Stanley Wells (ed.)
Shakespeare Survey
Herausgeber: Bate, Jonathan; Wells, Stanley W.; Dobson, Michael
Stanley Wells (ed.)
Shakespeare Survey
Herausgeber: Bate, Jonathan; Wells, Stanley W.; Dobson, Michael
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The first fifty volumes of this yearbook of Shakespeare studies are being reissued in paperback.
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- Stanley Wells (ed.)Shakespeare Survey45,99 €
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- Stanley Wells (ed.)Shakespeare Survey45,99 €
- Stanley Wells (ed.)Shakespeare Survey45,99 €
- Stanley Wells (ed.)Shakespeare Survey80,99 €
- Stanley Wells (ed.)Shakespeare Survey65,99 €
- Stanley Wells (ed.)Shakespeare Survey45,99 €
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The first fifty volumes of this yearbook of Shakespeare studies are being reissued in paperback.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 292
- Erscheinungstermin: 4. September 2002
- Englisch
- Abmessung: 235mm x 191mm x 16mm
- Gewicht: 550g
- ISBN-13: 9780521523820
- ISBN-10: 0521523826
- Artikelnr.: 22381448
- Verlag: Cambridge University Press
- Seitenzahl: 292
- Erscheinungstermin: 4. September 2002
- Englisch
- Abmessung: 235mm x 191mm x 16mm
- Gewicht: 550g
- ISBN-13: 9780521523820
- ISBN-10: 0521523826
- Artikelnr.: 22381448
1. The power of magic: from Endimion to The Tempest Kurt Tetzeli Von
Rosador; 2. Reading The Tempest Russ MacDonald; 3. The latter end of
Prospero's commonwealth James Black; 4. Henry VIII and the deconstruction
of history Peter L. Rudnytsky; 5. The politics of conscience in all is true
or Henry VIII Camille Wells Slights; 6. Shakespeare's romantic innocents
and the misappropriation of the romantic past: the case of the two noble
kinsmen Richard Hillman; 7. The hand of John Fletcher in double falsehood
Stephan Kukowski; 8. 'The Duke My Father's Wrack': the innocence of the
restoration Tempest Matthew H. Wikander; 9. 'Remember/First to possess his
books': The appropriation of The Tempest 1700-1800 Michael Dobson; 10. The
Tempest and after Inga-stina Ewbank; 11. Poetry's sea-changes: Eliot and
The Tempest Martin Scofield; 12. The new function of language in
Shakespeare's pericles: oath versus 'Holy Word' Elena Glasov-Corrigan; 13.
The discovery of the Rose Theatre: some implications R. A. Foakes; 14. The
origins of the Roxana and Messallina illustrations John H. Astington; 15.
Recycling the early histories: 'The Wars of the Roses' and 'The
Plantagenets' Lois Potter; 16. Shakespeare production in England in 1989
Stanley Wells; 17. Professional Shakespeare productions in the British
Isles, January-December 1988 complied by N. Rathbone; 18. The year's
contributions to Shakespeare ctudies; 19. Critical studies reviewed by R.
S. White; 20. Shakespeare's life, times and stage reviewed by Richard
Dutton; 21. Editions and textual studies reviewed by MacDonald P. Jackson.
Rosador; 2. Reading The Tempest Russ MacDonald; 3. The latter end of
Prospero's commonwealth James Black; 4. Henry VIII and the deconstruction
of history Peter L. Rudnytsky; 5. The politics of conscience in all is true
or Henry VIII Camille Wells Slights; 6. Shakespeare's romantic innocents
and the misappropriation of the romantic past: the case of the two noble
kinsmen Richard Hillman; 7. The hand of John Fletcher in double falsehood
Stephan Kukowski; 8. 'The Duke My Father's Wrack': the innocence of the
restoration Tempest Matthew H. Wikander; 9. 'Remember/First to possess his
books': The appropriation of The Tempest 1700-1800 Michael Dobson; 10. The
Tempest and after Inga-stina Ewbank; 11. Poetry's sea-changes: Eliot and
The Tempest Martin Scofield; 12. The new function of language in
Shakespeare's pericles: oath versus 'Holy Word' Elena Glasov-Corrigan; 13.
The discovery of the Rose Theatre: some implications R. A. Foakes; 14. The
origins of the Roxana and Messallina illustrations John H. Astington; 15.
Recycling the early histories: 'The Wars of the Roses' and 'The
Plantagenets' Lois Potter; 16. Shakespeare production in England in 1989
Stanley Wells; 17. Professional Shakespeare productions in the British
Isles, January-December 1988 complied by N. Rathbone; 18. The year's
contributions to Shakespeare ctudies; 19. Critical studies reviewed by R.
S. White; 20. Shakespeare's life, times and stage reviewed by Richard
Dutton; 21. Editions and textual studies reviewed by MacDonald P. Jackson.
1. The power of magic: from Endimion to The Tempest Kurt Tetzeli Von
Rosador; 2. Reading The Tempest Russ MacDonald; 3. The latter end of
Prospero's commonwealth James Black; 4. Henry VIII and the deconstruction
of history Peter L. Rudnytsky; 5. The politics of conscience in all is true
or Henry VIII Camille Wells Slights; 6. Shakespeare's romantic innocents
and the misappropriation of the romantic past: the case of the two noble
kinsmen Richard Hillman; 7. The hand of John Fletcher in double falsehood
Stephan Kukowski; 8. 'The Duke My Father's Wrack': the innocence of the
restoration Tempest Matthew H. Wikander; 9. 'Remember/First to possess his
books': The appropriation of The Tempest 1700-1800 Michael Dobson; 10. The
Tempest and after Inga-stina Ewbank; 11. Poetry's sea-changes: Eliot and
The Tempest Martin Scofield; 12. The new function of language in
Shakespeare's pericles: oath versus 'Holy Word' Elena Glasov-Corrigan; 13.
The discovery of the Rose Theatre: some implications R. A. Foakes; 14. The
origins of the Roxana and Messallina illustrations John H. Astington; 15.
Recycling the early histories: 'The Wars of the Roses' and 'The
Plantagenets' Lois Potter; 16. Shakespeare production in England in 1989
Stanley Wells; 17. Professional Shakespeare productions in the British
Isles, January-December 1988 complied by N. Rathbone; 18. The year's
contributions to Shakespeare ctudies; 19. Critical studies reviewed by R.
S. White; 20. Shakespeare's life, times and stage reviewed by Richard
Dutton; 21. Editions and textual studies reviewed by MacDonald P. Jackson.
Rosador; 2. Reading The Tempest Russ MacDonald; 3. The latter end of
Prospero's commonwealth James Black; 4. Henry VIII and the deconstruction
of history Peter L. Rudnytsky; 5. The politics of conscience in all is true
or Henry VIII Camille Wells Slights; 6. Shakespeare's romantic innocents
and the misappropriation of the romantic past: the case of the two noble
kinsmen Richard Hillman; 7. The hand of John Fletcher in double falsehood
Stephan Kukowski; 8. 'The Duke My Father's Wrack': the innocence of the
restoration Tempest Matthew H. Wikander; 9. 'Remember/First to possess his
books': The appropriation of The Tempest 1700-1800 Michael Dobson; 10. The
Tempest and after Inga-stina Ewbank; 11. Poetry's sea-changes: Eliot and
The Tempest Martin Scofield; 12. The new function of language in
Shakespeare's pericles: oath versus 'Holy Word' Elena Glasov-Corrigan; 13.
The discovery of the Rose Theatre: some implications R. A. Foakes; 14. The
origins of the Roxana and Messallina illustrations John H. Astington; 15.
Recycling the early histories: 'The Wars of the Roses' and 'The
Plantagenets' Lois Potter; 16. Shakespeare production in England in 1989
Stanley Wells; 17. Professional Shakespeare productions in the British
Isles, January-December 1988 complied by N. Rathbone; 18. The year's
contributions to Shakespeare ctudies; 19. Critical studies reviewed by R.
S. White; 20. Shakespeare's life, times and stage reviewed by Richard
Dutton; 21. Editions and textual studies reviewed by MacDonald P. Jackson.