Shakespeare on Screen
King Lear
Herausgeber: Bladen, Victoria; Vienne-Guerrin, Nathalie; Hatchuel, Sarah
Shakespeare on Screen
King Lear
Herausgeber: Bladen, Victoria; Vienne-Guerrin, Nathalie; Hatchuel, Sarah
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Offers up-to-date coverage of screen versions of King Lear, featuring films, TV productions, translations, free retellings and appropriations from around the world. This book will appeal to libraries and specialists working on King Lear in courses within Shakespeare studies, Shakespeare in performance and Shakespeare on screen.
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Offers up-to-date coverage of screen versions of King Lear, featuring films, TV productions, translations, free retellings and appropriations from around the world. This book will appeal to libraries and specialists working on King Lear in courses within Shakespeare studies, Shakespeare in performance and Shakespeare on screen.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 278
- Erscheinungstermin: 26. September 2019
- Englisch
- Abmessung: 235mm x 157mm x 20mm
- Gewicht: 559g
- ISBN-13: 9781108426923
- ISBN-10: 1108426921
- Artikelnr.: 56875731
- Verlag: Cambridge University Press
- Seitenzahl: 278
- Erscheinungstermin: 26. September 2019
- Englisch
- Abmessung: 235mm x 157mm x 20mm
- Gewicht: 559g
- ISBN-13: 9781108426923
- ISBN-10: 1108426921
- Artikelnr.: 56875731
1. Introduction: dis-locating King Lear on screen Victoria Bladen, Sarah
Hatchuel and Nathalie Vienne-Guerrin; Part I. Surviving Lear: Revisiting
the Canon: 2. Lear's Fool on film: Peter Brook, Grigori Kozintsev, Akira
Kurosawa Samuel Crowl; 3. Wicked humans and weeping Buddhas: (post)humanism
and Hell in Kurosawa's Ran Melissa Croteau; Part II. Lear en abyme:
Metatheater and the Screen: 4. Filming metatheater: the 'Dover cliff' scene
on screen Sarah Hatchuel; 5. New ways of looking at Lear: changing
relationships between theatre, screen and audience in live broadcasts of
King Lear (2011-2016) Rachael Nicholas; 6. Re-shaping old course in a
country new: producing nation, culture and King Lear in Slings and Arrows
Lois Leveen; Part III. The Genres of Lear: 7. Negotiating authorship, genre
and race in King of Texas (2002) Pierre Kapitaniak; 8. Romancing King Lear:
Hobson's Choice, Life Goes On and beyond Diana E. Henderson; 9. 'Easy
Lear': Harry and Tonto and the American road movie Douglas M. Lanier; Part
IV. Lear on the Loose: Migrations and Appropriations of Lear: 10.
Relocating Jewish culture in The Yiddish King Lear (1934) Jacek Fabiszak;
11. The Trump effect: exceptionalism, global capitalism and the war on
women in early twenty-first century films of King Lear Courtney Lehmann;
12. Looking for Lear in The Eye of the Storm Victoria Bladen; 13. Between
political drama and soap opera: appropriations of King Lear in US
television series Boss and Empire Sylvaine Bataille and Anaïs Pauchet; 14.
Afterword: Godard's King Lear Peter Holland; 15. King Lear on screen:
select film-bibliography José Ramón Díaz Fernández.
Hatchuel and Nathalie Vienne-Guerrin; Part I. Surviving Lear: Revisiting
the Canon: 2. Lear's Fool on film: Peter Brook, Grigori Kozintsev, Akira
Kurosawa Samuel Crowl; 3. Wicked humans and weeping Buddhas: (post)humanism
and Hell in Kurosawa's Ran Melissa Croteau; Part II. Lear en abyme:
Metatheater and the Screen: 4. Filming metatheater: the 'Dover cliff' scene
on screen Sarah Hatchuel; 5. New ways of looking at Lear: changing
relationships between theatre, screen and audience in live broadcasts of
King Lear (2011-2016) Rachael Nicholas; 6. Re-shaping old course in a
country new: producing nation, culture and King Lear in Slings and Arrows
Lois Leveen; Part III. The Genres of Lear: 7. Negotiating authorship, genre
and race in King of Texas (2002) Pierre Kapitaniak; 8. Romancing King Lear:
Hobson's Choice, Life Goes On and beyond Diana E. Henderson; 9. 'Easy
Lear': Harry and Tonto and the American road movie Douglas M. Lanier; Part
IV. Lear on the Loose: Migrations and Appropriations of Lear: 10.
Relocating Jewish culture in The Yiddish King Lear (1934) Jacek Fabiszak;
11. The Trump effect: exceptionalism, global capitalism and the war on
women in early twenty-first century films of King Lear Courtney Lehmann;
12. Looking for Lear in The Eye of the Storm Victoria Bladen; 13. Between
political drama and soap opera: appropriations of King Lear in US
television series Boss and Empire Sylvaine Bataille and Anaïs Pauchet; 14.
Afterword: Godard's King Lear Peter Holland; 15. King Lear on screen:
select film-bibliography José Ramón Díaz Fernández.
1. Introduction: dis-locating King Lear on screen Victoria Bladen, Sarah
Hatchuel and Nathalie Vienne-Guerrin; Part I. Surviving Lear: Revisiting
the Canon: 2. Lear's Fool on film: Peter Brook, Grigori Kozintsev, Akira
Kurosawa Samuel Crowl; 3. Wicked humans and weeping Buddhas: (post)humanism
and Hell in Kurosawa's Ran Melissa Croteau; Part II. Lear en abyme:
Metatheater and the Screen: 4. Filming metatheater: the 'Dover cliff' scene
on screen Sarah Hatchuel; 5. New ways of looking at Lear: changing
relationships between theatre, screen and audience in live broadcasts of
King Lear (2011-2016) Rachael Nicholas; 6. Re-shaping old course in a
country new: producing nation, culture and King Lear in Slings and Arrows
Lois Leveen; Part III. The Genres of Lear: 7. Negotiating authorship, genre
and race in King of Texas (2002) Pierre Kapitaniak; 8. Romancing King Lear:
Hobson's Choice, Life Goes On and beyond Diana E. Henderson; 9. 'Easy
Lear': Harry and Tonto and the American road movie Douglas M. Lanier; Part
IV. Lear on the Loose: Migrations and Appropriations of Lear: 10.
Relocating Jewish culture in The Yiddish King Lear (1934) Jacek Fabiszak;
11. The Trump effect: exceptionalism, global capitalism and the war on
women in early twenty-first century films of King Lear Courtney Lehmann;
12. Looking for Lear in The Eye of the Storm Victoria Bladen; 13. Between
political drama and soap opera: appropriations of King Lear in US
television series Boss and Empire Sylvaine Bataille and Anaïs Pauchet; 14.
Afterword: Godard's King Lear Peter Holland; 15. King Lear on screen:
select film-bibliography José Ramón Díaz Fernández.
Hatchuel and Nathalie Vienne-Guerrin; Part I. Surviving Lear: Revisiting
the Canon: 2. Lear's Fool on film: Peter Brook, Grigori Kozintsev, Akira
Kurosawa Samuel Crowl; 3. Wicked humans and weeping Buddhas: (post)humanism
and Hell in Kurosawa's Ran Melissa Croteau; Part II. Lear en abyme:
Metatheater and the Screen: 4. Filming metatheater: the 'Dover cliff' scene
on screen Sarah Hatchuel; 5. New ways of looking at Lear: changing
relationships between theatre, screen and audience in live broadcasts of
King Lear (2011-2016) Rachael Nicholas; 6. Re-shaping old course in a
country new: producing nation, culture and King Lear in Slings and Arrows
Lois Leveen; Part III. The Genres of Lear: 7. Negotiating authorship, genre
and race in King of Texas (2002) Pierre Kapitaniak; 8. Romancing King Lear:
Hobson's Choice, Life Goes On and beyond Diana E. Henderson; 9. 'Easy
Lear': Harry and Tonto and the American road movie Douglas M. Lanier; Part
IV. Lear on the Loose: Migrations and Appropriations of Lear: 10.
Relocating Jewish culture in The Yiddish King Lear (1934) Jacek Fabiszak;
11. The Trump effect: exceptionalism, global capitalism and the war on
women in early twenty-first century films of King Lear Courtney Lehmann;
12. Looking for Lear in The Eye of the Storm Victoria Bladen; 13. Between
political drama and soap opera: appropriations of King Lear in US
television series Boss and Empire Sylvaine Bataille and Anaïs Pauchet; 14.
Afterword: Godard's King Lear Peter Holland; 15. King Lear on screen:
select film-bibliography José Ramón Díaz Fernández.