"Considering the ways in which such Irish writers as Samuel Beckett and W. B. Yeats drew on Shakespearean material in producing their own work, whilst analysing Shakespearean influence in both Irish society and its theatrical landscape, essays in this collection explore the history of Irish Shakespeare through the numerous ways in which Shakespeare and his work were reconfigured and recycled into various Irish contexts. Shakespeare in Ireland shows how Shakespeare has been rendered Irish in a variety of complex ways, and is an exercise in tracking how Shakespeare becomes a fully hibernicised figure"--…mehr
"Considering the ways in which such Irish writers as Samuel Beckett and W. B. Yeats drew on Shakespearean material in producing their own work, whilst analysing Shakespearean influence in both Irish society and its theatrical landscape, essays in this collection explore the history of Irish Shakespeare through the numerous ways in which Shakespeare and his work were reconfigured and recycled into various Irish contexts. Shakespeare in Ireland shows how Shakespeare has been rendered Irish in a variety of complex ways, and is an exercise in tracking how Shakespeare becomes a fully hibernicised figure"--Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Andrew Murphy MRIA FTCD is Professor of English at Trinity College Dublin, Ireland. He has previously worked at the University of St Andrews, UK, and his major authored publications include Shakespeare in Print (2nd ed. 2021); Ireland, Reading and Cultural Nationalism (2018); Shakespeare for the People (2008); and Ireland, Colonialism and Renaissance Literature (1999). He has edited four volumes -- most recently The Nation in British Literature and Culture (2023) -- and served as UK Associate Editor for The Cambridge Guide to the Worlds of Shakespeare (2 vols, 2016). He is currently editing Henry V with expected publication in 2027.
Inhaltsangabe
List of Figures Notes on Contributors Acknowledgements Introduction: Shakespeare on Aran Andrew Murphy (Trinity College Dublin, Ireland) 1. Thomas Sheridan's Coriolanus (1752) and the Making of Smock Alley David O'Shaughnessy (University of Galway, Ireland) 2. Tralee, 1756: Shakespeare on the Atlantic Edge Marc Caball (University College Dublin, Ireland) and Jason McElligott (Marsh's Library, Dublin, Ireland) 3. Gothic Protagonist, Romantic Icon, Irish Character? The Uses of Shakespeare in the Portrayal of Melmoth the Wanderer Raphaël Ingelbien and Benedicte Seynhaeve (KU Leuven, Belgium) 4. From Stratford to Galway: W. B. Yeats on Shakespeare Neil Rhodes (University of St Andrews, UK) 5. Unquiet Ancestors: Beckett Reading Shakespeare through Synge and Joyce Claudia Olk (LMU Munich, Germany) 6. Shakespeare Iconography in Victorian Belfast: Materiality, Industrialisation, Imperialism Molly Quinn-Leitch(Queen's University Belfast, UK) 7. Séacspaoir sa Taibhdhearc: Irish Translations Andrew Murphy (Trinity College Dublin, Ireland) 8. Shakespeare's Irish History Museum: Adapting Richard II Stephen O'Neill ( National University of Ireland Maynooth) 9. Hamlet the Irishman: Irish Theatre Histories, Re-Invented and Re-Circulated Patrick Lonergan (University of Galway, Ireland) 10. 'Great Liberties are Taken with the Action': Siobhán McKenna's 'Experimental Version' of Hamlet Emer McHugh (Queen's University Belfast, UK) 11. 'Looks the Part': Conceptual Casting as Incomplete Adaptation in Corcadorca's Merchant of Venice (2005) and Terra Nova's Belfast Tempest (2016) Justine Nakase (Independent scholar, USA) 12. 'To tell [Ireland's Shakespeare] story': Filmic Histories / Social Justice Mark Thornton Burnett (Queen's University Belfast, UK) Index
List of Figures Notes on Contributors Acknowledgements Introduction: Shakespeare on Aran Andrew Murphy (Trinity College Dublin, Ireland) 1. Thomas Sheridan's Coriolanus (1752) and the Making of Smock Alley David O'Shaughnessy (University of Galway, Ireland) 2. Tralee, 1756: Shakespeare on the Atlantic Edge Marc Caball (University College Dublin, Ireland) and Jason McElligott (Marsh's Library, Dublin, Ireland) 3. Gothic Protagonist, Romantic Icon, Irish Character? The Uses of Shakespeare in the Portrayal of Melmoth the Wanderer Raphaël Ingelbien and Benedicte Seynhaeve (KU Leuven, Belgium) 4. From Stratford to Galway: W. B. Yeats on Shakespeare Neil Rhodes (University of St Andrews, UK) 5. Unquiet Ancestors: Beckett Reading Shakespeare through Synge and Joyce Claudia Olk (LMU Munich, Germany) 6. Shakespeare Iconography in Victorian Belfast: Materiality, Industrialisation, Imperialism Molly Quinn-Leitch(Queen's University Belfast, UK) 7. Séacspaoir sa Taibhdhearc: Irish Translations Andrew Murphy (Trinity College Dublin, Ireland) 8. Shakespeare's Irish History Museum: Adapting Richard II Stephen O'Neill ( National University of Ireland Maynooth) 9. Hamlet the Irishman: Irish Theatre Histories, Re-Invented and Re-Circulated Patrick Lonergan (University of Galway, Ireland) 10. 'Great Liberties are Taken with the Action': Siobhán McKenna's 'Experimental Version' of Hamlet Emer McHugh (Queen's University Belfast, UK) 11. 'Looks the Part': Conceptual Casting as Incomplete Adaptation in Corcadorca's Merchant of Venice (2005) and Terra Nova's Belfast Tempest (2016) Justine Nakase (Independent scholar, USA) 12. 'To tell [Ireland's Shakespeare] story': Filmic Histories / Social Justice Mark Thornton Burnett (Queen's University Belfast, UK) Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
