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The theme for Shakespeare Survey 60 is ???Theatres for Shakespeare???.
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The theme for Shakespeare Survey 60 is ???Theatres for Shakespeare???.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 394
- Erscheinungstermin: 22. November 2007
- Englisch
- Abmessung: 241mm x 196mm x 26mm
- Gewicht: 927g
- ISBN-13: 9780521878395
- ISBN-10: 052187839X
- Artikelnr.: 22781075
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
- Verlag: Cambridge University Press
- Seitenzahl: 394
- Erscheinungstermin: 22. November 2007
- Englisch
- Abmessung: 241mm x 196mm x 26mm
- Gewicht: 927g
- ISBN-13: 9780521878395
- ISBN-10: 052187839X
- Artikelnr.: 22781075
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
Peter Holland is McMeel Family Professor in Shakespeare Studies and Department Chair, Department of Film, Television, and Theater at the University of Notre Dame.
1. Professional players in the Guild Hall, Stratford-upon-Avon, 1568-97 J.
R. Mulryne; 2. Reconstructing the Rose: development of the playhouse
building between 1587 and 1592 Jon Greenfield; 3. The Rose and its stages
Julian M. C. Bowsher; 4. Philip Henslowe and the Elizabethan court S. P.
Cerasano; 5. From revels to revelation: Shakespeare and the mask Janette
Dillon; 6. Bride-ing the Shrew: costumes that matter Barbara Hodgdon; 7.
'When men and women are alone': framing the Taming in India Ruth Vanita; 8.
The crown and the pillow: royal properties in Henry IV Stephen Dickey; 9.
Humanity at stake: man and animal in Shakespeare's theatre Andreas Höfele;
10. Popular Shakespeare in Japan Yukari Yoshihara; 11. 'Philosophy in a
gorilla suit': do Shakespeareans perform or just perform-a-tive? Sharon
O'Dair; 12. Sudokothellophobia: writing hypertextually, performatively Rob
Conkie; 13. Living monuments: the spatial politics of Shakespeare's Rome on
the contemporary stage Bridget Escolme; 14. 'In Windsor Forest and at the
Boar's Head': the 'Falstaff plays' and English music in the early twentieth
century Julie Sanders; 15. Michael Bogdanov in conversation John Drakakis;
16. The mouse and the urn: re-visions of Shakespeare from Voltaire to Ducis
Michèle Willems; 17. 'I covet your skull': death and desire in Hamlet
Graham Holderness; 18. Martin Droeshout redivivus: reassessing the Folio
engraving of Shakespeare June Schlueter; 19. Canonizing Shakespeare: The
Passionate Pilgrim, England's Helicon and the question of authenticity
James P. Bednarz; 20. Rereading Shakespeare: the example of Richard
Brathwait Richard Abrams; 21. Shakespeare performances in England, 2006
Michael Dobson; 22. Professional Shakespeare productions in the British
Isles, January-December 2005 James Shaw; The year's contribution to
Shakespeare studies: 1. Critical studies Michael Taylor; 2. Shakespeare in
performance Emma Smith; 3. Editions and textual studies Eric Rasmussen.
R. Mulryne; 2. Reconstructing the Rose: development of the playhouse
building between 1587 and 1592 Jon Greenfield; 3. The Rose and its stages
Julian M. C. Bowsher; 4. Philip Henslowe and the Elizabethan court S. P.
Cerasano; 5. From revels to revelation: Shakespeare and the mask Janette
Dillon; 6. Bride-ing the Shrew: costumes that matter Barbara Hodgdon; 7.
'When men and women are alone': framing the Taming in India Ruth Vanita; 8.
The crown and the pillow: royal properties in Henry IV Stephen Dickey; 9.
Humanity at stake: man and animal in Shakespeare's theatre Andreas Höfele;
10. Popular Shakespeare in Japan Yukari Yoshihara; 11. 'Philosophy in a
gorilla suit': do Shakespeareans perform or just perform-a-tive? Sharon
O'Dair; 12. Sudokothellophobia: writing hypertextually, performatively Rob
Conkie; 13. Living monuments: the spatial politics of Shakespeare's Rome on
the contemporary stage Bridget Escolme; 14. 'In Windsor Forest and at the
Boar's Head': the 'Falstaff plays' and English music in the early twentieth
century Julie Sanders; 15. Michael Bogdanov in conversation John Drakakis;
16. The mouse and the urn: re-visions of Shakespeare from Voltaire to Ducis
Michèle Willems; 17. 'I covet your skull': death and desire in Hamlet
Graham Holderness; 18. Martin Droeshout redivivus: reassessing the Folio
engraving of Shakespeare June Schlueter; 19. Canonizing Shakespeare: The
Passionate Pilgrim, England's Helicon and the question of authenticity
James P. Bednarz; 20. Rereading Shakespeare: the example of Richard
Brathwait Richard Abrams; 21. Shakespeare performances in England, 2006
Michael Dobson; 22. Professional Shakespeare productions in the British
Isles, January-December 2005 James Shaw; The year's contribution to
Shakespeare studies: 1. Critical studies Michael Taylor; 2. Shakespeare in
performance Emma Smith; 3. Editions and textual studies Eric Rasmussen.
1. Professional players in the Guild Hall, Stratford-upon-Avon, 1568-97 J.
R. Mulryne; 2. Reconstructing the Rose: development of the playhouse
building between 1587 and 1592 Jon Greenfield; 3. The Rose and its stages
Julian M. C. Bowsher; 4. Philip Henslowe and the Elizabethan court S. P.
Cerasano; 5. From revels to revelation: Shakespeare and the mask Janette
Dillon; 6. Bride-ing the Shrew: costumes that matter Barbara Hodgdon; 7.
'When men and women are alone': framing the Taming in India Ruth Vanita; 8.
The crown and the pillow: royal properties in Henry IV Stephen Dickey; 9.
Humanity at stake: man and animal in Shakespeare's theatre Andreas Höfele;
10. Popular Shakespeare in Japan Yukari Yoshihara; 11. 'Philosophy in a
gorilla suit': do Shakespeareans perform or just perform-a-tive? Sharon
O'Dair; 12. Sudokothellophobia: writing hypertextually, performatively Rob
Conkie; 13. Living monuments: the spatial politics of Shakespeare's Rome on
the contemporary stage Bridget Escolme; 14. 'In Windsor Forest and at the
Boar's Head': the 'Falstaff plays' and English music in the early twentieth
century Julie Sanders; 15. Michael Bogdanov in conversation John Drakakis;
16. The mouse and the urn: re-visions of Shakespeare from Voltaire to Ducis
Michèle Willems; 17. 'I covet your skull': death and desire in Hamlet
Graham Holderness; 18. Martin Droeshout redivivus: reassessing the Folio
engraving of Shakespeare June Schlueter; 19. Canonizing Shakespeare: The
Passionate Pilgrim, England's Helicon and the question of authenticity
James P. Bednarz; 20. Rereading Shakespeare: the example of Richard
Brathwait Richard Abrams; 21. Shakespeare performances in England, 2006
Michael Dobson; 22. Professional Shakespeare productions in the British
Isles, January-December 2005 James Shaw; The year's contribution to
Shakespeare studies: 1. Critical studies Michael Taylor; 2. Shakespeare in
performance Emma Smith; 3. Editions and textual studies Eric Rasmussen.
R. Mulryne; 2. Reconstructing the Rose: development of the playhouse
building between 1587 and 1592 Jon Greenfield; 3. The Rose and its stages
Julian M. C. Bowsher; 4. Philip Henslowe and the Elizabethan court S. P.
Cerasano; 5. From revels to revelation: Shakespeare and the mask Janette
Dillon; 6. Bride-ing the Shrew: costumes that matter Barbara Hodgdon; 7.
'When men and women are alone': framing the Taming in India Ruth Vanita; 8.
The crown and the pillow: royal properties in Henry IV Stephen Dickey; 9.
Humanity at stake: man and animal in Shakespeare's theatre Andreas Höfele;
10. Popular Shakespeare in Japan Yukari Yoshihara; 11. 'Philosophy in a
gorilla suit': do Shakespeareans perform or just perform-a-tive? Sharon
O'Dair; 12. Sudokothellophobia: writing hypertextually, performatively Rob
Conkie; 13. Living monuments: the spatial politics of Shakespeare's Rome on
the contemporary stage Bridget Escolme; 14. 'In Windsor Forest and at the
Boar's Head': the 'Falstaff plays' and English music in the early twentieth
century Julie Sanders; 15. Michael Bogdanov in conversation John Drakakis;
16. The mouse and the urn: re-visions of Shakespeare from Voltaire to Ducis
Michèle Willems; 17. 'I covet your skull': death and desire in Hamlet
Graham Holderness; 18. Martin Droeshout redivivus: reassessing the Folio
engraving of Shakespeare June Schlueter; 19. Canonizing Shakespeare: The
Passionate Pilgrim, England's Helicon and the question of authenticity
James P. Bednarz; 20. Rereading Shakespeare: the example of Richard
Brathwait Richard Abrams; 21. Shakespeare performances in England, 2006
Michael Dobson; 22. Professional Shakespeare productions in the British
Isles, January-December 2005 James Shaw; The year's contribution to
Shakespeare studies: 1. Critical studies Michael Taylor; 2. Shakespeare in
performance Emma Smith; 3. Editions and textual studies Eric Rasmussen.