Shakespeare and Girls' Studies argues that girls hold a central place in Shakespearean adaptation, taking as its subject the overlap between Shakespeare's timeless girl heroines and contemporary popular culture that embraces figures like Juliet and Ophelia to understand and validate the experiences of girls.
Shakespeare and Girls' Studies argues that girls hold a central place in Shakespearean adaptation, taking as its subject the overlap between Shakespeare's timeless girl heroines and contemporary popular culture that embraces figures like Juliet and Ophelia to understand and validate the experiences of girls.
Ariane M. Balizet is an Associate Professor of English and Faculty Affiliate in Women and Gender Studies at TCU in Fort Worth, TX. She is the author of Blood and Home in Early Modern Drama: Domestic Identity on the Renaissance Stage (Routledge, 2014), and many articles on Shakespeare, Renaissance drama, feminism, girlhood, and popular culture.
Inhaltsangabe
Introduction: A Girls' Studies Approach to Shakespeare and Adaptation The End(s) of Girlhood: Film The Big Bad Bard: Television and Small Screens Time Travelers: Young Adult Fiction Rosencrantz and Guildenstern Are Girls: Web Series The Future: Shakespeare and/as Girls' Studies
Introduction: A Girls' Studies Approach to Shakespeare and Adaptation The End(s) of Girlhood: Film The Big Bad Bard: Television and Small Screens Time Travelers: Young Adult Fiction Rosencrantz and Guildenstern Are Girls: Web Series The Future: Shakespeare and/as Girls' Studies
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