1. Continental Shakespeare Karen Newman; 2. The stranger at the door: belonging in Shakespeare's Ephesus Nandini Das; 3. City origins, lost identities and print errors in The Comedy of Errors Alice Leonard; 4. The circulation of youthful energy on the early modern London stage: migration, intertheatricality, and 'growing to common players' Harry R. McCarthy; 5. In conversation with Shakespeare in Jacobean London: social insanity and its taming schools in 1 and 2 Honest Whore Chi-Fang Sophia Li; 6. Hearing voices: signal vs urban noise in Coriolanus and Augustine's Confessions Lars Engle; 7. Caesar and Lear in Hong Kong: appropriating Shakespeare to express the inexpressible Miriam Lau Leung Che; 8. Before we sleep: Macbeth and the curtain lecture Neil Rhodes; 9. 'The story shall be changed': antique fables and agency in A Midsummer Night's Dream Charlotte Scott; 10. A lawful magic: new worlds of precedent in Mabo and The Winter's Tale Nicholas Luke; 11. 'Cabined, cribbed, confined': advice to actors and the priorities of Shakespearean scholarship' Michael Cordner; 12. 'What country, friends, is this?': Tim Supple's Twelfth Night revisited Peter J. Smith; 13. Through a glass darkly: Sophie Okonedo's Margaret as racial other in The Hollow Crown: The Wars of the Roses Jennie M. Votava; 14. 'Who's there?': Britain's twenty-first century obsession with celebrity Hamlet (2008-2018) Gemma Kate Allred; 15. Shakespearean performance in England 2019 Stephen Purcell and Paul Prescott; 16. Professional Shakespeare productions in the British Isles 2018 James Shaw; 17. Critical studies Charlotte Scott; 18. Shakespeare in performance Russell Jackson; 19. Editions and textual studies Peter Kirwan.
1. Continental Shakespeare Karen Newman; 2. The stranger at the door: belonging in Shakespeare's Ephesus Nandini Das; 3. City origins, lost identities and print errors in The Comedy of Errors Alice Leonard; 4. The circulation of youthful energy on the early modern London stage: migration, intertheatricality, and 'growing to common players' Harry R. McCarthy; 5. In conversation with Shakespeare in Jacobean London: social insanity and its taming schools in 1 and 2 Honest Whore Chi-Fang Sophia Li; 6. Hearing voices: signal vs urban noise in Coriolanus and Augustine's Confessions Lars Engle; 7. Caesar and Lear in Hong Kong: appropriating Shakespeare to express the inexpressible Miriam Lau Leung Che; 8. Before we sleep: Macbeth and the curtain lecture Neil Rhodes; 9. 'The story shall be changed': antique fables and agency in A Midsummer Night's Dream Charlotte Scott; 10. A lawful magic: new worlds of precedent in Mabo and The Winter's Tale Nicholas Luke; 11. 'Cabined, cribbed, confined': advice to actors and the priorities of Shakespearean scholarship' Michael Cordner; 12. 'What country, friends, is this?': Tim Supple's Twelfth Night revisited Peter J. Smith; 13. Through a glass darkly: Sophie Okonedo's Margaret as racial other in The Hollow Crown: The Wars of the Roses Jennie M. Votava; 14. 'Who's there?': Britain's twenty-first century obsession with celebrity Hamlet (2008-2018) Gemma Kate Allred; 15. Shakespearean performance in England 2019 Stephen Purcell and Paul Prescott; 16. Professional Shakespeare productions in the British Isles 2018 James Shaw; 17. Critical studies Charlotte Scott; 18. Shakespeare in performance Russell Jackson; 19. Editions and textual studies Peter Kirwan.
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