Shakespeare Survey 71
Herausgeber: Holland, Peter
Shakespeare Survey 71
Herausgeber: Holland, Peter
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The 71st in the annual series of volumes devoted to Shakespeare study and production. The theme is 'Re-Creating Shakespeare'.
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The 71st in the annual series of volumes devoted to Shakespeare study and production. The theme is 'Re-Creating Shakespeare'.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 440
- Erscheinungstermin: 22. März 2019
- Englisch
- Abmessung: 260mm x 208mm x 28mm
- Gewicht: 1162g
- ISBN-13: 9781108470834
- ISBN-10: 1108470831
- Artikelnr.: 52420402
- Verlag: Cambridge University Press
- Seitenzahl: 440
- Erscheinungstermin: 22. März 2019
- Englisch
- Abmessung: 260mm x 208mm x 28mm
- Gewicht: 1162g
- ISBN-13: 9781108470834
- ISBN-10: 1108470831
- Artikelnr.: 52420402
List of Illustrations; Part I. Shakespeare in Performance - Africa and
Asia: 1. Shakespeare's transcolonial solidarities in the global south
Sandra Young; 2. Shakespeare's creolised voices Ashish Beesoondial; 3.
'Accents yet unknown': Haider and Hamlet in Kashmir Pompa Banerjee; 4. The
forests of silence: global Shakespeare in the Philippines, the Philippines
in global Shakespeare Judy Celine Ick; 5. Arab Shakespeares at the World
Shakespeare Congress Katherine Hennessey and Margaret Litvin; 6. The dual
tradition of bardolatry in China Hao Liu; 7. A catalyst for theatrical
reinvention: contemporary travelling companies at the Tokyo Globe Theatre
Michiko Suematsu; Part II. Shakespeare in Performance - The Americas: 8.
'Both alike in dignity': Havana and Mexico City Play Romeo and Juliet
Alfredo Michel Modenessi; 9. Cuban improvisations: reverse colonization via
Shakespeare Donna Woodford-Gormley; 10. Mixing memory with desire: staging
Hamlet Q1 Andrew James Hartley; 11. Shakespeare, race, and 'other'
Englishes: the Q Brothers' Othello: the remix Carla Della Gatta; Part III.
Shakespeare in Performance - Europe: 12. 'Mingled yarn': The Merchant of
Venice East of Berlin and the legacy of 'Eastern Europe' Boika Sokolova;
13. Ariel's groans, or, performing protean gender on the Bulgarian
post-communist stage Kirilka Stavreva; 14. Dressing the history 'boys':
Harry's masks, Falstaff's underpants Carol Chillington Rutter; 15. Shopping
for the archives: fashioning a costume collection Kate Dorney; 16. Pastiche
or archetype? The Sam Wanamaker Playhouse and the project of theatrical
reconstruction Holger Schott Syme; 17. Evolutionary naturalism and ecology
in Shakespearian performance (with scene from King John) Randall Martin;
Part IV. Shakespeare and Other Art Forms: 18. Of dance and disarticulation:
Juliet dead and alive Joseph Campana; 19. Titania's dream: three
choreographic Midsummer Night's Dreams of the twentieth century Iris Julia
Bührle; 20. Shakespeare on screens: close watching, close listening Peter
Holland; 21. From table books to Tumblr: recollecting the microgenres of
the early modern stage in social media Cyrus Mulready; 22. Unlearning
Shakespeare studies: speculative criticism and the place of fan activism
Louise Geddes; 23. Titus Andronicus and trapdoors at the Rose and Newington
Butts Mark Hutchings; 24. Shakespeare's bewitching line Robert Stagg; 25.
At the sign of the angel: the influence of Andrew Wise on Shakespeare in
print Amy Lidster; 26. Shakespeare and Hardy: the tragi-comic nexus Thomas
McAlindon; 27. Queer Iago: a brief history Jonathan Crewe; 28. Global
Shakespeare and the censor: adaptation, context and Shakespeare Must Die, a
Thai film adaptation of Macbeth Mark Thornton Burnett; 29. Hathaway farm:
commemorating Warwickshire Will between the wars Katherine Scheil; 30.
Shakespeare performances in England, 2017 Stephen Purcell; 31. Professional
Shakespeare productions in the British Isles, January-December 2016 James
Shaw; 32. The year's contribution to Shakespeare studies; 1. Critical
studies reviewed by Charlotte Scott; 2. Shakespeare in performance reviewed
by Russell Jackson; 3. Editions and textual studies reviewed by Peter
Kirwan; Abstracts; Index.
Asia: 1. Shakespeare's transcolonial solidarities in the global south
Sandra Young; 2. Shakespeare's creolised voices Ashish Beesoondial; 3.
'Accents yet unknown': Haider and Hamlet in Kashmir Pompa Banerjee; 4. The
forests of silence: global Shakespeare in the Philippines, the Philippines
in global Shakespeare Judy Celine Ick; 5. Arab Shakespeares at the World
Shakespeare Congress Katherine Hennessey and Margaret Litvin; 6. The dual
tradition of bardolatry in China Hao Liu; 7. A catalyst for theatrical
reinvention: contemporary travelling companies at the Tokyo Globe Theatre
Michiko Suematsu; Part II. Shakespeare in Performance - The Americas: 8.
'Both alike in dignity': Havana and Mexico City Play Romeo and Juliet
Alfredo Michel Modenessi; 9. Cuban improvisations: reverse colonization via
Shakespeare Donna Woodford-Gormley; 10. Mixing memory with desire: staging
Hamlet Q1 Andrew James Hartley; 11. Shakespeare, race, and 'other'
Englishes: the Q Brothers' Othello: the remix Carla Della Gatta; Part III.
Shakespeare in Performance - Europe: 12. 'Mingled yarn': The Merchant of
Venice East of Berlin and the legacy of 'Eastern Europe' Boika Sokolova;
13. Ariel's groans, or, performing protean gender on the Bulgarian
post-communist stage Kirilka Stavreva; 14. Dressing the history 'boys':
Harry's masks, Falstaff's underpants Carol Chillington Rutter; 15. Shopping
for the archives: fashioning a costume collection Kate Dorney; 16. Pastiche
or archetype? The Sam Wanamaker Playhouse and the project of theatrical
reconstruction Holger Schott Syme; 17. Evolutionary naturalism and ecology
in Shakespearian performance (with scene from King John) Randall Martin;
Part IV. Shakespeare and Other Art Forms: 18. Of dance and disarticulation:
Juliet dead and alive Joseph Campana; 19. Titania's dream: three
choreographic Midsummer Night's Dreams of the twentieth century Iris Julia
Bührle; 20. Shakespeare on screens: close watching, close listening Peter
Holland; 21. From table books to Tumblr: recollecting the microgenres of
the early modern stage in social media Cyrus Mulready; 22. Unlearning
Shakespeare studies: speculative criticism and the place of fan activism
Louise Geddes; 23. Titus Andronicus and trapdoors at the Rose and Newington
Butts Mark Hutchings; 24. Shakespeare's bewitching line Robert Stagg; 25.
At the sign of the angel: the influence of Andrew Wise on Shakespeare in
print Amy Lidster; 26. Shakespeare and Hardy: the tragi-comic nexus Thomas
McAlindon; 27. Queer Iago: a brief history Jonathan Crewe; 28. Global
Shakespeare and the censor: adaptation, context and Shakespeare Must Die, a
Thai film adaptation of Macbeth Mark Thornton Burnett; 29. Hathaway farm:
commemorating Warwickshire Will between the wars Katherine Scheil; 30.
Shakespeare performances in England, 2017 Stephen Purcell; 31. Professional
Shakespeare productions in the British Isles, January-December 2016 James
Shaw; 32. The year's contribution to Shakespeare studies; 1. Critical
studies reviewed by Charlotte Scott; 2. Shakespeare in performance reviewed
by Russell Jackson; 3. Editions and textual studies reviewed by Peter
Kirwan; Abstracts; Index.
List of Illustrations; Part I. Shakespeare in Performance - Africa and
Asia: 1. Shakespeare's transcolonial solidarities in the global south
Sandra Young; 2. Shakespeare's creolised voices Ashish Beesoondial; 3.
'Accents yet unknown': Haider and Hamlet in Kashmir Pompa Banerjee; 4. The
forests of silence: global Shakespeare in the Philippines, the Philippines
in global Shakespeare Judy Celine Ick; 5. Arab Shakespeares at the World
Shakespeare Congress Katherine Hennessey and Margaret Litvin; 6. The dual
tradition of bardolatry in China Hao Liu; 7. A catalyst for theatrical
reinvention: contemporary travelling companies at the Tokyo Globe Theatre
Michiko Suematsu; Part II. Shakespeare in Performance - The Americas: 8.
'Both alike in dignity': Havana and Mexico City Play Romeo and Juliet
Alfredo Michel Modenessi; 9. Cuban improvisations: reverse colonization via
Shakespeare Donna Woodford-Gormley; 10. Mixing memory with desire: staging
Hamlet Q1 Andrew James Hartley; 11. Shakespeare, race, and 'other'
Englishes: the Q Brothers' Othello: the remix Carla Della Gatta; Part III.
Shakespeare in Performance - Europe: 12. 'Mingled yarn': The Merchant of
Venice East of Berlin and the legacy of 'Eastern Europe' Boika Sokolova;
13. Ariel's groans, or, performing protean gender on the Bulgarian
post-communist stage Kirilka Stavreva; 14. Dressing the history 'boys':
Harry's masks, Falstaff's underpants Carol Chillington Rutter; 15. Shopping
for the archives: fashioning a costume collection Kate Dorney; 16. Pastiche
or archetype? The Sam Wanamaker Playhouse and the project of theatrical
reconstruction Holger Schott Syme; 17. Evolutionary naturalism and ecology
in Shakespearian performance (with scene from King John) Randall Martin;
Part IV. Shakespeare and Other Art Forms: 18. Of dance and disarticulation:
Juliet dead and alive Joseph Campana; 19. Titania's dream: three
choreographic Midsummer Night's Dreams of the twentieth century Iris Julia
Bührle; 20. Shakespeare on screens: close watching, close listening Peter
Holland; 21. From table books to Tumblr: recollecting the microgenres of
the early modern stage in social media Cyrus Mulready; 22. Unlearning
Shakespeare studies: speculative criticism and the place of fan activism
Louise Geddes; 23. Titus Andronicus and trapdoors at the Rose and Newington
Butts Mark Hutchings; 24. Shakespeare's bewitching line Robert Stagg; 25.
At the sign of the angel: the influence of Andrew Wise on Shakespeare in
print Amy Lidster; 26. Shakespeare and Hardy: the tragi-comic nexus Thomas
McAlindon; 27. Queer Iago: a brief history Jonathan Crewe; 28. Global
Shakespeare and the censor: adaptation, context and Shakespeare Must Die, a
Thai film adaptation of Macbeth Mark Thornton Burnett; 29. Hathaway farm:
commemorating Warwickshire Will between the wars Katherine Scheil; 30.
Shakespeare performances in England, 2017 Stephen Purcell; 31. Professional
Shakespeare productions in the British Isles, January-December 2016 James
Shaw; 32. The year's contribution to Shakespeare studies; 1. Critical
studies reviewed by Charlotte Scott; 2. Shakespeare in performance reviewed
by Russell Jackson; 3. Editions and textual studies reviewed by Peter
Kirwan; Abstracts; Index.
Asia: 1. Shakespeare's transcolonial solidarities in the global south
Sandra Young; 2. Shakespeare's creolised voices Ashish Beesoondial; 3.
'Accents yet unknown': Haider and Hamlet in Kashmir Pompa Banerjee; 4. The
forests of silence: global Shakespeare in the Philippines, the Philippines
in global Shakespeare Judy Celine Ick; 5. Arab Shakespeares at the World
Shakespeare Congress Katherine Hennessey and Margaret Litvin; 6. The dual
tradition of bardolatry in China Hao Liu; 7. A catalyst for theatrical
reinvention: contemporary travelling companies at the Tokyo Globe Theatre
Michiko Suematsu; Part II. Shakespeare in Performance - The Americas: 8.
'Both alike in dignity': Havana and Mexico City Play Romeo and Juliet
Alfredo Michel Modenessi; 9. Cuban improvisations: reverse colonization via
Shakespeare Donna Woodford-Gormley; 10. Mixing memory with desire: staging
Hamlet Q1 Andrew James Hartley; 11. Shakespeare, race, and 'other'
Englishes: the Q Brothers' Othello: the remix Carla Della Gatta; Part III.
Shakespeare in Performance - Europe: 12. 'Mingled yarn': The Merchant of
Venice East of Berlin and the legacy of 'Eastern Europe' Boika Sokolova;
13. Ariel's groans, or, performing protean gender on the Bulgarian
post-communist stage Kirilka Stavreva; 14. Dressing the history 'boys':
Harry's masks, Falstaff's underpants Carol Chillington Rutter; 15. Shopping
for the archives: fashioning a costume collection Kate Dorney; 16. Pastiche
or archetype? The Sam Wanamaker Playhouse and the project of theatrical
reconstruction Holger Schott Syme; 17. Evolutionary naturalism and ecology
in Shakespearian performance (with scene from King John) Randall Martin;
Part IV. Shakespeare and Other Art Forms: 18. Of dance and disarticulation:
Juliet dead and alive Joseph Campana; 19. Titania's dream: three
choreographic Midsummer Night's Dreams of the twentieth century Iris Julia
Bührle; 20. Shakespeare on screens: close watching, close listening Peter
Holland; 21. From table books to Tumblr: recollecting the microgenres of
the early modern stage in social media Cyrus Mulready; 22. Unlearning
Shakespeare studies: speculative criticism and the place of fan activism
Louise Geddes; 23. Titus Andronicus and trapdoors at the Rose and Newington
Butts Mark Hutchings; 24. Shakespeare's bewitching line Robert Stagg; 25.
At the sign of the angel: the influence of Andrew Wise on Shakespeare in
print Amy Lidster; 26. Shakespeare and Hardy: the tragi-comic nexus Thomas
McAlindon; 27. Queer Iago: a brief history Jonathan Crewe; 28. Global
Shakespeare and the censor: adaptation, context and Shakespeare Must Die, a
Thai film adaptation of Macbeth Mark Thornton Burnett; 29. Hathaway farm:
commemorating Warwickshire Will between the wars Katherine Scheil; 30.
Shakespeare performances in England, 2017 Stephen Purcell; 31. Professional
Shakespeare productions in the British Isles, January-December 2016 James
Shaw; 32. The year's contribution to Shakespeare studies; 1. Critical
studies reviewed by Charlotte Scott; 2. Shakespeare in performance reviewed
by Russell Jackson; 3. Editions and textual studies reviewed by Peter
Kirwan; Abstracts; Index.