Shakespeare and Textual Studies
Herausgeber: Kidnie, Margaret Jane
Shakespeare and Textual Studies
Herausgeber: Kidnie, Margaret Jane
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A cutting-edge and comprehensive reassessment of the theories, practices and archival evidence that shape editorial approaches to Shakespeare's texts.
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A cutting-edge and comprehensive reassessment of the theories, practices and archival evidence that shape editorial approaches to Shakespeare's texts.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 482
- Erscheinungstermin: 10. Juni 2021
- Englisch
- Abmessung: 229mm x 152mm x 26mm
- Gewicht: 692g
- ISBN-13: 9781009045490
- ISBN-10: 1009045490
- Artikelnr.: 61263836
- Verlag: Cambridge University Press
- Seitenzahl: 482
- Erscheinungstermin: 10. Juni 2021
- Englisch
- Abmessung: 229mm x 152mm x 26mm
- Gewicht: 692g
- ISBN-13: 9781009045490
- ISBN-10: 1009045490
- Artikelnr.: 61263836
Introduction Margaret Jane Kidnie and Sonia Massai
Part I. Scripts and Manuscripts: 1. Playwriting in Shakespeare's time: authorship, collaboration, and attribution Heather Hirschfeld
2. Ralph Crane and Edward Knight Paul Werstine
3. Shakespeare's strayng manuscripts James Purkis
Part II. Making Books
Building Reputations: 4. The mixed fortunes of Shakespeare in print Sonia Massai
5. 'To London all'? Mapping Shakespeare in print, 1593-8 Helen Smith
6. Shakespeare as leading playwright in print, 1598-1608/9 Alan B. Farmer
7. Shakespeare between pamphlet and book Zachary Lesser and Peter Stallybrass
8. The canonization of Shakespeare in print: 1623 Emma Smith
Part III. From Print to Manuscript: 9. Commonplacing readers Laura Estill
10. Annotating and transcribing for the theatre - Shakespeare's early modern reader revisers at work Jean-Christophe Mayer
11. Shakespeare and the collection: reading beyond readers' marks Jeffrey Todd Knight
12. Encoding as editing as reading Alan Galey
13. Going postal
or, performing postprint Shakespeare W. B. Worthen
Part IV. Editorial Legacies: 14. Theatre editions Peter Holland
15. Editing Shakespeare by pictures Keir Elam
16. Format and readerships Andrew Murphy
17. A man who needs no introduction Leah S. Marcus
18. Emendation and the editorial reconfiguration of Shakespeare Lukas Erne
Part V. Editorial Practices: 19. Full pricks and great p's: spellings, punctuation, accidentals John Jowett
20. Divided Shakespeare Alan C. Dessen
21. Shakespeare's strange tongues Matthew Dimmock
22. Before the beginning
after the end: when did plays start and stop? Tiffany Stern
Part VI. Apparatus and the Fashioning of Knowledge: 23. Framing Shakespeare: introductions and commentary in critical editions of the plays Jill L. Levenson
24. Editorial memory Eric Rasmussen
25. Shakespeare as network David Weinberger.
Part I. Scripts and Manuscripts: 1. Playwriting in Shakespeare's time: authorship, collaboration, and attribution Heather Hirschfeld
2. Ralph Crane and Edward Knight Paul Werstine
3. Shakespeare's strayng manuscripts James Purkis
Part II. Making Books
Building Reputations: 4. The mixed fortunes of Shakespeare in print Sonia Massai
5. 'To London all'? Mapping Shakespeare in print, 1593-8 Helen Smith
6. Shakespeare as leading playwright in print, 1598-1608/9 Alan B. Farmer
7. Shakespeare between pamphlet and book Zachary Lesser and Peter Stallybrass
8. The canonization of Shakespeare in print: 1623 Emma Smith
Part III. From Print to Manuscript: 9. Commonplacing readers Laura Estill
10. Annotating and transcribing for the theatre - Shakespeare's early modern reader revisers at work Jean-Christophe Mayer
11. Shakespeare and the collection: reading beyond readers' marks Jeffrey Todd Knight
12. Encoding as editing as reading Alan Galey
13. Going postal
or, performing postprint Shakespeare W. B. Worthen
Part IV. Editorial Legacies: 14. Theatre editions Peter Holland
15. Editing Shakespeare by pictures Keir Elam
16. Format and readerships Andrew Murphy
17. A man who needs no introduction Leah S. Marcus
18. Emendation and the editorial reconfiguration of Shakespeare Lukas Erne
Part V. Editorial Practices: 19. Full pricks and great p's: spellings, punctuation, accidentals John Jowett
20. Divided Shakespeare Alan C. Dessen
21. Shakespeare's strange tongues Matthew Dimmock
22. Before the beginning
after the end: when did plays start and stop? Tiffany Stern
Part VI. Apparatus and the Fashioning of Knowledge: 23. Framing Shakespeare: introductions and commentary in critical editions of the plays Jill L. Levenson
24. Editorial memory Eric Rasmussen
25. Shakespeare as network David Weinberger.
Introduction Margaret Jane Kidnie and Sonia Massai
Part I. Scripts and Manuscripts: 1. Playwriting in Shakespeare's time: authorship, collaboration, and attribution Heather Hirschfeld
2. Ralph Crane and Edward Knight Paul Werstine
3. Shakespeare's strayng manuscripts James Purkis
Part II. Making Books
Building Reputations: 4. The mixed fortunes of Shakespeare in print Sonia Massai
5. 'To London all'? Mapping Shakespeare in print, 1593-8 Helen Smith
6. Shakespeare as leading playwright in print, 1598-1608/9 Alan B. Farmer
7. Shakespeare between pamphlet and book Zachary Lesser and Peter Stallybrass
8. The canonization of Shakespeare in print: 1623 Emma Smith
Part III. From Print to Manuscript: 9. Commonplacing readers Laura Estill
10. Annotating and transcribing for the theatre - Shakespeare's early modern reader revisers at work Jean-Christophe Mayer
11. Shakespeare and the collection: reading beyond readers' marks Jeffrey Todd Knight
12. Encoding as editing as reading Alan Galey
13. Going postal
or, performing postprint Shakespeare W. B. Worthen
Part IV. Editorial Legacies: 14. Theatre editions Peter Holland
15. Editing Shakespeare by pictures Keir Elam
16. Format and readerships Andrew Murphy
17. A man who needs no introduction Leah S. Marcus
18. Emendation and the editorial reconfiguration of Shakespeare Lukas Erne
Part V. Editorial Practices: 19. Full pricks and great p's: spellings, punctuation, accidentals John Jowett
20. Divided Shakespeare Alan C. Dessen
21. Shakespeare's strange tongues Matthew Dimmock
22. Before the beginning
after the end: when did plays start and stop? Tiffany Stern
Part VI. Apparatus and the Fashioning of Knowledge: 23. Framing Shakespeare: introductions and commentary in critical editions of the plays Jill L. Levenson
24. Editorial memory Eric Rasmussen
25. Shakespeare as network David Weinberger.
Part I. Scripts and Manuscripts: 1. Playwriting in Shakespeare's time: authorship, collaboration, and attribution Heather Hirschfeld
2. Ralph Crane and Edward Knight Paul Werstine
3. Shakespeare's strayng manuscripts James Purkis
Part II. Making Books
Building Reputations: 4. The mixed fortunes of Shakespeare in print Sonia Massai
5. 'To London all'? Mapping Shakespeare in print, 1593-8 Helen Smith
6. Shakespeare as leading playwright in print, 1598-1608/9 Alan B. Farmer
7. Shakespeare between pamphlet and book Zachary Lesser and Peter Stallybrass
8. The canonization of Shakespeare in print: 1623 Emma Smith
Part III. From Print to Manuscript: 9. Commonplacing readers Laura Estill
10. Annotating and transcribing for the theatre - Shakespeare's early modern reader revisers at work Jean-Christophe Mayer
11. Shakespeare and the collection: reading beyond readers' marks Jeffrey Todd Knight
12. Encoding as editing as reading Alan Galey
13. Going postal
or, performing postprint Shakespeare W. B. Worthen
Part IV. Editorial Legacies: 14. Theatre editions Peter Holland
15. Editing Shakespeare by pictures Keir Elam
16. Format and readerships Andrew Murphy
17. A man who needs no introduction Leah S. Marcus
18. Emendation and the editorial reconfiguration of Shakespeare Lukas Erne
Part V. Editorial Practices: 19. Full pricks and great p's: spellings, punctuation, accidentals John Jowett
20. Divided Shakespeare Alan C. Dessen
21. Shakespeare's strange tongues Matthew Dimmock
22. Before the beginning
after the end: when did plays start and stop? Tiffany Stern
Part VI. Apparatus and the Fashioning of Knowledge: 23. Framing Shakespeare: introductions and commentary in critical editions of the plays Jill L. Levenson
24. Editorial memory Eric Rasmussen
25. Shakespeare as network David Weinberger.