Shakespeare Survey 70
Herausgeber: Holland, Peter
Shakespeare Survey 70
Herausgeber: Holland, Peter
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The seventieth volume in the annual series of volumes devoted to Shakespeare study and production. The articles are drawn from the World Shakespeare Congress, held 400 years after Shakespeare's death in July/August 2016 in Stratford-upon-Avon and London. The theme is 'Creating Shakespeare'.
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Peter Holland (ed.)Shakespeare Survey137,99 €-
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The seventieth volume in the annual series of volumes devoted to Shakespeare study and production. The articles are drawn from the World Shakespeare Congress, held 400 years after Shakespeare's death in July/August 2016 in Stratford-upon-Avon and London. The theme is 'Creating Shakespeare'.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 416
- Erscheinungstermin: 1. April 2021
- Englisch
- Abmessung: 246mm x 189mm x 22mm
- Gewicht: 801g
- ISBN-13: 9781108405027
- ISBN-10: 1108405029
- Artikelnr.: 60799270
- Verlag: Cambridge University Press
- Seitenzahl: 416
- Erscheinungstermin: 1. April 2021
- Englisch
- Abmessung: 246mm x 189mm x 22mm
- Gewicht: 801g
- ISBN-13: 9781108405027
- ISBN-10: 1108405029
- Artikelnr.: 60799270
1. 'Think when we talk of horses ...' Gregory Doran; 2. Adrian Lester in
dialogue with Ayanna Thompson; 3. Shakespeare and the novel: a conversation
Howard Jacobson and Adrian Poole; 4. 'Music still': understanding and
reconstructing Shakespeare's use of musical underscore Claire van Kampen;
Part I. Shakespeare: Biography and Celebration: 5. Remembering and
forgetting in 1916: Israel Gollancz, the Shakespeare tercentenary and the
National Theatre Gordon McMullan; 6. Four centuries of centenaries:
Stratford-upon-Avon Michael Dobson; 7. Writing and re-writing Shakespeare's
life: a roundtable discussion with Margreta de Grazia, Katherine Scheil,
James Shapiro, and Stanley Wells Paul Edmondson; 8. The merchant in Venice:
re-creating Shakespeare in the Ghetto Shaul Bassi; 9. Shakespeare's The
Merchant of Venice in and beyond the Ghetto Carol Chillington Rutter; Part
II. Shakespeare and Textual Studies: 10. What the quills can tell: the case
of John Fletcher and Philip Massinger's Love's Cure José A. Pérez Díez; 11.
What if Greg and Werstine had examined early Modern Spanish Dramatic
Manuscripts Jesús Tronch; 12. Exit manuscripts: the archive of theatre and
the archive of print John Jowett; 13. 'Sblood! Hamlet's oaths and the
editing of Shakespeare's plays Lucy Munro; 14.
Antihonorificabilitudinitatibus: Love's Labour's Lost and unteachable words
Adam Zucker; 15. Shakespeare and who? Aeschylus, Edward III, and Thomas Kyd
Gary Taylor, John V. Nance and Keegan Cooper; 16. Authorial attribution and
Shakespearean variety: genre, form and chronology Hugh Craig; Part lll.
Shakespeare and Early Modern Contexts: 17. 'My mother's maids, when they
did sew and spin': staging sewing, telling tales Hester Lees-Jeffries; 18.
Why prospero drowned his books, and other Catholic folklore Helen Cooper;
19. Why did the English stage take boys for actresses? Pamela Allen Brown;
20. Acting amiss: towards a history of actorly craft and playhouse
judgement Simon Smith 21. 'What imports this song?': spontaneous singers
and spaces of meaning in Shakespeare Elisabeth Lutteman; 22. Shakespeare's
depriving particles Ruth Morse; 23. Shakespeare's comedy of upright status:
standing bears and fallen humans Laurie Shannon; 24. 'Worth the name of a
Christian'?: the parabolic economy of Two Gentlemen of Verona Margaret
Tudeau-Clayton; 25. 'Titus, unkind': Shakespeare's revision of Vergil's
Aeneas in Titus Andronicus Megan Allen; 26. 'Cut him out in little stars':
Juliet's cute classicism Julia Reinhard Lupton; 27. The will of Caesar:
choice-making, the death of the Roman Republic, and the development of
Shakespearean character Katharine Eisaman Maus; 28. 'As for that light
hobby-horse, my sister': Shakespearean influences and popular discourses in
Blurt, Master Constable Natália Pikli; 29. Messianic ugliness in A
Midsummer Night's Dream and The Winter's Tale Naomi Baker; 30. Shakespeare
performances in England, 2016 Stephen Purcell; 31. Professional Shakespeare
productions in the British Isles, January-December 2015 James Shaw; Part
IV. The Year's Contribution to Shakespeare Studies: 1. Critical studies
reviewed by Charlotte Scott; 2. The Cambridge Guide to the Worlds of
Shakespeare reviewed by Russell Jackson; 3. Shakespeare in performance
reviewed by Russell Jackson; 4. Editions and textual studies reviewed by
Peter Kirwan; Abstracts.
dialogue with Ayanna Thompson; 3. Shakespeare and the novel: a conversation
Howard Jacobson and Adrian Poole; 4. 'Music still': understanding and
reconstructing Shakespeare's use of musical underscore Claire van Kampen;
Part I. Shakespeare: Biography and Celebration: 5. Remembering and
forgetting in 1916: Israel Gollancz, the Shakespeare tercentenary and the
National Theatre Gordon McMullan; 6. Four centuries of centenaries:
Stratford-upon-Avon Michael Dobson; 7. Writing and re-writing Shakespeare's
life: a roundtable discussion with Margreta de Grazia, Katherine Scheil,
James Shapiro, and Stanley Wells Paul Edmondson; 8. The merchant in Venice:
re-creating Shakespeare in the Ghetto Shaul Bassi; 9. Shakespeare's The
Merchant of Venice in and beyond the Ghetto Carol Chillington Rutter; Part
II. Shakespeare and Textual Studies: 10. What the quills can tell: the case
of John Fletcher and Philip Massinger's Love's Cure José A. Pérez Díez; 11.
What if Greg and Werstine had examined early Modern Spanish Dramatic
Manuscripts Jesús Tronch; 12. Exit manuscripts: the archive of theatre and
the archive of print John Jowett; 13. 'Sblood! Hamlet's oaths and the
editing of Shakespeare's plays Lucy Munro; 14.
Antihonorificabilitudinitatibus: Love's Labour's Lost and unteachable words
Adam Zucker; 15. Shakespeare and who? Aeschylus, Edward III, and Thomas Kyd
Gary Taylor, John V. Nance and Keegan Cooper; 16. Authorial attribution and
Shakespearean variety: genre, form and chronology Hugh Craig; Part lll.
Shakespeare and Early Modern Contexts: 17. 'My mother's maids, when they
did sew and spin': staging sewing, telling tales Hester Lees-Jeffries; 18.
Why prospero drowned his books, and other Catholic folklore Helen Cooper;
19. Why did the English stage take boys for actresses? Pamela Allen Brown;
20. Acting amiss: towards a history of actorly craft and playhouse
judgement Simon Smith 21. 'What imports this song?': spontaneous singers
and spaces of meaning in Shakespeare Elisabeth Lutteman; 22. Shakespeare's
depriving particles Ruth Morse; 23. Shakespeare's comedy of upright status:
standing bears and fallen humans Laurie Shannon; 24. 'Worth the name of a
Christian'?: the parabolic economy of Two Gentlemen of Verona Margaret
Tudeau-Clayton; 25. 'Titus, unkind': Shakespeare's revision of Vergil's
Aeneas in Titus Andronicus Megan Allen; 26. 'Cut him out in little stars':
Juliet's cute classicism Julia Reinhard Lupton; 27. The will of Caesar:
choice-making, the death of the Roman Republic, and the development of
Shakespearean character Katharine Eisaman Maus; 28. 'As for that light
hobby-horse, my sister': Shakespearean influences and popular discourses in
Blurt, Master Constable Natália Pikli; 29. Messianic ugliness in A
Midsummer Night's Dream and The Winter's Tale Naomi Baker; 30. Shakespeare
performances in England, 2016 Stephen Purcell; 31. Professional Shakespeare
productions in the British Isles, January-December 2015 James Shaw; Part
IV. The Year's Contribution to Shakespeare Studies: 1. Critical studies
reviewed by Charlotte Scott; 2. The Cambridge Guide to the Worlds of
Shakespeare reviewed by Russell Jackson; 3. Shakespeare in performance
reviewed by Russell Jackson; 4. Editions and textual studies reviewed by
Peter Kirwan; Abstracts.
1. 'Think when we talk of horses ...' Gregory Doran; 2. Adrian Lester in
dialogue with Ayanna Thompson; 3. Shakespeare and the novel: a conversation
Howard Jacobson and Adrian Poole; 4. 'Music still': understanding and
reconstructing Shakespeare's use of musical underscore Claire van Kampen;
Part I. Shakespeare: Biography and Celebration: 5. Remembering and
forgetting in 1916: Israel Gollancz, the Shakespeare tercentenary and the
National Theatre Gordon McMullan; 6. Four centuries of centenaries:
Stratford-upon-Avon Michael Dobson; 7. Writing and re-writing Shakespeare's
life: a roundtable discussion with Margreta de Grazia, Katherine Scheil,
James Shapiro, and Stanley Wells Paul Edmondson; 8. The merchant in Venice:
re-creating Shakespeare in the Ghetto Shaul Bassi; 9. Shakespeare's The
Merchant of Venice in and beyond the Ghetto Carol Chillington Rutter; Part
II. Shakespeare and Textual Studies: 10. What the quills can tell: the case
of John Fletcher and Philip Massinger's Love's Cure José A. Pérez Díez; 11.
What if Greg and Werstine had examined early Modern Spanish Dramatic
Manuscripts Jesús Tronch; 12. Exit manuscripts: the archive of theatre and
the archive of print John Jowett; 13. 'Sblood! Hamlet's oaths and the
editing of Shakespeare's plays Lucy Munro; 14.
Antihonorificabilitudinitatibus: Love's Labour's Lost and unteachable words
Adam Zucker; 15. Shakespeare and who? Aeschylus, Edward III, and Thomas Kyd
Gary Taylor, John V. Nance and Keegan Cooper; 16. Authorial attribution and
Shakespearean variety: genre, form and chronology Hugh Craig; Part lll.
Shakespeare and Early Modern Contexts: 17. 'My mother's maids, when they
did sew and spin': staging sewing, telling tales Hester Lees-Jeffries; 18.
Why prospero drowned his books, and other Catholic folklore Helen Cooper;
19. Why did the English stage take boys for actresses? Pamela Allen Brown;
20. Acting amiss: towards a history of actorly craft and playhouse
judgement Simon Smith 21. 'What imports this song?': spontaneous singers
and spaces of meaning in Shakespeare Elisabeth Lutteman; 22. Shakespeare's
depriving particles Ruth Morse; 23. Shakespeare's comedy of upright status:
standing bears and fallen humans Laurie Shannon; 24. 'Worth the name of a
Christian'?: the parabolic economy of Two Gentlemen of Verona Margaret
Tudeau-Clayton; 25. 'Titus, unkind': Shakespeare's revision of Vergil's
Aeneas in Titus Andronicus Megan Allen; 26. 'Cut him out in little stars':
Juliet's cute classicism Julia Reinhard Lupton; 27. The will of Caesar:
choice-making, the death of the Roman Republic, and the development of
Shakespearean character Katharine Eisaman Maus; 28. 'As for that light
hobby-horse, my sister': Shakespearean influences and popular discourses in
Blurt, Master Constable Natália Pikli; 29. Messianic ugliness in A
Midsummer Night's Dream and The Winter's Tale Naomi Baker; 30. Shakespeare
performances in England, 2016 Stephen Purcell; 31. Professional Shakespeare
productions in the British Isles, January-December 2015 James Shaw; Part
IV. The Year's Contribution to Shakespeare Studies: 1. Critical studies
reviewed by Charlotte Scott; 2. The Cambridge Guide to the Worlds of
Shakespeare reviewed by Russell Jackson; 3. Shakespeare in performance
reviewed by Russell Jackson; 4. Editions and textual studies reviewed by
Peter Kirwan; Abstracts.
dialogue with Ayanna Thompson; 3. Shakespeare and the novel: a conversation
Howard Jacobson and Adrian Poole; 4. 'Music still': understanding and
reconstructing Shakespeare's use of musical underscore Claire van Kampen;
Part I. Shakespeare: Biography and Celebration: 5. Remembering and
forgetting in 1916: Israel Gollancz, the Shakespeare tercentenary and the
National Theatre Gordon McMullan; 6. Four centuries of centenaries:
Stratford-upon-Avon Michael Dobson; 7. Writing and re-writing Shakespeare's
life: a roundtable discussion with Margreta de Grazia, Katherine Scheil,
James Shapiro, and Stanley Wells Paul Edmondson; 8. The merchant in Venice:
re-creating Shakespeare in the Ghetto Shaul Bassi; 9. Shakespeare's The
Merchant of Venice in and beyond the Ghetto Carol Chillington Rutter; Part
II. Shakespeare and Textual Studies: 10. What the quills can tell: the case
of John Fletcher and Philip Massinger's Love's Cure José A. Pérez Díez; 11.
What if Greg and Werstine had examined early Modern Spanish Dramatic
Manuscripts Jesús Tronch; 12. Exit manuscripts: the archive of theatre and
the archive of print John Jowett; 13. 'Sblood! Hamlet's oaths and the
editing of Shakespeare's plays Lucy Munro; 14.
Antihonorificabilitudinitatibus: Love's Labour's Lost and unteachable words
Adam Zucker; 15. Shakespeare and who? Aeschylus, Edward III, and Thomas Kyd
Gary Taylor, John V. Nance and Keegan Cooper; 16. Authorial attribution and
Shakespearean variety: genre, form and chronology Hugh Craig; Part lll.
Shakespeare and Early Modern Contexts: 17. 'My mother's maids, when they
did sew and spin': staging sewing, telling tales Hester Lees-Jeffries; 18.
Why prospero drowned his books, and other Catholic folklore Helen Cooper;
19. Why did the English stage take boys for actresses? Pamela Allen Brown;
20. Acting amiss: towards a history of actorly craft and playhouse
judgement Simon Smith 21. 'What imports this song?': spontaneous singers
and spaces of meaning in Shakespeare Elisabeth Lutteman; 22. Shakespeare's
depriving particles Ruth Morse; 23. Shakespeare's comedy of upright status:
standing bears and fallen humans Laurie Shannon; 24. 'Worth the name of a
Christian'?: the parabolic economy of Two Gentlemen of Verona Margaret
Tudeau-Clayton; 25. 'Titus, unkind': Shakespeare's revision of Vergil's
Aeneas in Titus Andronicus Megan Allen; 26. 'Cut him out in little stars':
Juliet's cute classicism Julia Reinhard Lupton; 27. The will of Caesar:
choice-making, the death of the Roman Republic, and the development of
Shakespearean character Katharine Eisaman Maus; 28. 'As for that light
hobby-horse, my sister': Shakespearean influences and popular discourses in
Blurt, Master Constable Natália Pikli; 29. Messianic ugliness in A
Midsummer Night's Dream and The Winter's Tale Naomi Baker; 30. Shakespeare
performances in England, 2016 Stephen Purcell; 31. Professional Shakespeare
productions in the British Isles, January-December 2015 James Shaw; Part
IV. The Year's Contribution to Shakespeare Studies: 1. Critical studies
reviewed by Charlotte Scott; 2. The Cambridge Guide to the Worlds of
Shakespeare reviewed by Russell Jackson; 3. Shakespeare in performance
reviewed by Russell Jackson; 4. Editions and textual studies reviewed by
Peter Kirwan; Abstracts.