"An interesting and commendable contribution to Shakespeare studies and comparative literature. Tatlow has a cogent, complex, and distinctive point of view."--Hugh H. Grady, author of "Shakespeare and Modernity: Early Modern to Millennium"
"An interesting and commendable contribution to Shakespeare studies and comparative literature. Tatlow has a cogent, complex, and distinctive point of view."--Hugh H. Grady, author of "Shakespeare and Modernity: Early Modern to Millennium"
Antony Tatlow was Professor and Head of Comparative Literature at the University of Hong Kong for many years before assuming his current position as Professor of Comparative Literature and Coordinator of the Graduate Centre for Arts Research at the University of Dublin. His previous books include The Mask of Evil: Brecht’s Response to the Poetry, Theatre, and Thought of China and Japan.
Inhaltsangabe
Preface Prologue 1. Reading the Intercultural: Cultures of Reading 2. Intercultural Signs: Textual Anthropology 3. Desire, Laughter, and the Social Unconscious 4. Historicizing the Unconscious in Plautine and Shakespearean Farce 5. Coriolanus and the Historical Text 6. Macbeth in Kunju Opera Epilogue Notes Works Cited Index
Preface Prologue 1. Reading the Intercultural: Cultures of Reading 2. Intercultural Signs: Textual Anthropology 3. Desire, Laughter, and the Social Unconscious 4. Historicizing the Unconscious in Plautine and Shakespearean Farce 5. Coriolanus and the Historical Text 6. Macbeth in Kunju Opera Epilogue Notes Works Cited Index
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