The book gathers together a particularly strong line-up of contributors from across the literary-performative divide to examine the relationship between Shakespeare, the 'culture industries', modernism and live performance.
The book gathers together a particularly strong line-up of contributors from across the literary-performative divide to examine the relationship between Shakespeare, the 'culture industries', modernism and live performance.
Michael Bristol, Kathleen McLuskie, Christopher Holmes
Inhaltsangabe
List of contributors General editor's preface Acknowledgements Introduction 1 Modernity modernism and postmodernism in the twentieth-century's Shakespeare 2 'To kill a king': the modern politics of birdicide 3 The problem of professionalism in twentieth-century stagings of Hamlet 4 Translation at the intersections of history 5 Women's work and the performance of Shakespeare at the Royal Shakespeare Company 6 Shakespearean performativity 7 Heresies of style: some paradoxes of Soviet Ukrainian modernism 8 'Lice in fur': the aesthetics of cheek and Shakespearean production strategy Bibliography Index
List of contributors General editor's preface Acknowledgements Introduction 1 Modernity modernism and postmodernism in the twentieth-century's Shakespeare 2 'To kill a king': the modern politics of birdicide 3 The problem of professionalism in twentieth-century stagings of Hamlet 4 Translation at the intersections of history 5 Women's work and the performance of Shakespeare at the Royal Shakespeare Company 6 Shakespearean performativity 7 Heresies of style: some paradoxes of Soviet Ukrainian modernism 8 'Lice in fur': the aesthetics of cheek and Shakespearean production strategy Bibliography Index
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