Shakespeare and the Embodied Heroine is a bold new investigation of Shakespeare's female characters using the late plays and the early adaptations written and staged during the seventeenth and eighteenth century.
Shakespeare and the Embodied Heroine is a bold new investigation of Shakespeare's female characters using the late plays and the early adaptations written and staged during the seventeenth and eighteenth century.
Lori Leigh is a Lecturer of Theatre at Victoria University of Wellington, New Zealand. She has published in The Quest for Cardenio (2012), The Creation and Re-Creation of Cardenio (2013), and the journal Shakespeare. She is an award-winning director and has worked on numerous productions of Shakespeare's plays.
Inhaltsangabe
List of Illustrations Introduction 1. Other Worldly Desires: The Jailer's Daughter and Emilia in Fletcher and Shakespeare's The Two Noble Kinsmen and Davenant's The Rivals 2. No Woman Is an Island: Female Roles in Dryden and Davenant's The Tempest, Or The Enchanted Island and Shakespeare's The Tempest 3. Silence and Sorcery, Sexuality and Stone: Absent Parts to Understanding Hermione and Paulina in Shakespeare's The Winter's Tale and Garrick's Florizel and Perdita 4. Transformation, Transvestism, and Lost Text: Violante's Rape and Cross-Dressing in Lewis Theobald's Double Falsehood and Fletcher and Shakespeare's Cardenio Conclusion Bibliography Index
List of Illustrations Introduction 1. Other Worldly Desires: The Jailer's Daughter and Emilia in Fletcher and Shakespeare's The Two Noble Kinsmen and Davenant's The Rivals 2. No Woman Is an Island: Female Roles in Dryden and Davenant's The Tempest, Or The Enchanted Island and Shakespeare's The Tempest 3. Silence and Sorcery, Sexuality and Stone: Absent Parts to Understanding Hermione and Paulina in Shakespeare's The Winter's Tale and Garrick's Florizel and Perdita 4. Transformation, Transvestism, and Lost Text: Violante's Rape and Cross-Dressing in Lewis Theobald's Double Falsehood and Fletcher and Shakespeare's Cardenio Conclusion Bibliography Index
List of Illustrations Introduction 1. Other Worldly Desires: The Jailer's Daughter and Emilia in Fletcher and Shakespeare's The Two Noble Kinsmen and Davenant's The Rivals 2. No Woman Is an Island: Female Roles in Dryden and Davenant's The Tempest, Or The Enchanted Island and Shakespeare's The Tempest 3. Silence and Sorcery, Sexuality and Stone: Absent Parts to Understanding Hermione and Paulina in Shakespeare's The Winter's Tale and Garrick's Florizel and Perdita 4. Transformation, Transvestism, and Lost Text: Violante's Rape and Cross-Dressing in Lewis Theobald's Double Falsehood and Fletcher and Shakespeare's Cardenio Conclusion Bibliography Index
List of Illustrations Introduction 1. Other Worldly Desires: The Jailer's Daughter and Emilia in Fletcher and Shakespeare's The Two Noble Kinsmen and Davenant's The Rivals 2. No Woman Is an Island: Female Roles in Dryden and Davenant's The Tempest, Or The Enchanted Island and Shakespeare's The Tempest 3. Silence and Sorcery, Sexuality and Stone: Absent Parts to Understanding Hermione and Paulina in Shakespeare's The Winter's Tale and Garrick's Florizel and Perdita 4. Transformation, Transvestism, and Lost Text: Violante's Rape and Cross-Dressing in Lewis Theobald's Double Falsehood and Fletcher and Shakespeare's Cardenio Conclusion Bibliography Index
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