Peter Holland is McMeel Family Professor in Shakespeare Studies and Department Chair, Department of Film, Television, and Theater at the University of Notre Dame.
Inhaltsangabe
Foreword Stanley Wells; Introduction Peter Holland; Part I. Shakespeare's Performances of Memory: 1. Speaking what we feel about King Lear Bruce R. Smith; 2. Shakespeare's memorial aesthetics John J. Joughin; 3. Priamus is dead: memorial repetition in Marlowe and Shakespeare Anthony B. Dawson; Part II. Editing Shakespeare and the Performance of Memory: 4. 'Wrought with things forgotten': memory and performance in editing Macbeth Michael Cordner; 5. Citing Shakespeare Margaret Jane Kidnie; Part III. Performance Memory: Costumes and Bodies: 6. Shopping in the archives: material memories Barbara Hodgdon; 7. 'Her first remembrance from the Moor': actors and the materials of memory Carol Chillington Rutter; 8. On the gravy train: Shakespeare, memory and forgetting Peter Holland; Part IV. Reconstructing Shakespearean Performance: 9. Remembering Beigner's Rosalind: As You Like It on the file in 1936 Russell Jackson; 10. Shakespeare exposed: outdoor performance and ideology, 1880-1940 Michael Dobson; Part V. Performance Memory: Technologies and the Museum: 11. Fond record: remembering theatre in the digital age W. B. Worthen; 12. The Shakespeare revolution will not be televised: staging the media apparatus Robert Shaughnessy; 13. Memory, performance, and the idea of the museum Dennis Kennedy; Afterword Stephen Orgel.
Foreword Stanley Wells; Introduction Peter Holland; Part I. Shakespeare's Performances of Memory: 1. Speaking what we feel about King Lear Bruce R. Smith; 2. Shakespeare's memorial aesthetics John J. Joughin; 3. Priamus is dead: memorial repetition in Marlowe and Shakespeare Anthony B. Dawson; Part II. Editing Shakespeare and the Performance of Memory: 4. 'Wrought with things forgotten': memory and performance in editing Macbeth Michael Cordner; 5. Citing Shakespeare Margaret Jane Kidnie; Part III. Performance Memory: Costumes and Bodies: 6. Shopping in the archives: material memories Barbara Hodgdon; 7. 'Her first remembrance from the Moor': actors and the materials of memory Carol Chillington Rutter; 8. On the gravy train: Shakespeare, memory and forgetting Peter Holland; Part IV. Reconstructing Shakespearean Performance: 9. Remembering Beigner's Rosalind: As You Like It on the file in 1936 Russell Jackson; 10. Shakespeare exposed: outdoor performance and ideology, 1880-1940 Michael Dobson; Part V. Performance Memory: Technologies and the Museum: 11. Fond record: remembering theatre in the digital age W. B. Worthen; 12. The Shakespeare revolution will not be televised: staging the media apparatus Robert Shaughnessy; 13. Memory, performance, and the idea of the museum Dennis Kennedy; Afterword Stephen Orgel.
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