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This cutting-edge book explores Shakespeare's negotiation of Reformation controversy about theories of salvation. While twentieth century literary criticism tended to regard Shakespeare as a harbinger of secularism, the so-called ""turn to religion"" in early modern studies has given renewed attention to the religious elements in Shakespeare and his contemporaries. Nevertheless, there remains an aura of uncertainty regarding some of the doctrinal and liturgical specificities of the period. This historical gap is especially felt with respect to theories of salvation, or soteriology. Such…mehr

Produktbeschreibung
This cutting-edge book explores Shakespeare's negotiation of Reformation controversy about theories of salvation. While twentieth century literary criticism tended to regard Shakespeare as a harbinger of secularism, the so-called ""turn to religion"" in early modern studies has given renewed attention to the religious elements in Shakespeare and his contemporaries. Nevertheless, there remains an aura of uncertainty regarding some of the doctrinal and liturgical specificities of the period. This historical gap is especially felt with respect to theories of salvation, or soteriology. Such ambiguity, however, calls for further inquiry into historical theology. The author explores how the language and concepts of faith, grace, charity, the sacraments, election, free will, justification, sanctification, and atonement find expression in Shakespeare's plays. In doing so, this book contributes to the recovery of a greater understanding of the relationship between early modern religion and Shakespearean drama. While the author shares David Scott Kastan's reluctance to attribute particular religious convictions to Shakespeare, in some cases such critical guardedness has diverted attention from the religious topography of Shakespeare's plays. Throughout this study, the author's hermeneutic is to read Shakespeare through the lens of early modern theological controversy and to read early modern theology through the lens of Shakespeare.
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Autorenporträt
David Anonby has a PhD from the University of Victoria and is assistant professor of English literature at Trinity Western University in British Columbia, Canada, where he has taught since 2002. He has published and presented papers on historical religious controversy in Shakespeare and on the theology of John Donne.