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This collection of essays approaches the works of Shakespeare from the topical perspective of the History of Emotions. Contributions come from established and emergent scholars from a range of disciplines, including performance history, musicology and literary history.

Produktbeschreibung
This collection of essays approaches the works of Shakespeare from the topical perspective of the History of Emotions. Contributions come from established and emergent scholars from a range of disciplines, including performance history, musicology and literary history.

Autorenporträt
Ronald Bedford, University of New England, Australia  Susan Broomhall, University of Western Australia, Australia  Martin Dawes, independent scholar, Canada Stephanie Downes, University of Melbourne, Australia  Rosemary Gaby, University of Tasmania, Australia  Peter Groves, Monash University, Australia  Simon Haines, Chinese University of Hong Kong, Hong Kong  Jennifer Hamilton, University of New South Wales, Australia  Mark Houlahan, University of Waikato, New Zealand  Danijela Kambaskovic, University of Western Australia, Australia  Heather Kerr, University of Adelaide, Australia  Philippa Kelly, California Shakespeare Theater, USA  Andrew Lawrence-King, Guildhall School of Music & Drama, UK  Ruth Lunney, University of Newcastle, Australia  Andrew Lynch, University of Western Austr alia, Australia Dr Mary-Rose Mclaren, Victoria University, Australia  Katrina O'Loughlin, University of Western Australia, Australia   Anthony Guy Patricia, Concord University, USA  Bríd Phillips, University of Western Australia, Australia  Ciara Rawnsley, University of Western Australia, Australia  Elizabeth Schafer, Royal Holloway, University of London, UK  Alison V. Scott, University of Queensland, Australia R. S. White, University of Western Australia, Australia  Christopher Wortham, University of Notre Dame Australia, Australia