This collection of essays by both theater scholars and practitioners examines the political and aesthetic consequences of the marriage of Shakespearean text and realist performance style, considering productions ranging from the early twentieth century to 2016.
This collection of essays by both theater scholars and practitioners examines the political and aesthetic consequences of the marriage of Shakespearean text and realist performance style, considering productions ranging from the early twentieth century to 2016.
Peter Lichtenfels is a professor in the Theatre and Dance Department at University of California, Davis. He teaches in the undergraduate, MFA in dramatic arts, and PhD performance studies programs. Josy Miller is arts education programs specialist for the California Arts Council. A theater director and scholar, she received her PhD in performance studies from the University of California, Davis.
Inhaltsangabe
Acknowledgments Introduction Josy Miller Part 1 Realism and Shakespearean Character 1 The Trouble with Bertram: Experiencing Stanislavsky in All's Well That Ends Well Roberta Barker and Kim Solga 2 Shakespearean Character at the Fin du Siecle Peter Kanelos 3 Violence and Consensual Imagination in A Midsummer Night's Dream Yu Jin Ko Part 2 Shakespearean Realism(s) and the Audience 4 "Never, Never, Never, Never, Never": On Shakespearean Realism and the Question of Empathy Josy Miller 5 Allo-Realism and Intensive-Extensive Shakespeares: Transversal Theater Company's Macbeth, Romeo and Juliet, and Titus Andronicus Sam Kolodezh & Bryan Reynolds 6 Directing Realism Peter Lichtenfels Appendix A. Theatre, Now: A Midsummer Night's Dream for Shanghai Dramatic Arts Center Works Cited Index About the Contributors About the Editors
Acknowledgments Introduction Josy Miller Part 1 Realism and Shakespearean Character 1 The Trouble with Bertram: Experiencing Stanislavsky in All's Well That Ends Well Roberta Barker and Kim Solga 2 Shakespearean Character at the Fin du Siecle Peter Kanelos 3 Violence and Consensual Imagination in A Midsummer Night's Dream Yu Jin Ko Part 2 Shakespearean Realism(s) and the Audience 4 "Never, Never, Never, Never, Never": On Shakespearean Realism and the Question of Empathy Josy Miller 5 Allo-Realism and Intensive-Extensive Shakespeares: Transversal Theater Company's Macbeth, Romeo and Juliet, and Titus Andronicus Sam Kolodezh & Bryan Reynolds 6 Directing Realism Peter Lichtenfels Appendix A. Theatre, Now: A Midsummer Night's Dream for Shanghai Dramatic Arts Center Works Cited Index About the Contributors About the Editors
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