Focusing on plays (Richard II, Henry V, and Hamlet) which appear prominently in the writing of the Irish nationalist movement of the early twentieth century, this study explores how Irish writers such as Sean O'Casey, Samuel Beckett, W. B. Yeats, G. B. Shaw, James Joyce, and Seamus Heaney, resisted English cultural colonization through a combination of reappropriation and critique of Shakespeare's work.
Focusing on plays (Richard II, Henry V, and Hamlet) which appear prominently in the writing of the Irish nationalist movement of the early twentieth century, this study explores how Irish writers such as Sean O'Casey, Samuel Beckett, W. B. Yeats, G. B. Shaw, James Joyce, and Seamus Heaney, resisted English cultural colonization through a combination of reappropriation and critique of Shakespeare's work.
Robin Bates is Associate Professor of English at Lynchburg College, US.
Inhaltsangabe
Acknowledgments Introduction Chapter One: Cultural Impressment Chapter Two: Macmorris and the Impressment of the Irish Servant Chapter Three: Richard II, Irish Exiles, and the Breath of Kings Chapter Four: Hamlet and Other Kinds of In-between-ness Chapter Five: Question and Answer Notes Bibliography Index
Acknowledgments Introduction Chapter One: Cultural Impressment Chapter Two: Macmorris and the Impressment of the Irish Servant Chapter Three: Richard II, Irish Exiles, and the Breath of Kings Chapter Four: Hamlet and Other Kinds of In-between-ness Chapter Five: Question and Answer Notes Bibliography Index
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