Shakespeare Survey: Volume 66, Working with Shakespeare
Working with Shakespeare
Herausgeber: Holland, Peter
Shakespeare Survey: Volume 66, Working with Shakespeare
Working with Shakespeare
Herausgeber: Holland, Peter
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The theme for Shakespeare Survey 66 is 'Working with Shakespeare'.
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Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 484
- Erscheinungstermin: 17. März 2014
- Englisch
- Abmessung: 246mm x 188mm x 38mm
- Gewicht: 1089g
- ISBN-13: 9781107041738
- ISBN-10: 1107041732
- Artikelnr.: 39088553
- Verlag: Cambridge University Press
- Seitenzahl: 484
- Erscheinungstermin: 17. März 2014
- Englisch
- Abmessung: 246mm x 188mm x 38mm
- Gewicht: 1089g
- ISBN-13: 9781107041738
- ISBN-10: 1107041732
- Artikelnr.: 39088553
1. Sermons, plays and note-takers: Hamlet Q1 as a 'noted' text Tiffany
Stern; 2. Equivocations: reading the Shakespeare/Middleton Macbeth Cordelia
Zukerman; 3. The date of Sir Thomas More Hugh Craig; 4. Filming 'the weight
of this sad time': Yasujiro Ozu's rereading of King Lear in Tokyo Story
(1953) Reiko Oya; 5. Cursing to learn: theatricality and the creation of
character in The Tempest David Schalkwyk; 6. Like an Olympian wrestling
Richard Wilson; 7. 'Doing Shakespeare': how Shakespeare became a school
'subject' Janet Bottoms; 8. (Mis)advising Shakespeare's players Michael
Cordner; 9. Making the work of play Michael Pavelka (in conversation with
Carol Chillington Rutter); 10. 'On the wrong track to ourselves': Armin
Senser's Shakespeare and the issue of artistic creativity in contemporary
German poetry Tobias Döring; 11. 'What country, friends, is this?':
Cultural identity and the World Shakespeare Festival Stephen Purcell; 12.
Redefining knowledge: an epistemological shift in Shakespeare studies Péter
Dávidházi; 13. Shakespeare as presentist John Drakakis; 14. Greater
Shakespeare: working, playing and making with Shakespeare Hester
Lees-Jeffries; 15. 'A joint and corporate voice': re-working Shakespearean
seminars Scott L. Newstok; 16. Shakespeare and the cultures of translation
Ton Hoenselaars; 17. Shakespeare's inhumanity Kiernan Ryan; 18. Making
something out of 'nothing' in Shakespeare R. S. White; 19. 'A book where
one may read strange matters': en-visaging character and emotion on the
Shakespearean stage Michael Neill; 20. 'Hear the ambassadors!': Marking
Shakespeare's Venice connection Carol Chillington Rutter; 21. 'O, what a
sympathy of woe is this': passionate sympathy in Titus Andronicus Richard
Meek; 22. Who drew the Jew that Shakespeare knew?: Misericords and medieval
Jews in The Merchant Of Venice M. Lindsay Kaplan; 23. 'Imaginary
puissance': Shakespearean theatre and the law of agency in Henry V, Twelfth
Night and Measure For Measure Erica Sheen; 24. Hamlet and empiricism James
Hirsh; 25. 'Let me see what thou hast writ': mapping the
Shakespeare-Fletcher working relationship in The Two Noble Kinsmen at the
Swan Varsha Panjwani; 26. Shakespeare performances in England (and Wales)
2012 Carol Chillington Rutter; 27. Professional Shakespeare productions in
the British Isles, January-December 2011 James Shaw; 28. The year's
contribution to Shakespeare studies: 1. Critical studies reviewed by
Charlotte Scott; 2. Shakespeare in performance reviewed by Russell Jackson;
3. Editions and textual studies reviewed by Sonia Massai.
Stern; 2. Equivocations: reading the Shakespeare/Middleton Macbeth Cordelia
Zukerman; 3. The date of Sir Thomas More Hugh Craig; 4. Filming 'the weight
of this sad time': Yasujiro Ozu's rereading of King Lear in Tokyo Story
(1953) Reiko Oya; 5. Cursing to learn: theatricality and the creation of
character in The Tempest David Schalkwyk; 6. Like an Olympian wrestling
Richard Wilson; 7. 'Doing Shakespeare': how Shakespeare became a school
'subject' Janet Bottoms; 8. (Mis)advising Shakespeare's players Michael
Cordner; 9. Making the work of play Michael Pavelka (in conversation with
Carol Chillington Rutter); 10. 'On the wrong track to ourselves': Armin
Senser's Shakespeare and the issue of artistic creativity in contemporary
German poetry Tobias Döring; 11. 'What country, friends, is this?':
Cultural identity and the World Shakespeare Festival Stephen Purcell; 12.
Redefining knowledge: an epistemological shift in Shakespeare studies Péter
Dávidházi; 13. Shakespeare as presentist John Drakakis; 14. Greater
Shakespeare: working, playing and making with Shakespeare Hester
Lees-Jeffries; 15. 'A joint and corporate voice': re-working Shakespearean
seminars Scott L. Newstok; 16. Shakespeare and the cultures of translation
Ton Hoenselaars; 17. Shakespeare's inhumanity Kiernan Ryan; 18. Making
something out of 'nothing' in Shakespeare R. S. White; 19. 'A book where
one may read strange matters': en-visaging character and emotion on the
Shakespearean stage Michael Neill; 20. 'Hear the ambassadors!': Marking
Shakespeare's Venice connection Carol Chillington Rutter; 21. 'O, what a
sympathy of woe is this': passionate sympathy in Titus Andronicus Richard
Meek; 22. Who drew the Jew that Shakespeare knew?: Misericords and medieval
Jews in The Merchant Of Venice M. Lindsay Kaplan; 23. 'Imaginary
puissance': Shakespearean theatre and the law of agency in Henry V, Twelfth
Night and Measure For Measure Erica Sheen; 24. Hamlet and empiricism James
Hirsh; 25. 'Let me see what thou hast writ': mapping the
Shakespeare-Fletcher working relationship in The Two Noble Kinsmen at the
Swan Varsha Panjwani; 26. Shakespeare performances in England (and Wales)
2012 Carol Chillington Rutter; 27. Professional Shakespeare productions in
the British Isles, January-December 2011 James Shaw; 28. The year's
contribution to Shakespeare studies: 1. Critical studies reviewed by
Charlotte Scott; 2. Shakespeare in performance reviewed by Russell Jackson;
3. Editions and textual studies reviewed by Sonia Massai.
1. Sermons, plays and note-takers: Hamlet Q1 as a 'noted' text Tiffany
Stern; 2. Equivocations: reading the Shakespeare/Middleton Macbeth Cordelia
Zukerman; 3. The date of Sir Thomas More Hugh Craig; 4. Filming 'the weight
of this sad time': Yasujiro Ozu's rereading of King Lear in Tokyo Story
(1953) Reiko Oya; 5. Cursing to learn: theatricality and the creation of
character in The Tempest David Schalkwyk; 6. Like an Olympian wrestling
Richard Wilson; 7. 'Doing Shakespeare': how Shakespeare became a school
'subject' Janet Bottoms; 8. (Mis)advising Shakespeare's players Michael
Cordner; 9. Making the work of play Michael Pavelka (in conversation with
Carol Chillington Rutter); 10. 'On the wrong track to ourselves': Armin
Senser's Shakespeare and the issue of artistic creativity in contemporary
German poetry Tobias Döring; 11. 'What country, friends, is this?':
Cultural identity and the World Shakespeare Festival Stephen Purcell; 12.
Redefining knowledge: an epistemological shift in Shakespeare studies Péter
Dávidházi; 13. Shakespeare as presentist John Drakakis; 14. Greater
Shakespeare: working, playing and making with Shakespeare Hester
Lees-Jeffries; 15. 'A joint and corporate voice': re-working Shakespearean
seminars Scott L. Newstok; 16. Shakespeare and the cultures of translation
Ton Hoenselaars; 17. Shakespeare's inhumanity Kiernan Ryan; 18. Making
something out of 'nothing' in Shakespeare R. S. White; 19. 'A book where
one may read strange matters': en-visaging character and emotion on the
Shakespearean stage Michael Neill; 20. 'Hear the ambassadors!': Marking
Shakespeare's Venice connection Carol Chillington Rutter; 21. 'O, what a
sympathy of woe is this': passionate sympathy in Titus Andronicus Richard
Meek; 22. Who drew the Jew that Shakespeare knew?: Misericords and medieval
Jews in The Merchant Of Venice M. Lindsay Kaplan; 23. 'Imaginary
puissance': Shakespearean theatre and the law of agency in Henry V, Twelfth
Night and Measure For Measure Erica Sheen; 24. Hamlet and empiricism James
Hirsh; 25. 'Let me see what thou hast writ': mapping the
Shakespeare-Fletcher working relationship in The Two Noble Kinsmen at the
Swan Varsha Panjwani; 26. Shakespeare performances in England (and Wales)
2012 Carol Chillington Rutter; 27. Professional Shakespeare productions in
the British Isles, January-December 2011 James Shaw; 28. The year's
contribution to Shakespeare studies: 1. Critical studies reviewed by
Charlotte Scott; 2. Shakespeare in performance reviewed by Russell Jackson;
3. Editions and textual studies reviewed by Sonia Massai.
Stern; 2. Equivocations: reading the Shakespeare/Middleton Macbeth Cordelia
Zukerman; 3. The date of Sir Thomas More Hugh Craig; 4. Filming 'the weight
of this sad time': Yasujiro Ozu's rereading of King Lear in Tokyo Story
(1953) Reiko Oya; 5. Cursing to learn: theatricality and the creation of
character in The Tempest David Schalkwyk; 6. Like an Olympian wrestling
Richard Wilson; 7. 'Doing Shakespeare': how Shakespeare became a school
'subject' Janet Bottoms; 8. (Mis)advising Shakespeare's players Michael
Cordner; 9. Making the work of play Michael Pavelka (in conversation with
Carol Chillington Rutter); 10. 'On the wrong track to ourselves': Armin
Senser's Shakespeare and the issue of artistic creativity in contemporary
German poetry Tobias Döring; 11. 'What country, friends, is this?':
Cultural identity and the World Shakespeare Festival Stephen Purcell; 12.
Redefining knowledge: an epistemological shift in Shakespeare studies Péter
Dávidházi; 13. Shakespeare as presentist John Drakakis; 14. Greater
Shakespeare: working, playing and making with Shakespeare Hester
Lees-Jeffries; 15. 'A joint and corporate voice': re-working Shakespearean
seminars Scott L. Newstok; 16. Shakespeare and the cultures of translation
Ton Hoenselaars; 17. Shakespeare's inhumanity Kiernan Ryan; 18. Making
something out of 'nothing' in Shakespeare R. S. White; 19. 'A book where
one may read strange matters': en-visaging character and emotion on the
Shakespearean stage Michael Neill; 20. 'Hear the ambassadors!': Marking
Shakespeare's Venice connection Carol Chillington Rutter; 21. 'O, what a
sympathy of woe is this': passionate sympathy in Titus Andronicus Richard
Meek; 22. Who drew the Jew that Shakespeare knew?: Misericords and medieval
Jews in The Merchant Of Venice M. Lindsay Kaplan; 23. 'Imaginary
puissance': Shakespearean theatre and the law of agency in Henry V, Twelfth
Night and Measure For Measure Erica Sheen; 24. Hamlet and empiricism James
Hirsh; 25. 'Let me see what thou hast writ': mapping the
Shakespeare-Fletcher working relationship in The Two Noble Kinsmen at the
Swan Varsha Panjwani; 26. Shakespeare performances in England (and Wales)
2012 Carol Chillington Rutter; 27. Professional Shakespeare productions in
the British Isles, January-December 2011 James Shaw; 28. The year's
contribution to Shakespeare studies: 1. Critical studies reviewed by
Charlotte Scott; 2. Shakespeare in performance reviewed by Russell Jackson;
3. Editions and textual studies reviewed by Sonia Massai.