The theme for Shakespeare Survey 65 is 'A Midsummer Night's Dream'.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
1. 'A local habitation and a name': the origins of Shakespeare's Oberon Laura Aydelotte; 2. 'Wrinkled deep in time': Emily and Arcite in A Midsummer Night's Dream Helen Barr; 3. 'Enter Cælia, the Fairy Queen, in her Night Attire': Shakespeare and the fairies Michael Hattaway; 4. Thinking with fairies: A Midsummer Night's Dream and the problem of belief Jesse Lander; 5. 'India' and the Golden Age in A Midsummer Night's Dream Henry Buchanan; 6. The limits of translation in A Midsummer Night's Dream Michael Saenger; 7. Voice, face, and fascination: the art of physiognomy in A Midsummer Night's Dream Sibylle Baumbach; 8. A Midsummer Night's Dream in illustrated editions, 1838-1918 Stuart Sillars; 9. Balanchine and Titania: love and the elision of history in A Midsummer Night's Dream Laura Levine; 10. A Midsummer Night's Dream on radio: the Oregon Shakespeare Festival's radio series Michael P. Jensen; 11. Benjamin Britten's dreams Russ McDonald; 12. Staging A Midsummer Night's Dream: Peter Hall's productions, 1959-2010 Roger Warren; 13. A Midsummer Night's Dream at the millennium: performance and adaptation Carol Thomas Neely; 14. Shakesqueer, the movie: Were the World Mine and A Midsummer Night's Dream Matt Kozusko; 15. Letter from the chalk face: directing A Midsummer Night's Dream at the Staunton Blackfriars Jacquelyn Bessell; 16. A Dream of campus Andrew James Hartley; 17. The plurality of Shakespeare's Sonnets Paul Edmondson and Stanley Wells; 18. The properties of whiteness: Renaissance Cleopatras from Jodelle to Shakespeare Pascale Aebischer; 19. 'This is the strangers' case': the utopic dissonance of Shakespeare's contribution to Sir Thomas More Margaret Tudeau-Clayton; 20. A collaboration: Shakespeare and Hand C in Sir Thomas More John Jowett; 21. Three's company: alternative histories of London's theatres in the 1590s Holger Schott Syme; 22. Thomas Greene: Stratford-upon-Avon's town clerk and Shakespeare's lodger Robert Bearman; 23. Shakespeare and the Inquisition Brian Cummings; 24. The Cowell manuscript or the first Baconian: MS294 at the University of London K. E. Attar; 25. The spectre of female suffrage in Shakespeare's Revelations by Shakespeare's Spirit Todd Borlik; 26. Shakespeare, word-coining, and the OED Charlotte Brewer; 27. Shakespeare's new words Robert N. Watson; 28. Hamlet in Plettenberg: Carl Schmitt's Shakespeare Andreas Höfele; 29. Behind the red curtain of Verona Beach: Baz Luhrmann's William Shakespeare's Romeo + Juliet Toby Malone; 30. The Royal Shakespeare Company at the Swan: the first twenty-five years Margaret Shewring; 31. Prospero behind bars Curt L. Tofteland and Hal Cobb; 32. Shakespeare performances in England (and Wales) 2011 Carol Chillington Rutter; 33. Professional Shakespeare productions in the British Isles, January-December 2010 James Shaw; 34. This year's contribution to Shakespeare studies: a. Critical studies reviewed by Charlotte Scott; b. Shakespeare in performance reviewed by Russell Jackson; c. Editions and textual studies reviewed by Eric Rasmussen.
1. 'A local habitation and a name': the origins of Shakespeare's Oberon Laura Aydelotte; 2. 'Wrinkled deep in time': Emily and Arcite in A Midsummer Night's Dream Helen Barr; 3. 'Enter Cælia, the Fairy Queen, in her Night Attire': Shakespeare and the fairies Michael Hattaway; 4. Thinking with fairies: A Midsummer Night's Dream and the problem of belief Jesse Lander; 5. 'India' and the Golden Age in A Midsummer Night's Dream Henry Buchanan; 6. The limits of translation in A Midsummer Night's Dream Michael Saenger; 7. Voice, face, and fascination: the art of physiognomy in A Midsummer Night's Dream Sibylle Baumbach; 8. A Midsummer Night's Dream in illustrated editions, 1838-1918 Stuart Sillars; 9. Balanchine and Titania: love and the elision of history in A Midsummer Night's Dream Laura Levine; 10. A Midsummer Night's Dream on radio: the Oregon Shakespeare Festival's radio series Michael P. Jensen; 11. Benjamin Britten's dreams Russ McDonald; 12. Staging A Midsummer Night's Dream: Peter Hall's productions, 1959-2010 Roger Warren; 13. A Midsummer Night's Dream at the millennium: performance and adaptation Carol Thomas Neely; 14. Shakesqueer, the movie: Were the World Mine and A Midsummer Night's Dream Matt Kozusko; 15. Letter from the chalk face: directing A Midsummer Night's Dream at the Staunton Blackfriars Jacquelyn Bessell; 16. A Dream of campus Andrew James Hartley; 17. The plurality of Shakespeare's Sonnets Paul Edmondson and Stanley Wells; 18. The properties of whiteness: Renaissance Cleopatras from Jodelle to Shakespeare Pascale Aebischer; 19. 'This is the strangers' case': the utopic dissonance of Shakespeare's contribution to Sir Thomas More Margaret Tudeau-Clayton; 20. A collaboration: Shakespeare and Hand C in Sir Thomas More John Jowett; 21. Three's company: alternative histories of London's theatres in the 1590s Holger Schott Syme; 22. Thomas Greene: Stratford-upon-Avon's town clerk and Shakespeare's lodger Robert Bearman; 23. Shakespeare and the Inquisition Brian Cummings; 24. The Cowell manuscript or the first Baconian: MS294 at the University of London K. E. Attar; 25. The spectre of female suffrage in Shakespeare's Revelations by Shakespeare's Spirit Todd Borlik; 26. Shakespeare, word-coining, and the OED Charlotte Brewer; 27. Shakespeare's new words Robert N. Watson; 28. Hamlet in Plettenberg: Carl Schmitt's Shakespeare Andreas Höfele; 29. Behind the red curtain of Verona Beach: Baz Luhrmann's William Shakespeare's Romeo + Juliet Toby Malone; 30. The Royal Shakespeare Company at the Swan: the first twenty-five years Margaret Shewring; 31. Prospero behind bars Curt L. Tofteland and Hal Cobb; 32. Shakespeare performances in England (and Wales) 2011 Carol Chillington Rutter; 33. Professional Shakespeare productions in the British Isles, January-December 2010 James Shaw; 34. This year's contribution to Shakespeare studies: a. Critical studies reviewed by Charlotte Scott; b. Shakespeare in performance reviewed by Russell Jackson; c. Editions and textual studies reviewed by Eric Rasmussen.
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