Shakespeare Expressed
Page, Stage, and Classroom in Shakespeare and His Contemporaries
Herausgeber: Enloe, Sarah; Moncrief, Kathryn M.; McPherson, Kathryn R.
Shakespeare Expressed
Page, Stage, and Classroom in Shakespeare and His Contemporaries
Herausgeber: Enloe, Sarah; Moncrief, Kathryn M.; McPherson, Kathryn R.
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This volume extends the reach of the American Shakespeare Center, which provides the finest in Shakespearean and Elizabethan dramatic performance and scholarship. These 28 essays, originally presented on the Blackfriars stage, bring together scholars and practitioners, often promoting ideas that can be translated into classroom experiences.
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This volume extends the reach of the American Shakespeare Center, which provides the finest in Shakespearean and Elizabethan dramatic performance and scholarship. These 28 essays, originally presented on the Blackfriars stage, bring together scholars and practitioners, often promoting ideas that can be translated into classroom experiences.
Produktdetails
- Produktdetails
- The Fairleigh Dickinson University Press Series on Shakespeare and the Stage
- Verlag: Fairleigh Dickinson University Press
- Seitenzahl: 316
- Erscheinungstermin: 5. Mai 2017
- Englisch
- Abmessung: 229mm x 152mm x 17mm
- Gewicht: 460g
- ISBN-13: 9781683930716
- ISBN-10: 1683930711
- Artikelnr.: 47712999
- The Fairleigh Dickinson University Press Series on Shakespeare and the Stage
- Verlag: Fairleigh Dickinson University Press
- Seitenzahl: 316
- Erscheinungstermin: 5. Mai 2017
- Englisch
- Abmessung: 229mm x 152mm x 17mm
- Gewicht: 460g
- ISBN-13: 9781683930716
- ISBN-10: 1683930711
- Artikelnr.: 47712999
Edited by Kathryn M. Moncrief; Kathryn R. McPherson and Sarah Enloe
Foreword: Lightning in a Bottle Ralph Alan Cohen Chapter 1: Introduction:
Shakespeare Embodied, Expressed, and Enacted Kathryn Moncrief and Kathryn
McPherson: I. The Body of the Actor Chapter 2: Speaking in the Silence:
Deaf Performance at the Oregon Shakespeare Festival Lezlie Cross Chapter 3:
"I Have Given Suck:" The Maternal Body in Sarah Siddons' Lady Macbeth
Chelsea Phillips Chapter 4: Competing Heights Jemma Alix Levy Chapter 5:
The Mirror and the Monarchs: Suggestive Presences and Shakespeare's
Cast-Size Brett Gamboa Chapter 6: Embodying Shakespeare: In the Classroom
Miriam Gilbert II. Playing the Text Chapter 7: Remember the Porter:
Knock-Knock Jokes, Tragedy, and Other Unfunny Things Chris Barrett Chapter
8: Ghost in the Machine: Shakespeare, Stanislavski and Original Practices
Peter Kanelos Chapter 9: "Speake[ing] the speech[es]:" Reassessing the
Playability of the Earliest Printings of Hamlet Matthew Vadnais Chapter 10:
A "Ha" in Shakespeare: The Soliloquy as Excuse and Challenge to the
Audience Bill Gelber Chapter 11: A Knave to Know a Knock: Exploring
Character Function in Scenic Structure Symmonie Preston III. Staging
Choices Chapter 12: Behind Closed Doors: Perspective and Painterly
Technique on the Early Modern English Stage Jennifer Low Chapter 13:
Shticky Shakespeare: Exploring Action as Eloquence Sid Ray Chapter 14:
Seeing Ghosts: Hamlet and Modern Original Practices Fiona Harris-Ramsby &
Kathryn McPherson Chapter 15: Remembrances of yours': Properties,
Performance, and Memory in Shakespeare's Hamlet 3.1 Kathryn Moncrief
Chapter 16: The Mirror of All Christian Kings: Choral Medievalism in the
Henry V Folio Christina Gutierrez Chapter 17: Playing with
Character-Audience Members in Early Modern Playhouses Sarah Enloe IV.
Playhouse and Playing Conditions Chapter 18: Blackfriars Stage-Sitters and
the Staging of The Tempest, The Maid's Tragedy and The Two Noble Kinsmen
Leslie Thomson Chapter 19: "The Concourse of People on the Stage": An
Alternative Proposal for Onstage Seating at the Second Blackfriars Nova
Myhill Chapter 20: The Two Blackfriars Theatres: Discontinuity or
Contiguity? Jeanne McCarthy Chapter 21: "Here sit we down...": The Location
of Andrea and Revenge in The Spanish Tragedy Annalisa Castaldo Chapter 22:
Thomas Middleton's Use of the Gallery Space Christine Parker Chapter 23:
Performing Space: Playing the Architecture Doreen Bechtol V. Technical and
Material Matters Chapter 24: Light and Heat in the Playhouses Ann Jennalie
Cook Chapter 25: Lighting Effects in the Early Modern Private Playhouses
Lauren Shell Chapter 26: Sound Trumpets Alisha Huber Chapter 27: Play it
again, Hal: The 1605 Revival of Henry V Melissa Aaron Chapter 28: Playing
with Early Modern Special Effects Cass Morris
Shakespeare Embodied, Expressed, and Enacted Kathryn Moncrief and Kathryn
McPherson: I. The Body of the Actor Chapter 2: Speaking in the Silence:
Deaf Performance at the Oregon Shakespeare Festival Lezlie Cross Chapter 3:
"I Have Given Suck:" The Maternal Body in Sarah Siddons' Lady Macbeth
Chelsea Phillips Chapter 4: Competing Heights Jemma Alix Levy Chapter 5:
The Mirror and the Monarchs: Suggestive Presences and Shakespeare's
Cast-Size Brett Gamboa Chapter 6: Embodying Shakespeare: In the Classroom
Miriam Gilbert II. Playing the Text Chapter 7: Remember the Porter:
Knock-Knock Jokes, Tragedy, and Other Unfunny Things Chris Barrett Chapter
8: Ghost in the Machine: Shakespeare, Stanislavski and Original Practices
Peter Kanelos Chapter 9: "Speake[ing] the speech[es]:" Reassessing the
Playability of the Earliest Printings of Hamlet Matthew Vadnais Chapter 10:
A "Ha" in Shakespeare: The Soliloquy as Excuse and Challenge to the
Audience Bill Gelber Chapter 11: A Knave to Know a Knock: Exploring
Character Function in Scenic Structure Symmonie Preston III. Staging
Choices Chapter 12: Behind Closed Doors: Perspective and Painterly
Technique on the Early Modern English Stage Jennifer Low Chapter 13:
Shticky Shakespeare: Exploring Action as Eloquence Sid Ray Chapter 14:
Seeing Ghosts: Hamlet and Modern Original Practices Fiona Harris-Ramsby &
Kathryn McPherson Chapter 15: Remembrances of yours': Properties,
Performance, and Memory in Shakespeare's Hamlet 3.1 Kathryn Moncrief
Chapter 16: The Mirror of All Christian Kings: Choral Medievalism in the
Henry V Folio Christina Gutierrez Chapter 17: Playing with
Character-Audience Members in Early Modern Playhouses Sarah Enloe IV.
Playhouse and Playing Conditions Chapter 18: Blackfriars Stage-Sitters and
the Staging of The Tempest, The Maid's Tragedy and The Two Noble Kinsmen
Leslie Thomson Chapter 19: "The Concourse of People on the Stage": An
Alternative Proposal for Onstage Seating at the Second Blackfriars Nova
Myhill Chapter 20: The Two Blackfriars Theatres: Discontinuity or
Contiguity? Jeanne McCarthy Chapter 21: "Here sit we down...": The Location
of Andrea and Revenge in The Spanish Tragedy Annalisa Castaldo Chapter 22:
Thomas Middleton's Use of the Gallery Space Christine Parker Chapter 23:
Performing Space: Playing the Architecture Doreen Bechtol V. Technical and
Material Matters Chapter 24: Light and Heat in the Playhouses Ann Jennalie
Cook Chapter 25: Lighting Effects in the Early Modern Private Playhouses
Lauren Shell Chapter 26: Sound Trumpets Alisha Huber Chapter 27: Play it
again, Hal: The 1605 Revival of Henry V Melissa Aaron Chapter 28: Playing
with Early Modern Special Effects Cass Morris
Foreword: Lightning in a Bottle Ralph Alan Cohen Chapter 1: Introduction:
Shakespeare Embodied, Expressed, and Enacted Kathryn Moncrief and Kathryn
McPherson: I. The Body of the Actor Chapter 2: Speaking in the Silence:
Deaf Performance at the Oregon Shakespeare Festival Lezlie Cross Chapter 3:
"I Have Given Suck:" The Maternal Body in Sarah Siddons' Lady Macbeth
Chelsea Phillips Chapter 4: Competing Heights Jemma Alix Levy Chapter 5:
The Mirror and the Monarchs: Suggestive Presences and Shakespeare's
Cast-Size Brett Gamboa Chapter 6: Embodying Shakespeare: In the Classroom
Miriam Gilbert II. Playing the Text Chapter 7: Remember the Porter:
Knock-Knock Jokes, Tragedy, and Other Unfunny Things Chris Barrett Chapter
8: Ghost in the Machine: Shakespeare, Stanislavski and Original Practices
Peter Kanelos Chapter 9: "Speake[ing] the speech[es]:" Reassessing the
Playability of the Earliest Printings of Hamlet Matthew Vadnais Chapter 10:
A "Ha" in Shakespeare: The Soliloquy as Excuse and Challenge to the
Audience Bill Gelber Chapter 11: A Knave to Know a Knock: Exploring
Character Function in Scenic Structure Symmonie Preston III. Staging
Choices Chapter 12: Behind Closed Doors: Perspective and Painterly
Technique on the Early Modern English Stage Jennifer Low Chapter 13:
Shticky Shakespeare: Exploring Action as Eloquence Sid Ray Chapter 14:
Seeing Ghosts: Hamlet and Modern Original Practices Fiona Harris-Ramsby &
Kathryn McPherson Chapter 15: Remembrances of yours': Properties,
Performance, and Memory in Shakespeare's Hamlet 3.1 Kathryn Moncrief
Chapter 16: The Mirror of All Christian Kings: Choral Medievalism in the
Henry V Folio Christina Gutierrez Chapter 17: Playing with
Character-Audience Members in Early Modern Playhouses Sarah Enloe IV.
Playhouse and Playing Conditions Chapter 18: Blackfriars Stage-Sitters and
the Staging of The Tempest, The Maid's Tragedy and The Two Noble Kinsmen
Leslie Thomson Chapter 19: "The Concourse of People on the Stage": An
Alternative Proposal for Onstage Seating at the Second Blackfriars Nova
Myhill Chapter 20: The Two Blackfriars Theatres: Discontinuity or
Contiguity? Jeanne McCarthy Chapter 21: "Here sit we down...": The Location
of Andrea and Revenge in The Spanish Tragedy Annalisa Castaldo Chapter 22:
Thomas Middleton's Use of the Gallery Space Christine Parker Chapter 23:
Performing Space: Playing the Architecture Doreen Bechtol V. Technical and
Material Matters Chapter 24: Light and Heat in the Playhouses Ann Jennalie
Cook Chapter 25: Lighting Effects in the Early Modern Private Playhouses
Lauren Shell Chapter 26: Sound Trumpets Alisha Huber Chapter 27: Play it
again, Hal: The 1605 Revival of Henry V Melissa Aaron Chapter 28: Playing
with Early Modern Special Effects Cass Morris
Shakespeare Embodied, Expressed, and Enacted Kathryn Moncrief and Kathryn
McPherson: I. The Body of the Actor Chapter 2: Speaking in the Silence:
Deaf Performance at the Oregon Shakespeare Festival Lezlie Cross Chapter 3:
"I Have Given Suck:" The Maternal Body in Sarah Siddons' Lady Macbeth
Chelsea Phillips Chapter 4: Competing Heights Jemma Alix Levy Chapter 5:
The Mirror and the Monarchs: Suggestive Presences and Shakespeare's
Cast-Size Brett Gamboa Chapter 6: Embodying Shakespeare: In the Classroom
Miriam Gilbert II. Playing the Text Chapter 7: Remember the Porter:
Knock-Knock Jokes, Tragedy, and Other Unfunny Things Chris Barrett Chapter
8: Ghost in the Machine: Shakespeare, Stanislavski and Original Practices
Peter Kanelos Chapter 9: "Speake[ing] the speech[es]:" Reassessing the
Playability of the Earliest Printings of Hamlet Matthew Vadnais Chapter 10:
A "Ha" in Shakespeare: The Soliloquy as Excuse and Challenge to the
Audience Bill Gelber Chapter 11: A Knave to Know a Knock: Exploring
Character Function in Scenic Structure Symmonie Preston III. Staging
Choices Chapter 12: Behind Closed Doors: Perspective and Painterly
Technique on the Early Modern English Stage Jennifer Low Chapter 13:
Shticky Shakespeare: Exploring Action as Eloquence Sid Ray Chapter 14:
Seeing Ghosts: Hamlet and Modern Original Practices Fiona Harris-Ramsby &
Kathryn McPherson Chapter 15: Remembrances of yours': Properties,
Performance, and Memory in Shakespeare's Hamlet 3.1 Kathryn Moncrief
Chapter 16: The Mirror of All Christian Kings: Choral Medievalism in the
Henry V Folio Christina Gutierrez Chapter 17: Playing with
Character-Audience Members in Early Modern Playhouses Sarah Enloe IV.
Playhouse and Playing Conditions Chapter 18: Blackfriars Stage-Sitters and
the Staging of The Tempest, The Maid's Tragedy and The Two Noble Kinsmen
Leslie Thomson Chapter 19: "The Concourse of People on the Stage": An
Alternative Proposal for Onstage Seating at the Second Blackfriars Nova
Myhill Chapter 20: The Two Blackfriars Theatres: Discontinuity or
Contiguity? Jeanne McCarthy Chapter 21: "Here sit we down...": The Location
of Andrea and Revenge in The Spanish Tragedy Annalisa Castaldo Chapter 22:
Thomas Middleton's Use of the Gallery Space Christine Parker Chapter 23:
Performing Space: Playing the Architecture Doreen Bechtol V. Technical and
Material Matters Chapter 24: Light and Heat in the Playhouses Ann Jennalie
Cook Chapter 25: Lighting Effects in the Early Modern Private Playhouses
Lauren Shell Chapter 26: Sound Trumpets Alisha Huber Chapter 27: Play it
again, Hal: The 1605 Revival of Henry V Melissa Aaron Chapter 28: Playing
with Early Modern Special Effects Cass Morris