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Shakespeare and Wales offers a 'Welsh correction' to a long-standing deficiency. It brings together experts in the field from both sides of the Atlantic to establish a detailed historical context that illustrates the range and richness of Shakespeare's Welsh sources and resources, and confirms the degree to which Shakespeare continues to impact upon Welsh culture and identity.
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Shakespeare and Wales offers a 'Welsh correction' to a long-standing deficiency. It brings together experts in the field from both sides of the Atlantic to establish a detailed historical context that illustrates the range and richness of Shakespeare's Welsh sources and resources, and confirms the degree to which Shakespeare continues to impact upon Welsh culture and identity.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 260
- Erscheinungstermin: 11. November 2016
- Englisch
- Abmessung: 234mm x 156mm x 14mm
- Gewicht: 372g
- ISBN-13: 9781138253605
- ISBN-10: 113825360X
- Artikelnr.: 57054645
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 260
- Erscheinungstermin: 11. November 2016
- Englisch
- Abmessung: 234mm x 156mm x 14mm
- Gewicht: 372g
- ISBN-13: 9781138253605
- ISBN-10: 113825360X
- Artikelnr.: 57054645
Willy Maley, Professor of English Literature at the University of Glasgow, UK. Philip Schwyzer is Assistant Professor of English at the University of Exeter, UK.
Introduction A Welsh Correction
WillyMaley
PhilipSchwyzer; Chapter 1 1Parts of this chapter draw on material previously published in different form in Kate Chedgzoy
'The Civility of Early Modern Welsh Women'
in Jennifer Richards (ed.)
Early Modern Civil Discourses (Basingstoke
2003)
pp. 162-82 and Women's Writing in the British Atlantic World
1550-1700: Memory
Place and History (Cambridge
2007).
KateChedgzoy; Chapter 2 Thirteen Ways of Looking Like a Welshman: Shakespeare and his Contemporaries
PhilipSchwyzer; Chapter 3 Glyn Dwr
Glendouer
Glendourdy and Glendower
David J.Baker; Chapter 4 Rhymer
Minstrel Lady Mortimer and the Power of Welsh Words
MeganLloyd; Chapter 5 'bastard Normans
Norman bastards': Anomalous Identities in The Life of Henry the Fift
ChristopherIvic; Chapter 6 Shakespeare's 'welsch men' and the 'King's English'
MargaretTudeau-Clayton; Chapter 7 'O
I am ignorance itself in this!': Listening to Welsh in Shakespeare and Armin
HuwGriffiths; Chapter 8 Contextualizing 1610: Cymbeline
The Valiant Welshman
and The Princes of Wales
Marisa R.Cull; Chapter 9 Cymbeline
the translatio imperii
and the matter of Britain
LisaHopkins; Chapter 10 1 I am grateful to the Irish Research Council for Humanities and Social Sciences for a Research Fellowship and to the College of Arts
Celtic Studies and Social Sciences of University College Cork for research funding which aided completion of this work. I am also very grateful to Dr Matthew Woodcock and Professor James Knowles
as well as to the editors of the current volume
for useful critical reactions and proofreading.
AndrewKing; Chapter 11 'Let a Welsh correction teach you a good English condition': Shakespeare
Wales and the Critics
WillyMaley; Chapter 12 Cackling Home to Camelot: Shakespeare's Welsh Roots
RichardWilson; afterword Afterword
KatieGramich;
WillyMaley
PhilipSchwyzer; Chapter 1 1Parts of this chapter draw on material previously published in different form in Kate Chedgzoy
'The Civility of Early Modern Welsh Women'
in Jennifer Richards (ed.)
Early Modern Civil Discourses (Basingstoke
2003)
pp. 162-82 and Women's Writing in the British Atlantic World
1550-1700: Memory
Place and History (Cambridge
2007).
KateChedgzoy; Chapter 2 Thirteen Ways of Looking Like a Welshman: Shakespeare and his Contemporaries
PhilipSchwyzer; Chapter 3 Glyn Dwr
Glendouer
Glendourdy and Glendower
David J.Baker; Chapter 4 Rhymer
Minstrel Lady Mortimer and the Power of Welsh Words
MeganLloyd; Chapter 5 'bastard Normans
Norman bastards': Anomalous Identities in The Life of Henry the Fift
ChristopherIvic; Chapter 6 Shakespeare's 'welsch men' and the 'King's English'
MargaretTudeau-Clayton; Chapter 7 'O
I am ignorance itself in this!': Listening to Welsh in Shakespeare and Armin
HuwGriffiths; Chapter 8 Contextualizing 1610: Cymbeline
The Valiant Welshman
and The Princes of Wales
Marisa R.Cull; Chapter 9 Cymbeline
the translatio imperii
and the matter of Britain
LisaHopkins; Chapter 10 1 I am grateful to the Irish Research Council for Humanities and Social Sciences for a Research Fellowship and to the College of Arts
Celtic Studies and Social Sciences of University College Cork for research funding which aided completion of this work. I am also very grateful to Dr Matthew Woodcock and Professor James Knowles
as well as to the editors of the current volume
for useful critical reactions and proofreading.
AndrewKing; Chapter 11 'Let a Welsh correction teach you a good English condition': Shakespeare
Wales and the Critics
WillyMaley; Chapter 12 Cackling Home to Camelot: Shakespeare's Welsh Roots
RichardWilson; afterword Afterword
KatieGramich;
Introduction A Welsh Correction
WillyMaley
PhilipSchwyzer; Chapter 1 1Parts of this chapter draw on material previously published in different form in Kate Chedgzoy
'The Civility of Early Modern Welsh Women'
in Jennifer Richards (ed.)
Early Modern Civil Discourses (Basingstoke
2003)
pp. 162-82 and Women's Writing in the British Atlantic World
1550-1700: Memory
Place and History (Cambridge
2007).
KateChedgzoy; Chapter 2 Thirteen Ways of Looking Like a Welshman: Shakespeare and his Contemporaries
PhilipSchwyzer; Chapter 3 Glyn Dwr
Glendouer
Glendourdy and Glendower
David J.Baker; Chapter 4 Rhymer
Minstrel Lady Mortimer and the Power of Welsh Words
MeganLloyd; Chapter 5 'bastard Normans
Norman bastards': Anomalous Identities in The Life of Henry the Fift
ChristopherIvic; Chapter 6 Shakespeare's 'welsch men' and the 'King's English'
MargaretTudeau-Clayton; Chapter 7 'O
I am ignorance itself in this!': Listening to Welsh in Shakespeare and Armin
HuwGriffiths; Chapter 8 Contextualizing 1610: Cymbeline
The Valiant Welshman
and The Princes of Wales
Marisa R.Cull; Chapter 9 Cymbeline
the translatio imperii
and the matter of Britain
LisaHopkins; Chapter 10 1 I am grateful to the Irish Research Council for Humanities and Social Sciences for a Research Fellowship and to the College of Arts
Celtic Studies and Social Sciences of University College Cork for research funding which aided completion of this work. I am also very grateful to Dr Matthew Woodcock and Professor James Knowles
as well as to the editors of the current volume
for useful critical reactions and proofreading.
AndrewKing; Chapter 11 'Let a Welsh correction teach you a good English condition': Shakespeare
Wales and the Critics
WillyMaley; Chapter 12 Cackling Home to Camelot: Shakespeare's Welsh Roots
RichardWilson; afterword Afterword
KatieGramich;
WillyMaley
PhilipSchwyzer; Chapter 1 1Parts of this chapter draw on material previously published in different form in Kate Chedgzoy
'The Civility of Early Modern Welsh Women'
in Jennifer Richards (ed.)
Early Modern Civil Discourses (Basingstoke
2003)
pp. 162-82 and Women's Writing in the British Atlantic World
1550-1700: Memory
Place and History (Cambridge
2007).
KateChedgzoy; Chapter 2 Thirteen Ways of Looking Like a Welshman: Shakespeare and his Contemporaries
PhilipSchwyzer; Chapter 3 Glyn Dwr
Glendouer
Glendourdy and Glendower
David J.Baker; Chapter 4 Rhymer
Minstrel Lady Mortimer and the Power of Welsh Words
MeganLloyd; Chapter 5 'bastard Normans
Norman bastards': Anomalous Identities in The Life of Henry the Fift
ChristopherIvic; Chapter 6 Shakespeare's 'welsch men' and the 'King's English'
MargaretTudeau-Clayton; Chapter 7 'O
I am ignorance itself in this!': Listening to Welsh in Shakespeare and Armin
HuwGriffiths; Chapter 8 Contextualizing 1610: Cymbeline
The Valiant Welshman
and The Princes of Wales
Marisa R.Cull; Chapter 9 Cymbeline
the translatio imperii
and the matter of Britain
LisaHopkins; Chapter 10 1 I am grateful to the Irish Research Council for Humanities and Social Sciences for a Research Fellowship and to the College of Arts
Celtic Studies and Social Sciences of University College Cork for research funding which aided completion of this work. I am also very grateful to Dr Matthew Woodcock and Professor James Knowles
as well as to the editors of the current volume
for useful critical reactions and proofreading.
AndrewKing; Chapter 11 'Let a Welsh correction teach you a good English condition': Shakespeare
Wales and the Critics
WillyMaley; Chapter 12 Cackling Home to Camelot: Shakespeare's Welsh Roots
RichardWilson; afterword Afterword
KatieGramich;