The four plays of Shakespeare's Henriad and the slightly later Hamlet brilliantly explore interconnections between political power and interior subjectivity as productions of the newly emerging constellation we call modernity. Hugh Grady argues that for Shakespeare subjectivity was a critical, negative mode of resistance to power--not, as many recent critics have asserted, its abettor.
The four plays of Shakespeare's Henriad and the slightly later Hamlet brilliantly explore interconnections between political power and interior subjectivity as productions of the newly emerging constellation we call modernity. Hugh Grady argues that for Shakespeare subjectivity was a critical, negative mode of resistance to power--not, as many recent critics have asserted, its abettor.
* Introduction * 1: A Shakespeare Machiavellian Moment, 1595-1600: An Overview * 2: The Discourse of Princes in Richard II: From Machiavelli to Montaigne * 3: Montaigne, Shakespeare, and the Construction of Modern Subjectivity * 4: The Resistance to Power in 1 Henry IV: Subjectivity in the World * 5: The Reified Worlds of 2 Henry IV and Henry V * Conclusion * Bibliography * Index
* Introduction * 1: A Shakespeare Machiavellian Moment, 1595-1600: An Overview * 2: The Discourse of Princes in Richard II: From Machiavelli to Montaigne * 3: Montaigne, Shakespeare, and the Construction of Modern Subjectivity * 4: The Resistance to Power in 1 Henry IV: Subjectivity in the World * 5: The Reified Worlds of 2 Henry IV and Henry V * Conclusion * Bibliography * Index
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