Shakespeare Survey 75
Othello
Herausgeber: Smith, Emma
Shakespeare Survey 75
Othello
Herausgeber: Smith, Emma
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Shakespeare Survey is a yearbook of Shakespeare studies and production. The theme for Volume 75 is 'Othello'. The complete set of Survey volumes is also available online at https://www.cambridge.org/core/what-we-publish/collections/shakespeare-survey.
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Shakespeare Survey is a yearbook of Shakespeare studies and production. The theme for Volume 75 is 'Othello'. The complete set of Survey volumes is also available online at https://www.cambridge.org/core/what-we-publish/collections/shakespeare-survey.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Shakespeare Survey
- Verlag: Cambridge University Press
- Seitenzahl: 426
- Erscheinungstermin: 24. November 2022
- Englisch
- Abmessung: 249mm x 188mm x 30mm
- Gewicht: 1006g
- ISBN-13: 9781009245821
- ISBN-10: 1009245821
- Artikelnr.: 63761142
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Shakespeare Survey
- Verlag: Cambridge University Press
- Seitenzahl: 426
- Erscheinungstermin: 24. November 2022
- Englisch
- Abmessung: 249mm x 188mm x 30mm
- Gewicht: 1006g
- ISBN-13: 9781009245821
- ISBN-10: 1009245821
- Artikelnr.: 63761142
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
1. Understanding Iago (2009): Clientelism, Corruption, Politics Mark
Thornton Burnett; 2. Circumventing marginality: The curious case of India's
Othello screen adaptations Abhirup Mascharak; 3. Othello's Kin: Legacy,
Belonging, and The fortunes of the Moor Patricia Cahill; 4. 'More fair than
black': Othellos on British radio' Andrea Smith; 5. 'This fair paper':
Othello and the Artists' book' Agnieszka ¿ukowska; 6. Othello: A dialogue
with the built environment Yik Ling Yong; 7. '[A] maid called barbary:'
Othello, Moorish maidservants, and the black presence in early modern
England Iman Sheeha; 8. 'The Moor's abused by some most villainous knave,
some base notorious knave, some scurvy fellow': Legal spaces, Racial
trauma, and Othello' Lisa R. Barksdale-Shaw; 9. Ben Jonson's Sejanus and
Shakespeare's Othello: Two Plays Performed by the King's Men in c.1603
John-Mark Philo; 10. 'Lago and the clown: Disassembling the vice in Othello
Nicole Sheriko; 11. Pitying desdemona in Folio Othello: Race, Gender, and
the willow song Joshua Held; 12. 'Desdemona's honest friend' Jeremy Lopez;
13. 'Suffering scstasy: Othello and the drama of displacement' Jennifer J.
Edwards; 14. 'Othello's sympathies: Emotion, Agency, and identification'
Richard Meek; 15. 'Warning the Stage: Shakespeare's mid-scene entrance
conventions' Margaret Jane Kidnie; 16. 'Looking for perdita in Ali Smith's
summer' Bailey Sincox; 17. 'Grafted to the Moor: Anglo-Spanish dynastic
marriage and miscegenated whiteness in The winter's tale' Zainab S. Cheema;
18. 'Rhyme, History, and Memory in A Mirror for Magistrates and Henry VI'
Molly Clark; 19. 'Bad' Love lyrics and poetic hypocrisy from Gascoigne to
Benson's Shakespeare' Katherine Mennis; 20. 'Viola's Telemachy' Robert B.
Pierce; 21. 'New analogical evidence for Cymbeline's folkloric composition
in the medieval icelandic Ála flekks saga' Jonathan Hui; 22. 'But when
extremities speak': Harley Granville-Barker, Coriolanus, the world wars and
the state of exception' Richard Ashby; 23. Shakespeare performances in
England 2021: London Lois Potter; 24. Shakespeare performances in England
2021: outside London Peter Kirwan; 25. Professional Shakespeare productions
in the British Isles, January-December 2020 James Shaw; 26. The Year's
contribution to Shakespeare studies: 1. Critical Studies reviewed by Jane
Kingsley Smith, 2. Performance reviewed by Russell Jackson, 3. Editions and
Textual Studies reviewed by Emma Depledge.
Thornton Burnett; 2. Circumventing marginality: The curious case of India's
Othello screen adaptations Abhirup Mascharak; 3. Othello's Kin: Legacy,
Belonging, and The fortunes of the Moor Patricia Cahill; 4. 'More fair than
black': Othellos on British radio' Andrea Smith; 5. 'This fair paper':
Othello and the Artists' book' Agnieszka ¿ukowska; 6. Othello: A dialogue
with the built environment Yik Ling Yong; 7. '[A] maid called barbary:'
Othello, Moorish maidservants, and the black presence in early modern
England Iman Sheeha; 8. 'The Moor's abused by some most villainous knave,
some base notorious knave, some scurvy fellow': Legal spaces, Racial
trauma, and Othello' Lisa R. Barksdale-Shaw; 9. Ben Jonson's Sejanus and
Shakespeare's Othello: Two Plays Performed by the King's Men in c.1603
John-Mark Philo; 10. 'Lago and the clown: Disassembling the vice in Othello
Nicole Sheriko; 11. Pitying desdemona in Folio Othello: Race, Gender, and
the willow song Joshua Held; 12. 'Desdemona's honest friend' Jeremy Lopez;
13. 'Suffering scstasy: Othello and the drama of displacement' Jennifer J.
Edwards; 14. 'Othello's sympathies: Emotion, Agency, and identification'
Richard Meek; 15. 'Warning the Stage: Shakespeare's mid-scene entrance
conventions' Margaret Jane Kidnie; 16. 'Looking for perdita in Ali Smith's
summer' Bailey Sincox; 17. 'Grafted to the Moor: Anglo-Spanish dynastic
marriage and miscegenated whiteness in The winter's tale' Zainab S. Cheema;
18. 'Rhyme, History, and Memory in A Mirror for Magistrates and Henry VI'
Molly Clark; 19. 'Bad' Love lyrics and poetic hypocrisy from Gascoigne to
Benson's Shakespeare' Katherine Mennis; 20. 'Viola's Telemachy' Robert B.
Pierce; 21. 'New analogical evidence for Cymbeline's folkloric composition
in the medieval icelandic Ála flekks saga' Jonathan Hui; 22. 'But when
extremities speak': Harley Granville-Barker, Coriolanus, the world wars and
the state of exception' Richard Ashby; 23. Shakespeare performances in
England 2021: London Lois Potter; 24. Shakespeare performances in England
2021: outside London Peter Kirwan; 25. Professional Shakespeare productions
in the British Isles, January-December 2020 James Shaw; 26. The Year's
contribution to Shakespeare studies: 1. Critical Studies reviewed by Jane
Kingsley Smith, 2. Performance reviewed by Russell Jackson, 3. Editions and
Textual Studies reviewed by Emma Depledge.
1. Understanding Iago (2009): Clientelism, Corruption, Politics Mark
Thornton Burnett; 2. Circumventing marginality: The curious case of India's
Othello screen adaptations Abhirup Mascharak; 3. Othello's Kin: Legacy,
Belonging, and The fortunes of the Moor Patricia Cahill; 4. 'More fair than
black': Othellos on British radio' Andrea Smith; 5. 'This fair paper':
Othello and the Artists' book' Agnieszka ¿ukowska; 6. Othello: A dialogue
with the built environment Yik Ling Yong; 7. '[A] maid called barbary:'
Othello, Moorish maidservants, and the black presence in early modern
England Iman Sheeha; 8. 'The Moor's abused by some most villainous knave,
some base notorious knave, some scurvy fellow': Legal spaces, Racial
trauma, and Othello' Lisa R. Barksdale-Shaw; 9. Ben Jonson's Sejanus and
Shakespeare's Othello: Two Plays Performed by the King's Men in c.1603
John-Mark Philo; 10. 'Lago and the clown: Disassembling the vice in Othello
Nicole Sheriko; 11. Pitying desdemona in Folio Othello: Race, Gender, and
the willow song Joshua Held; 12. 'Desdemona's honest friend' Jeremy Lopez;
13. 'Suffering scstasy: Othello and the drama of displacement' Jennifer J.
Edwards; 14. 'Othello's sympathies: Emotion, Agency, and identification'
Richard Meek; 15. 'Warning the Stage: Shakespeare's mid-scene entrance
conventions' Margaret Jane Kidnie; 16. 'Looking for perdita in Ali Smith's
summer' Bailey Sincox; 17. 'Grafted to the Moor: Anglo-Spanish dynastic
marriage and miscegenated whiteness in The winter's tale' Zainab S. Cheema;
18. 'Rhyme, History, and Memory in A Mirror for Magistrates and Henry VI'
Molly Clark; 19. 'Bad' Love lyrics and poetic hypocrisy from Gascoigne to
Benson's Shakespeare' Katherine Mennis; 20. 'Viola's Telemachy' Robert B.
Pierce; 21. 'New analogical evidence for Cymbeline's folkloric composition
in the medieval icelandic Ála flekks saga' Jonathan Hui; 22. 'But when
extremities speak': Harley Granville-Barker, Coriolanus, the world wars and
the state of exception' Richard Ashby; 23. Shakespeare performances in
England 2021: London Lois Potter; 24. Shakespeare performances in England
2021: outside London Peter Kirwan; 25. Professional Shakespeare productions
in the British Isles, January-December 2020 James Shaw; 26. The Year's
contribution to Shakespeare studies: 1. Critical Studies reviewed by Jane
Kingsley Smith, 2. Performance reviewed by Russell Jackson, 3. Editions and
Textual Studies reviewed by Emma Depledge.
Thornton Burnett; 2. Circumventing marginality: The curious case of India's
Othello screen adaptations Abhirup Mascharak; 3. Othello's Kin: Legacy,
Belonging, and The fortunes of the Moor Patricia Cahill; 4. 'More fair than
black': Othellos on British radio' Andrea Smith; 5. 'This fair paper':
Othello and the Artists' book' Agnieszka ¿ukowska; 6. Othello: A dialogue
with the built environment Yik Ling Yong; 7. '[A] maid called barbary:'
Othello, Moorish maidservants, and the black presence in early modern
England Iman Sheeha; 8. 'The Moor's abused by some most villainous knave,
some base notorious knave, some scurvy fellow': Legal spaces, Racial
trauma, and Othello' Lisa R. Barksdale-Shaw; 9. Ben Jonson's Sejanus and
Shakespeare's Othello: Two Plays Performed by the King's Men in c.1603
John-Mark Philo; 10. 'Lago and the clown: Disassembling the vice in Othello
Nicole Sheriko; 11. Pitying desdemona in Folio Othello: Race, Gender, and
the willow song Joshua Held; 12. 'Desdemona's honest friend' Jeremy Lopez;
13. 'Suffering scstasy: Othello and the drama of displacement' Jennifer J.
Edwards; 14. 'Othello's sympathies: Emotion, Agency, and identification'
Richard Meek; 15. 'Warning the Stage: Shakespeare's mid-scene entrance
conventions' Margaret Jane Kidnie; 16. 'Looking for perdita in Ali Smith's
summer' Bailey Sincox; 17. 'Grafted to the Moor: Anglo-Spanish dynastic
marriage and miscegenated whiteness in The winter's tale' Zainab S. Cheema;
18. 'Rhyme, History, and Memory in A Mirror for Magistrates and Henry VI'
Molly Clark; 19. 'Bad' Love lyrics and poetic hypocrisy from Gascoigne to
Benson's Shakespeare' Katherine Mennis; 20. 'Viola's Telemachy' Robert B.
Pierce; 21. 'New analogical evidence for Cymbeline's folkloric composition
in the medieval icelandic Ála flekks saga' Jonathan Hui; 22. 'But when
extremities speak': Harley Granville-Barker, Coriolanus, the world wars and
the state of exception' Richard Ashby; 23. Shakespeare performances in
England 2021: London Lois Potter; 24. Shakespeare performances in England
2021: outside London Peter Kirwan; 25. Professional Shakespeare productions
in the British Isles, January-December 2020 James Shaw; 26. The Year's
contribution to Shakespeare studies: 1. Critical Studies reviewed by Jane
Kingsley Smith, 2. Performance reviewed by Russell Jackson, 3. Editions and
Textual Studies reviewed by Emma Depledge.