is Reader in Shakespeare Studies at The University of Chichester, UK.