This book demonstrates that the classics are of central importance in Shakespeare's plays and in the structure of his imagination.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction; Part I. An Initial Perspective: 1. Shakespeare and humanistic culture Colin Burrow; Part II. 'Small Latine': 2. 'Petruchio is 'Kated'': The Taming of the Shrew and Ovid Vanda Zajko; 3. Ovid's myths and the unsmooth course of love in A Midsummer Night's Dream A. B. Taylor; 4. Shakespeare's learned heroines in Ovid's schoolroom Heather James; 5. Shakespeare and Virgil Charles Martindale; 6. Shakespeare's reception of Plautus reconsidered Wolfgang Riehle; 7. Shakespeare, Plautus, and the discovery of new comic space Raphael Lyne; 8. 'Confusion now hath made his masterpiece': Senecan resonances in Macbeth Yves Peyre; 9. 'These are the only men': Seneca and monopoly in Hamlet 2.2 Erica Sheen; Part III. 'Lesse Greeke': 10. 'Character' in Plutarch and Shakespeare: Brutus, Julius Caesar, and Mark Antony John Roe; 11. Plutarch, Shakespeare, and the alpha males Gordon Braden; 12. Action at a distance: Shakespeare and the Greeks A. D. Nuttall; 13. Shakespeare and Greek romance: 'Like an old tale still' Stuart Gillespie; 14. Shakespeare and Greek tragedy: strange relationship Michael Silk; Part IV. The Reception of Shakespeare's Classicism: 15. 'The English Homer': Shakespeare, Longinus, and English 'Neoclassicism' David Hopkins; 16. 'There is no end but addition': the later reception of Shakespeare's classicism Sarah Brown.
Introduction; Part I. An Initial Perspective: 1. Shakespeare and humanistic culture Colin Burrow; Part II. 'Small Latine': 2. 'Petruchio is 'Kated'': The Taming of the Shrew and Ovid Vanda Zajko; 3. Ovid's myths and the unsmooth course of love in A Midsummer Night's Dream A. B. Taylor; 4. Shakespeare's learned heroines in Ovid's schoolroom Heather James; 5. Shakespeare and Virgil Charles Martindale; 6. Shakespeare's reception of Plautus reconsidered Wolfgang Riehle; 7. Shakespeare, Plautus, and the discovery of new comic space Raphael Lyne; 8. 'Confusion now hath made his masterpiece': Senecan resonances in Macbeth Yves Peyre; 9. 'These are the only men': Seneca and monopoly in Hamlet 2.2 Erica Sheen; Part III. 'Lesse Greeke': 10. 'Character' in Plutarch and Shakespeare: Brutus, Julius Caesar, and Mark Antony John Roe; 11. Plutarch, Shakespeare, and the alpha males Gordon Braden; 12. Action at a distance: Shakespeare and the Greeks A. D. Nuttall; 13. Shakespeare and Greek romance: 'Like an old tale still' Stuart Gillespie; 14. Shakespeare and Greek tragedy: strange relationship Michael Silk; Part IV. The Reception of Shakespeare's Classicism: 15. 'The English Homer': Shakespeare, Longinus, and English 'Neoclassicism' David Hopkins; 16. 'There is no end but addition': the later reception of Shakespeare's classicism Sarah Brown.
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