1. Sarah Siddons, theatre voices and recorded memory Judith Pascoe; 2. Playing with Shakespeare's play: Branagh's Love's Labour's Lost Anna K. Nardo; 3. Bottom and the gramophone: media, class and comedy in Michael Hoffman's A Midsummer Night's Dream Peter Donaldson; 4. Maurice Evans' Richard II on stage, television and film Russell Jackson; 5. Richard II on the screen Charles R. Forker; 6. 'Where lies your text?': Twelfth Night in American sign language translation Peter Novak; 7. 'This uncivil and unjust extent against thy peace': Tim Supple's Twelfth Night, or what violence will Alfredo Michel Modenessi; 8. 'There's no such thing': nothing and nakedness in Polanski's Macbeth Lindsey Scott; 9. Ghosts and mirrors: the gaze in film Hamlets Simon J. Ryle; 10. 'It's a terrible thing to hate your mother, Ben': mind control in Hamlet and The Manchurian Candidate Catherine Grace Canino; 11. Channelling the ghosts: the Wooster Group's remediation of the 1964 electronovision Hamlet Thomas Cartelli; 12. Listening to Prospero's Books Evelyn Tribble; 13. Lend me your ears: sampling BBC Radio Shakespeare Michael P. Jensen; 14. An age of kings and the 'normal American' Patricia Lennox; 15. Shakespeare and British television Olwen Terris; 16. A local habitation and a name: television and Shakespeare Laurie Osborne; 17. Paying attention in Shakespeare parody: from Tom Stoppard to YouTube Christy Desmet; 18. Madagascan Will: cinematic Shakespeares/transnational exchanges Mark Thornton Burnett; 19. Still life? anthropocentrism and the fly in Titus Andronicus and Volpone Charlotte Scott; 20. Hamlet and its early sources Ian Felce; 21. 'Speak, that I may see thee': Shakespeare characters and common words Hugh Craig; 22. Who do the people love? Richard Levin; 23. A partial theory of original practice Jeremy Lopez; 24. Shakespeare performances in England, 2007 Michael Dobson; 25. Professional Shakespeare productions in the British Isles, January-December 2006 James Shaw; The year's contribution to Shakespeare studies: 1. Critical studies Michael Taylor; 2. Shakespeare in performance Emma Smith; 3. Editions and textual studies Eric Rasmussen and John Jowett.
1. Sarah Siddons, theatre voices and recorded memory Judith Pascoe; 2. Playing with Shakespeare's play: Branagh's Love's Labour's Lost Anna K. Nardo; 3. Bottom and the gramophone: media, class and comedy in Michael Hoffman's A Midsummer Night's Dream Peter Donaldson; 4. Maurice Evans' Richard II on stage, television and film Russell Jackson; 5. Richard II on the screen Charles R. Forker; 6. 'Where lies your text?': Twelfth Night in American sign language translation Peter Novak; 7. 'This uncivil and unjust extent against thy peace': Tim Supple's Twelfth Night, or what violence will Alfredo Michel Modenessi; 8. 'There's no such thing': nothing and nakedness in Polanski's Macbeth Lindsey Scott; 9. Ghosts and mirrors: the gaze in film Hamlets Simon J. Ryle; 10. 'It's a terrible thing to hate your mother, Ben': mind control in Hamlet and The Manchurian Candidate Catherine Grace Canino; 11. Channelling the ghosts: the Wooster Group's remediation of the 1964 electronovision Hamlet Thomas Cartelli; 12. Listening to Prospero's Books Evelyn Tribble; 13. Lend me your ears: sampling BBC Radio Shakespeare Michael P. Jensen; 14. An age of kings and the 'normal American' Patricia Lennox; 15. Shakespeare and British television Olwen Terris; 16. A local habitation and a name: television and Shakespeare Laurie Osborne; 17. Paying attention in Shakespeare parody: from Tom Stoppard to YouTube Christy Desmet; 18. Madagascan Will: cinematic Shakespeares/transnational exchanges Mark Thornton Burnett; 19. Still life? anthropocentrism and the fly in Titus Andronicus and Volpone Charlotte Scott; 20. Hamlet and its early sources Ian Felce; 21. 'Speak, that I may see thee': Shakespeare characters and common words Hugh Craig; 22. Who do the people love? Richard Levin; 23. A partial theory of original practice Jeremy Lopez; 24. Shakespeare performances in England, 2007 Michael Dobson; 25. Professional Shakespeare productions in the British Isles, January-December 2006 James Shaw; The year's contribution to Shakespeare studies: 1. Critical studies Michael Taylor; 2. Shakespeare in performance Emma Smith; 3. Editions and textual studies Eric Rasmussen and John Jowett.
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