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"An authoritative, behind-the-scenes account of the premiere classical theatre company in the U.S., setting its work against the changing social and economic landscape of Washington, D.C. Co-authored by the resident dramaturg and a long-time scholarly consultant, it chronicles how a small repertory troupe at the Folger Theatre on Capitol Hill became an internationally renowned company performing in a lavish, multi-venue performing arts center. Analysis of representative productions and interviews with the founding Artistic Director, Michael Kahn and his successor, Simon Godwin, illuminate this history"--…mehr

Produktbeschreibung
"An authoritative, behind-the-scenes account of the premiere classical theatre company in the U.S., setting its work against the changing social and economic landscape of Washington, D.C. Co-authored by the resident dramaturg and a long-time scholarly consultant, it chronicles how a small repertory troupe at the Folger Theatre on Capitol Hill became an internationally renowned company performing in a lavish, multi-venue performing arts center. Analysis of representative productions and interviews with the founding Artistic Director, Michael Kahn and his successor, Simon Godwin, illuminate this history"--
Autorenporträt
Drew Lichtenberg has been resident dramaturg at the Shakespeare Theatre Company, USA, since 2011. He has worked as a dramaturg, literary manager and translator-adaptor with the Royal National Theatre, Public Theater, Roundabout, La Mama, Oregon Shakespeare Festival, McCarter Theatre Center, Yale Rep and Baltimore Center Stage. As an educator, he has taught courses at Catholic University of America, David Geffen School of Drama at Yale University and Eugene Lang College at the New School. His publications include The Piscatorbühne Century (2021). Deborah C. Payne is Professor of Literature at American University, USA. She was the Humanities Research Consultant at the Shakespeare Theatre Company from 2000 - 2009, and she has dramaturged for Studio Theatre, Arena Stage, the Kennedy Center, and the Bach Sinfonia. Publications include The Business of English Restoration Theatre, 1660 - 1700 (2023), Revisiting Shakespeare's Lost Play (2016), Four Restoration Libertine Plays (2005), The Cambridge Companion to English Restoration Theatre (2000) and Cultural Readings of Restoration and Eighteenth-Century English Theatre (1995).