As we commemorate the 400th anniversary of William Shakespeare's death, the most translated and performed playwright in the world continues to live on in our imagination. How might we historicize Shakespeare's influence in Canada?
As we commemorate the 400th anniversary of William Shakespeare's death, the most translated and performed playwright in the world continues to live on in our imagination. How might we historicize Shakespeare's influence in Canada?Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Irena R. Makaryk is Professor at the University of Ottawa in the Department of English. She displays a special interest for the interpretation of Shakespeare's work in different cultures and time periods. She has been published numerous times for her work on Shakespeare's literary career and Kathryn Prince is Associate Professor at the University of Ottawa in the Department of Theatre. Her research focuses on intersections of space, bodies, objects, and emotions in early modern performance. She also displays a particular interest for Shakespeare's theatrical career.
Inhaltsangabe
Table of Contents Acknowledgements ix Shakespeare and Canada: "Remembrance of Ourselves" Irena R. Makaryk and Kathryn Prince 1 "Theatre is not a nursing home": Merchants of Venice of The Stratford Festival C. E. McGee 11 Intercultural Performance and The Stratford Festival as Global Tourist Place: Leon Rubin's A Midsummer Night's Dream and Twelfth Night Robert Ormsby 27 Stratford, Shakespeare, and J. D. Barnett Ian Rae 49 Counterfactual History at The Stratford Festival: Timothy Findley's Elizabeth Rex and Peter Hinton's The Swanne Peter Kuling 71 "Who's There?": Slings & Arrows' Audience Dynamics Kailin Wright 79 Race, National Identity, and the Hauntological Ethics of Slings & Arrows Don Moore 97 Performing "Indigenous Shakespeare" in Canada: The Tempest and The Death of a Chief Sarah Mackenzie 111 Shakespeare, a Late Bloomer on the Quebec Stage Annie Brisset 127 Mediatic Shakespeare: McLuhan and the Bard Richard Cavell 157 Shakespeare and the "Cultural Lag" of Canadian Stratford in Alice Munro's "Tricks" Troni Y. Grande 177 Beyond (or Beneath) the Folio: Neil Freeman's Shakespearean Acting Pedagogy in Context Tom Scholte 199 Rhyme and Reason: Shakespeare's Exceptional Status and Role in Canadian Education Dana M. Colarusso 215 The Truth About Stories About Shakespeare . . . In Canada? Daniel Fischlin 241 Contributors 263 Index 267
Table of Contents Acknowledgements ix Shakespeare and Canada: "Remembrance of Ourselves" Irena R. Makaryk and Kathryn Prince 1 "Theatre is not a nursing home": Merchants of Venice of The Stratford Festival C. E. McGee 11 Intercultural Performance and The Stratford Festival as Global Tourist Place: Leon Rubin's A Midsummer Night's Dream and Twelfth Night Robert Ormsby 27 Stratford, Shakespeare, and J. D. Barnett Ian Rae 49 Counterfactual History at The Stratford Festival: Timothy Findley's Elizabeth Rex and Peter Hinton's The Swanne Peter Kuling 71 "Who's There?": Slings & Arrows' Audience Dynamics Kailin Wright 79 Race, National Identity, and the Hauntological Ethics of Slings & Arrows Don Moore 97 Performing "Indigenous Shakespeare" in Canada: The Tempest and The Death of a Chief Sarah Mackenzie 111 Shakespeare, a Late Bloomer on the Quebec Stage Annie Brisset 127 Mediatic Shakespeare: McLuhan and the Bard Richard Cavell 157 Shakespeare and the "Cultural Lag" of Canadian Stratford in Alice Munro's "Tricks" Troni Y. Grande 177 Beyond (or Beneath) the Folio: Neil Freeman's Shakespearean Acting Pedagogy in Context Tom Scholte 199 Rhyme and Reason: Shakespeare's Exceptional Status and Role in Canadian Education Dana M. Colarusso 215 The Truth About Stories About Shakespeare . . . In Canada? Daniel Fischlin 241 Contributors 263 Index 267
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