Shakespeare's plays continue to be circulated on a massive scale in a variety of guises - as editions, performances, and adaptations - and it is by means of such mediation that we come to know his drama. This title addresses fundamental questions about this process of mediation, making use of the fraught category of adaptation.
Shakespeare's plays continue to be circulated on a massive scale in a variety of guises - as editions, performances, and adaptations - and it is by means of such mediation that we come to know his drama. This title addresses fundamental questions about this process of mediation, making use of the fraught category of adaptation.
Margaret Jane Kidnie is Associate Professor of English at the University of Western Ontario, Canada. She has edited early modern drama and prose, and has published widely on performance, adaptation, textual studies, and editorial practice. She is currently editing A Woman Killed with Kindness for the Arden Early Modern Drama series.
Inhaltsangabe
Chapter 1 Introduction Chapter 2 Surviving performance Chapter 3 Defining the work through production, or what adaptation is not Chapter 4 Entangled in the present Chapter 5 Adapting media Chapter 6 Textual origins
Chapter 1 Introduction Chapter 2 Surviving performance Chapter 3 Defining the work through production, or what adaptation is not Chapter 4 Entangled in the present Chapter 5 Adapting media Chapter 6 Textual origins
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