A fully illustrated study of Shakespeare's awareness of traditions in visual art and their presence in his plays and poems.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Stuart Sillars is Professor of English at the University of Bergen, Norway. His publications include Shakespeare and The Victorians (2013), Shakespeare, Time and the Victorians (Cambridge, 2012), The Illustrated Shakespeare, 1709-1875 (Cambridge, 2008) and Painting Shakespeare: The Artist as Critic, 1720-1820 (Cambridge, 2006).
Inhaltsangabe
1. Likeness, device, composition: Shakespeare's visual surroundings 2. Allusion and idea in The Taming of the Shrew 3. Visual exchange in the Poems 4. Love's Labour's Lost and visual composition 5. Richard II and the politics of perspective 6. Visual identities in A Midsummer Night's Dream 7. Emblem, tradition and invention 8. Imagination beyond image: ethopoeia and metatheatre 9. Defining the visual in Shakespeare Notes Select bibliography Index.
1. Likeness, device, composition: Shakespeare's visual surroundings 2. Allusion and idea in The Taming of the Shrew 3. Visual exchange in the Poems 4. Love's Labour's Lost and visual composition 5. Richard II and the politics of perspective 6. Visual identities in A Midsummer Night's Dream 7. Emblem, tradition and invention 8. Imagination beyond image: ethopoeia and metatheatre 9. Defining the visual in Shakespeare Notes Select bibliography Index.
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