Shakespeare Survey
Herausgeber: Holland, Peter
Shakespeare Survey
Herausgeber: Holland, Peter
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The theme for Shakespeare Survey 63 is 'Shakespeare's English Histories and their Afterlives'.
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The theme for Shakespeare Survey 63 is 'Shakespeare's English Histories and their Afterlives'.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 444
- Erscheinungstermin: 22. November 2010
- Englisch
- Abmessung: 246mm x 193mm x 30mm
- Gewicht: 1016g
- ISBN-13: 9780521769150
- ISBN-10: 0521769159
- Artikelnr.: 30620665
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Cambridge University Press
- Seitenzahl: 444
- Erscheinungstermin: 22. November 2010
- Englisch
- Abmessung: 246mm x 193mm x 30mm
- Gewicht: 1016g
- ISBN-13: 9780521769150
- ISBN-10: 0521769159
- Artikelnr.: 30620665
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Shakespeare the historian Christy Desmet; The decline of the chronicle and
Shakespeare's history plays Jean-Christophe Mayer; Rites of oblivion in
Shakespearian history plays Isabel Karremann; Richard II's Yorkist editors
Emma Smith; Mapping the globe: the cartographic gaze and Shakespeare's
Henry the Fourth Part 1 Ralf Hertel; Falstaff's belly: pathos, prosthetics
and performance Robert Shaughnessy; 'And is old double dead?': Nation and
nostalgia in 2 Henry IV Naomi Conn Liebler; Performing the conflated text
of Henry IV: the fortunes of Part Two James C. Bulman; Medley history: The
Famous Victories of Henry The Fifth to Henry V Janet Clare; Georgic
sovereignty in Henry V Dermot Cavanagh; The Troublesome Reign, Richard II
and the date of King John: a study in intertextuality Charles R. Forker;
The trials of Queen Katherine in Henry VIII Janette Dillon; 'Watch out for
two handed swords': double-edged poetics in Howard Barker's Henry V in Two
Parts (1971) Vanasay Khamphommala; Daunted at a woman's sight?: The use and
abuse of female presence in cycle-performances of the Histories Anna
Kamaralli; The RSC's 'glorious moment' and the making of Shakespearian
history Alice Dailey; Shakespeare as war memorial: remembrance and
commemoration in the Great War Clara Calvo; Shakespearian biography,
biblical allusion, and early modern practices of reading scripture Randall
Martin; Filling in the 'wife-shaped void': the contemporary afterlife of
Anne Hathaway Katherine Scheil; Shakespeare and Machiavelli: a caveat N. W.
Bawcutt; Shame and reflection in Montaigne and Shakespeare Lars Engle;
Playing the law for lawyers: witnessing, evidence and the law of contract
in The Comedy of Errors Barbara Kreps; Shakespeare's Narcissus: omnipresent
love in Venus and Adonis John McGee; Surface tensions: ceremony and shame
in Much Ado About Nothing Alison Findlay; 'Remember me': Shylock on the
postwar German stage Sabine Schülting; 'Dangerous and rebel prince': a
television adaptation of Hamlet in late Francoist Spain Jesús Tronch-Pérez;
What Shakespeare did with the Queen's King Leir and when Meredith Skura;
Re-cognizing Leontes Arthur F. Kinney; Shakespeare performances in England
2009 Carol Chillington Rutter; Professional Shakespeare productions in the
British Isles, January-December 2008 James Shaw; The year's contribution to
Shakespeare studies: 1. Critical studies reviewed by Julie Sanders; 2.
Shakespeare in performance reviewed by Pascale Aebischer; 3. Editions and
textual studies reviewed by Eric Rasmussen.
Shakespeare's history plays Jean-Christophe Mayer; Rites of oblivion in
Shakespearian history plays Isabel Karremann; Richard II's Yorkist editors
Emma Smith; Mapping the globe: the cartographic gaze and Shakespeare's
Henry the Fourth Part 1 Ralf Hertel; Falstaff's belly: pathos, prosthetics
and performance Robert Shaughnessy; 'And is old double dead?': Nation and
nostalgia in 2 Henry IV Naomi Conn Liebler; Performing the conflated text
of Henry IV: the fortunes of Part Two James C. Bulman; Medley history: The
Famous Victories of Henry The Fifth to Henry V Janet Clare; Georgic
sovereignty in Henry V Dermot Cavanagh; The Troublesome Reign, Richard II
and the date of King John: a study in intertextuality Charles R. Forker;
The trials of Queen Katherine in Henry VIII Janette Dillon; 'Watch out for
two handed swords': double-edged poetics in Howard Barker's Henry V in Two
Parts (1971) Vanasay Khamphommala; Daunted at a woman's sight?: The use and
abuse of female presence in cycle-performances of the Histories Anna
Kamaralli; The RSC's 'glorious moment' and the making of Shakespearian
history Alice Dailey; Shakespeare as war memorial: remembrance and
commemoration in the Great War Clara Calvo; Shakespearian biography,
biblical allusion, and early modern practices of reading scripture Randall
Martin; Filling in the 'wife-shaped void': the contemporary afterlife of
Anne Hathaway Katherine Scheil; Shakespeare and Machiavelli: a caveat N. W.
Bawcutt; Shame and reflection in Montaigne and Shakespeare Lars Engle;
Playing the law for lawyers: witnessing, evidence and the law of contract
in The Comedy of Errors Barbara Kreps; Shakespeare's Narcissus: omnipresent
love in Venus and Adonis John McGee; Surface tensions: ceremony and shame
in Much Ado About Nothing Alison Findlay; 'Remember me': Shylock on the
postwar German stage Sabine Schülting; 'Dangerous and rebel prince': a
television adaptation of Hamlet in late Francoist Spain Jesús Tronch-Pérez;
What Shakespeare did with the Queen's King Leir and when Meredith Skura;
Re-cognizing Leontes Arthur F. Kinney; Shakespeare performances in England
2009 Carol Chillington Rutter; Professional Shakespeare productions in the
British Isles, January-December 2008 James Shaw; The year's contribution to
Shakespeare studies: 1. Critical studies reviewed by Julie Sanders; 2.
Shakespeare in performance reviewed by Pascale Aebischer; 3. Editions and
textual studies reviewed by Eric Rasmussen.
Shakespeare the historian Christy Desmet; The decline of the chronicle and
Shakespeare's history plays Jean-Christophe Mayer; Rites of oblivion in
Shakespearian history plays Isabel Karremann; Richard II's Yorkist editors
Emma Smith; Mapping the globe: the cartographic gaze and Shakespeare's
Henry the Fourth Part 1 Ralf Hertel; Falstaff's belly: pathos, prosthetics
and performance Robert Shaughnessy; 'And is old double dead?': Nation and
nostalgia in 2 Henry IV Naomi Conn Liebler; Performing the conflated text
of Henry IV: the fortunes of Part Two James C. Bulman; Medley history: The
Famous Victories of Henry The Fifth to Henry V Janet Clare; Georgic
sovereignty in Henry V Dermot Cavanagh; The Troublesome Reign, Richard II
and the date of King John: a study in intertextuality Charles R. Forker;
The trials of Queen Katherine in Henry VIII Janette Dillon; 'Watch out for
two handed swords': double-edged poetics in Howard Barker's Henry V in Two
Parts (1971) Vanasay Khamphommala; Daunted at a woman's sight?: The use and
abuse of female presence in cycle-performances of the Histories Anna
Kamaralli; The RSC's 'glorious moment' and the making of Shakespearian
history Alice Dailey; Shakespeare as war memorial: remembrance and
commemoration in the Great War Clara Calvo; Shakespearian biography,
biblical allusion, and early modern practices of reading scripture Randall
Martin; Filling in the 'wife-shaped void': the contemporary afterlife of
Anne Hathaway Katherine Scheil; Shakespeare and Machiavelli: a caveat N. W.
Bawcutt; Shame and reflection in Montaigne and Shakespeare Lars Engle;
Playing the law for lawyers: witnessing, evidence and the law of contract
in The Comedy of Errors Barbara Kreps; Shakespeare's Narcissus: omnipresent
love in Venus and Adonis John McGee; Surface tensions: ceremony and shame
in Much Ado About Nothing Alison Findlay; 'Remember me': Shylock on the
postwar German stage Sabine Schülting; 'Dangerous and rebel prince': a
television adaptation of Hamlet in late Francoist Spain Jesús Tronch-Pérez;
What Shakespeare did with the Queen's King Leir and when Meredith Skura;
Re-cognizing Leontes Arthur F. Kinney; Shakespeare performances in England
2009 Carol Chillington Rutter; Professional Shakespeare productions in the
British Isles, January-December 2008 James Shaw; The year's contribution to
Shakespeare studies: 1. Critical studies reviewed by Julie Sanders; 2.
Shakespeare in performance reviewed by Pascale Aebischer; 3. Editions and
textual studies reviewed by Eric Rasmussen.
Shakespeare's history plays Jean-Christophe Mayer; Rites of oblivion in
Shakespearian history plays Isabel Karremann; Richard II's Yorkist editors
Emma Smith; Mapping the globe: the cartographic gaze and Shakespeare's
Henry the Fourth Part 1 Ralf Hertel; Falstaff's belly: pathos, prosthetics
and performance Robert Shaughnessy; 'And is old double dead?': Nation and
nostalgia in 2 Henry IV Naomi Conn Liebler; Performing the conflated text
of Henry IV: the fortunes of Part Two James C. Bulman; Medley history: The
Famous Victories of Henry The Fifth to Henry V Janet Clare; Georgic
sovereignty in Henry V Dermot Cavanagh; The Troublesome Reign, Richard II
and the date of King John: a study in intertextuality Charles R. Forker;
The trials of Queen Katherine in Henry VIII Janette Dillon; 'Watch out for
two handed swords': double-edged poetics in Howard Barker's Henry V in Two
Parts (1971) Vanasay Khamphommala; Daunted at a woman's sight?: The use and
abuse of female presence in cycle-performances of the Histories Anna
Kamaralli; The RSC's 'glorious moment' and the making of Shakespearian
history Alice Dailey; Shakespeare as war memorial: remembrance and
commemoration in the Great War Clara Calvo; Shakespearian biography,
biblical allusion, and early modern practices of reading scripture Randall
Martin; Filling in the 'wife-shaped void': the contemporary afterlife of
Anne Hathaway Katherine Scheil; Shakespeare and Machiavelli: a caveat N. W.
Bawcutt; Shame and reflection in Montaigne and Shakespeare Lars Engle;
Playing the law for lawyers: witnessing, evidence and the law of contract
in The Comedy of Errors Barbara Kreps; Shakespeare's Narcissus: omnipresent
love in Venus and Adonis John McGee; Surface tensions: ceremony and shame
in Much Ado About Nothing Alison Findlay; 'Remember me': Shylock on the
postwar German stage Sabine Schülting; 'Dangerous and rebel prince': a
television adaptation of Hamlet in late Francoist Spain Jesús Tronch-Pérez;
What Shakespeare did with the Queen's King Leir and when Meredith Skura;
Re-cognizing Leontes Arthur F. Kinney; Shakespeare performances in England
2009 Carol Chillington Rutter; Professional Shakespeare productions in the
British Isles, January-December 2008 James Shaw; The year's contribution to
Shakespeare studies: 1. Critical studies reviewed by Julie Sanders; 2.
Shakespeare in performance reviewed by Pascale Aebischer; 3. Editions and
textual studies reviewed by Eric Rasmussen.