The 71st in the annual series of volumes devoted to Shakespeare study and production. The theme is 'Re-Creating Shakespeare'.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
List of Illustrations; Part I. Shakespeare in Performance - Africa and Asia: 1. Shakespeare's transcolonial solidarities in the global south Sandra Young; 2. Shakespeare's creolised voices Ashish Beesoondial; 3. 'Accents yet unknown': Haider and Hamlet in Kashmir Pompa Banerjee; 4. The forests of silence: global Shakespeare in the Philippines, the Philippines in global Shakespeare Judy Celine Ick; 5. Arab Shakespeares at the World Shakespeare Congress Katherine Hennessey and Margaret Litvin; 6. The dual tradition of bardolatry in China Hao Liu; 7. A catalyst for theatrical reinvention: contemporary travelling companies at the Tokyo Globe Theatre Michiko Suematsu; Part II. Shakespeare in Performance - The Americas: 8. 'Both alike in dignity': Havana and Mexico City Play Romeo and Juliet Alfredo Michel Modenessi; 9. Cuban improvisations: reverse colonization via Shakespeare Donna Woodford-Gormley; 10. Mixing memory with desire: staging Hamlet Q1 Andrew James Hartley; 11. Shakespeare, race, and 'other' Englishes: the Q Brothers' Othello: the remix Carla Della Gatta; Part III. Shakespeare in Performance - Europe: 12. 'Mingled yarn': The Merchant of Venice East of Berlin and the legacy of 'Eastern Europe' Boika Sokolova; 13. Ariel's groans, or, performing protean gender on the Bulgarian post-communist stage Kirilka Stavreva; 14. Dressing the history 'boys': Harry's masks, Falstaff's underpants Carol Chillington Rutter; 15. Shopping for the archives: fashioning a costume collection Kate Dorney; 16. Pastiche or archetype? The Sam Wanamaker Playhouse and the project of theatrical reconstruction Holger Schott Syme; 17. Evolutionary naturalism and ecology in Shakespearian performance (with scene from King John) Randall Martin; Part IV. Shakespeare and Other Art Forms: 18. Of dance and disarticulation: Juliet dead and alive Joseph Campana; 19. Titania's dream: three choreographic Midsummer Night's Dreams of the twentieth century Iris Julia Bührle; 20. Shakespeare on screens: close watching, close listening Peter Holland; 21. From table books to Tumblr: recollecting the microgenres of the early modern stage in social media Cyrus Mulready; 22. Unlearning Shakespeare studies: speculative criticism and the place of fan activism Louise Geddes; 23. Titus Andronicus and trapdoors at the Rose and Newington Butts Mark Hutchings; 24. Shakespeare's bewitching line Robert Stagg; 25. At the sign of the angel: the influence of Andrew Wise on Shakespeare in print Amy Lidster; 26. Shakespeare and Hardy: the tragi-comic nexus Thomas McAlindon; 27. Queer Iago: a brief history Jonathan Crewe; 28. Global Shakespeare and the censor: adaptation, context and Shakespeare Must Die, a Thai film adaptation of Macbeth Mark Thornton Burnett; 29. Hathaway farm: commemorating Warwickshire Will between the wars Katherine Scheil; 30. Shakespeare performances in England, 2017 Stephen Purcell; 31. Professional Shakespeare productions in the British Isles, January-December 2016 James Shaw; 32. The year's contribution to Shakespeare studies; 1. Critical studies reviewed by Charlotte Scott; 2. Shakespeare in performance reviewed by Russell Jackson; 3. Editions and textual studies reviewed by Peter Kirwan; Abstracts; Index.
List of Illustrations; Part I. Shakespeare in Performance - Africa and Asia: 1. Shakespeare's transcolonial solidarities in the global south Sandra Young; 2. Shakespeare's creolised voices Ashish Beesoondial; 3. 'Accents yet unknown': Haider and Hamlet in Kashmir Pompa Banerjee; 4. The forests of silence: global Shakespeare in the Philippines, the Philippines in global Shakespeare Judy Celine Ick; 5. Arab Shakespeares at the World Shakespeare Congress Katherine Hennessey and Margaret Litvin; 6. The dual tradition of bardolatry in China Hao Liu; 7. A catalyst for theatrical reinvention: contemporary travelling companies at the Tokyo Globe Theatre Michiko Suematsu; Part II. Shakespeare in Performance - The Americas: 8. 'Both alike in dignity': Havana and Mexico City Play Romeo and Juliet Alfredo Michel Modenessi; 9. Cuban improvisations: reverse colonization via Shakespeare Donna Woodford-Gormley; 10. Mixing memory with desire: staging Hamlet Q1 Andrew James Hartley; 11. Shakespeare, race, and 'other' Englishes: the Q Brothers' Othello: the remix Carla Della Gatta; Part III. Shakespeare in Performance - Europe: 12. 'Mingled yarn': The Merchant of Venice East of Berlin and the legacy of 'Eastern Europe' Boika Sokolova; 13. Ariel's groans, or, performing protean gender on the Bulgarian post-communist stage Kirilka Stavreva; 14. Dressing the history 'boys': Harry's masks, Falstaff's underpants Carol Chillington Rutter; 15. Shopping for the archives: fashioning a costume collection Kate Dorney; 16. Pastiche or archetype? The Sam Wanamaker Playhouse and the project of theatrical reconstruction Holger Schott Syme; 17. Evolutionary naturalism and ecology in Shakespearian performance (with scene from King John) Randall Martin; Part IV. Shakespeare and Other Art Forms: 18. Of dance and disarticulation: Juliet dead and alive Joseph Campana; 19. Titania's dream: three choreographic Midsummer Night's Dreams of the twentieth century Iris Julia Bührle; 20. Shakespeare on screens: close watching, close listening Peter Holland; 21. From table books to Tumblr: recollecting the microgenres of the early modern stage in social media Cyrus Mulready; 22. Unlearning Shakespeare studies: speculative criticism and the place of fan activism Louise Geddes; 23. Titus Andronicus and trapdoors at the Rose and Newington Butts Mark Hutchings; 24. Shakespeare's bewitching line Robert Stagg; 25. At the sign of the angel: the influence of Andrew Wise on Shakespeare in print Amy Lidster; 26. Shakespeare and Hardy: the tragi-comic nexus Thomas McAlindon; 27. Queer Iago: a brief history Jonathan Crewe; 28. Global Shakespeare and the censor: adaptation, context and Shakespeare Must Die, a Thai film adaptation of Macbeth Mark Thornton Burnett; 29. Hathaway farm: commemorating Warwickshire Will between the wars Katherine Scheil; 30. Shakespeare performances in England, 2017 Stephen Purcell; 31. Professional Shakespeare productions in the British Isles, January-December 2016 James Shaw; 32. The year's contribution to Shakespeare studies; 1. Critical studies reviewed by Charlotte Scott; 2. Shakespeare in performance reviewed by Russell Jackson; 3. Editions and textual studies reviewed by Peter Kirwan; Abstracts; Index.
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